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The smash-hit & box office breaking Heathers The Musical starring Carrie Hope Fletcher transfers to London’s West End

Heathers
Heathers

Heathers

After smashing all box office records with its European premiere at The Other Palace, the sold-out production of Heathers – The Musical will make its highly anticipated West End transfer this Autumn. The 2018 Class of Westerberg High will be graduating to the Theatre Royal Haymarket for a strictly limited 12-week run, from 3 September 2018, with Carrie Hope Fletcher reprising her role as Veronica Sawyer.

Heathers – The Musical is now the highest grossing show at Andrew Lloyd Webber’s The Other Palace and St. James’ history having sold over 20,000 tickets across the run and having sold out prior to its opening gala performance. It is the first show in the theatre’s history to move from a studio workshop to a main house production and it now becomes The Other Palace’s first West End transfer, having reached a brand new audience; 70% of which are under the age of 30. The production will continue to develop and celebrate its younger and more diverse audience by offering over 15,000 seats at £25 across the West End run.

 Greetings, salutations. Welcome to Westerberg High, where popularity is so very a matter of life and death, and Veronica Sawyer is just another of the nobodies dreaming of a better day.

 But when she’s unexpectedly taken under the wings of the three beautiful and impossibly cruel Heathers, her dreams finally start to come true.

 Until JD turns up, the mysterious teen rebel who teaches her that it might kill to be a nobody, but it’s murder being a somebody…

Based on one of the greatest teen films of all time, the 1988 cult classic starred Winona Ryder and Christian Slater. The award-winning writing team, Laurence O’Keefe (Legally Blonde, Bat Boy) and Kevin Murphy’s (Reefer MadnessDesperate Housewives) hit musical adaptation has enjoyed successful runs in Los Angeles and New York, and finally arrived in the UK for its European premiere on 9 June 2018, following a rapturous response to its 2017 workshop at The Other Palace.

The musical is directed by acclaimed screen and stage director Andy Fickman, with choreography by Gary Lloyd, design by David Shields, lighting by Ben Cracknell, sound by Dan Samson and casting by Will Burton. The full cast of Heathers – The Musical will be announced in due course.

Heathers – The Musical is currently running at The Other Palace until 4 August and is produced by Bill Kenwright and Paul Taylor Mills.

 

LISTINGS

HEATHERS – THE MUSICAL

THEATRE ROYAL HAYMARKET

3 SEPTEMBER – 24 NOVEMBER 2018

 

Production Images: Can be downloaded HERE – Pamela Raith Photography.

Press Performances:

Tuesday 11 September – 7.45pm

Wednesday 12 September – 7.45pm

Thursday 13 September – 3.00pm

Thursday 13 September – 7.45pm

*Reviews embargoed until 00.01 on Friday 14 September*

Performances:

Monday – Saturday – 7.45pm

Thursday & Saturday – 3.00pm

Ticket Prices: From £25.00

Address: 18 Suffolk Street, London, SW1Y 4HT

 Box Office: 020 7930 8800

 Website:

www.heathersthemusical.com

www.trh.co.uk

 Facebook/Twitter/Instagram:

@HeathersMusical

@TRH_London

Young Playwriting Scheme ‘Pitch Your Play’ Returns for 2018

Pitch Your Play
Pitch Your Play

Pitch Your Play

Over the last twenty years, the Theatre Royal Haymarket Masterclass Trust (Masterclass) has worked hard to curate unique theatre opportunities for young creatives at the start of their career by opening up the Theatre Royal Haymarket during the day, when most other theatres lie dormant.

The future of theatre relies on today’s generation having the opportunities and support to go forward and create. As such, Masterclass has announced the return of their successful Pitch Your Play scheme which invites people aged 17-30 to pitch for the opportunity to stage a reading of a new play at the Theatre Royal Haymarket.

Generously supported by the Noel Coward Foundation, Masterclass’ Pitch Your Play scheme offers three successful pitches access to admin support, marketing provision, rehearsal space, office space and creative guidance to hone their ideas at the Theatre Royal Haymarket. Working closely with Masterclass, this is an exclusive opportunity to showcase new work in front of an invited audience of peers and industry professionals. It is a chance to invite potential funders, financial producers and potential theatres to see the play or to simply test a new piece of writing on stage in the heart of London’s West End.

Masterclass are asking for all applications to include: a short synopsis of the play, a hard copy of the first 30 pages and covering letter, but the script must be a new, unpublished piece of writing. Applications are now open and the deadline to submit the first 30 pages of the script is 10am, Tuesday 13th March! For more information and how to apply, visit the Masterclass website here.

Speaking about the return of the Pitch Your Play scheme, Jez Butterworth commented:

“Twenty five years ago when I gave up my first and last paying job to try to write for a living, I swiftly felt alone. A scheme such as Pitch Your Play would have felt like a lifeline. Witnessing work rehearsed and hearing it read aloud is oxygen for fledgling playwrights. I’m a bit jealous of those taking part, who will hear something for the first time; the strange and familiar voice, which startles, haunts, galvanises and nourishes them enough to try again.”

One of the initiative’s previous playwrights, Emma Whipday, explains how the process has helped to further her career:

“Having Shakespeare’s Sister staged at the Theatre Royal Haymarket has transformed my career. The staged reading resulted in an offer to licence and publish the play and its first professional production took place at the American Shakespeare Center in Virginia, February 2017. These are career-changing moments I simply couldn’t have imagined before Pitch Your Play. The opportunity to have my work seen by industry professionals has opened so many doors and I’m hugely grateful.”

The Masterclass Pitch Your Play initiative is generously supported by the Noel Coward Foundation.

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First Look: Rehearsal Images : Frozen at the Theatre Royal Haymarket starring Suranne Jones, Jason Watkins and Nina Sosanya

Natalie Dormer and David Oakes in VENUS IN FUR at Theatre Royal Haymarket

Natalie Dormer and David Oakes in VENUS IN FUR
Natalie Dormer and David Oakes in VENUS IN FUR

Natalie Dormer and David Oakes in VENUS IN FUR

TRH Productions have released the exclusive first image of Natalie Dormer and David Oakes prior the West End premiere of David Ives’ hit Broadway play Venus in Fur which will run for a strictly limited nine week engagement at the Theatre Royal Haymarket run from 6 October to 9 December with opening night for press on 17 October.

Enigmatic actress Vanda Jordan appears unannounced for an audition with director Thomas Novachek. She’s determined to land the leading role in his new production – despite seeming wrong for the part. Over one evening in downtown Manhattan their charged meeting becomes a seductive dance to the end.

Directed by Patrick Marber, designed by Rob Howell with lighting by Hugh Vanstone and casting by Executive Producer Ilene StargerVenus In Fur is an intoxicating dark comedy of desire, fantasy and the innate love of fur.

Natalie Dormer is to play Vanda Jordan. Dormer is known globally for film and television roles including Margaery Tyrell in HBO series Game of Thrones, Anne Boleyn in The Tudors for ShowtimeCressida in The Hunger Games: Mockingjay Parts 1 and 2, Focus Features’ The Forest, Ron Howard’s Rush, and Ridley Scott’sThe Counselor. Upcoming, Dormer stars opposite Sean Penn and Mel Gibson in The Professor and the Mad Man, and the independent thriller In Darkness, which she also co-wrote. She is currently in production on FremantleMedia’s Picnic at Hanging Rock in Australia. Venus in Fur sees Dormer reunite with Patrick Marber, who wrote After Miss Julie (Young Vic) for which she received widespread critical acclaim in the title role. Her other stage credits include Sweet Nothings (also at the Young Vic) and .45 (Hampstead Theatre).

David Oakes is to play Thomas Novachek. Oakes is best known for portraying Juan Borgia in the Emmy Award-winning Showtime Original series The Borgias, for playing William Hamleigh in Emmy Award-winning mini-series The Pillars of the Earth, for BBC’s The White Queen in the role of George, Duke of Clarence and, most recently, on screen as Prince Ernest in ITV’s Victoria, for which he is currently filming the second series. Stage credits include Kit Marlowe in Shakespeare In Love (Nöel Coward Theatre) and Mr Darcy in Pride and Prejudice (Regent’s Park Open Air Theatre). Oakes will also appear in the film adaptation of Albert Sánchez Piñol’s thriller Cold Skin set for release later this year.

Patrick Marber is an award-winning playwright, screenwriter, actor and director. His productions of his own work includes Dealer’s Choice (NT & Vaudeville), After Miss Julie (BBC TV), Closer (NT, Lyric & Music Box NY) Howard Katz (NT), Three Days in the Country (NT) Don Juan in Soho (Wyndhams). His other directing credits include Travesties (Menier Chocolate Factory/ Apollo Theatre) The Caretaker (Comedy Theatre), Blue Remembered Hills (National Theatre), ‘1953’ (Almeida) and The Old Neighborhood (Royal Court Theatre). Other plays include The Red Lion, The Musicians, The School Film (all for NT) and Hoop Lane (BBC Radio 3). His film credits include Closer (directed by Mike Nichols), Notes on a Scandal (directed by Richard Eyre), Old Street and Love You More. For television his co-writing credits include The Day Today and Knowing Me, Knowing You With Alan Partridge. More recently Ivo van Hove directed Marber’s version of Ibsen’s Hedda Gabler for the National Theatre starring Ruth Wilson. His plays have won Evening Standard, Olivier, Time Out, New York and London Critics’ Circle and Writers’ Guild Awards. His TV work has received BAFTA, British Comedy and Royal Television Society Awards. His screenplays have been nominated for Golden Globe, BAFTA and Academy Awards. He received the British Independent Film Award for Notes on a Scandal.

David Ives was nominated for a Tony Award for Best Play for Venus In Fur, which has been produced all over the country and the world, and was turned into a film by Roman PolanskiHe is also well known for his evenings of one-act comedies All In The Timing and Time Flies. Other plays include New Jerusalem: The Interrogation of Baruch de SpinozaThe Liar (adapted from Corneille); The School For Lies (adapted from Molière); The Metromaniacs (adapted from Alexis Piron); Is He Dead? (adapted from Mark Twain); Ancient History, and Polish Joke. A Chicago native, he lives in New York City.

Rob Howell has worked extensively in costume and set design in theatre and opera within the UK and abroad including at the Royal Court, Almeida, Donmar Warehouse, National Theatre, Royal Shakespeare Company, Welsh National Opera, Royal Opera House and Metropolitan Opera, New York as well as at numerous other West End and Broadway Theatres. Recent credits include The Ferryman (Royal Court) and Groundhog Day(UK and Broadway). He has received three Olivier Awards and multiple nominations for Tony and Olivier Awards for both Set and Costume Design, including the Olivier Award for Best Set Designer for Troilus and Cressida, Vassa and Richard III in 2000 and for Hedda Gabler in 2006. He received an Olivier Award in 2012 and a Drama Desk Award, Outer Critics Circle Award, Tony Award in 2013 and for his designs for Matilda the Musical in New York and London.

Hugh Vanstone has designed the lighting for over 200 productions and worked extensively with UK national companies and on Broadway. He has received many awards including three Oliviers, a Tony and a Molière. As associate artist at The Old Vic, he has recently lit Art, No’s Knife, Groundhog Day (UK and Broadway), The Caretaker, The Master Builder and Future Conditional. Other work includes: Dreamgirls (Savoy), Welcome Home, Captain Fox and Closer (Donmar); The Red Lion (National Theatre, Dorfman); Closer (Donmar and in New York); An Act Of God (New York & tour); Matilda (RSC and internationally); Strictly Ballroom(Australian tour); Don Quixote (Royal Ballet); Tanz Der Vampire (throughout Europe & Russia); Shrek The Musical (New York, West End & UK tour); Ghost (London and internationally).

Ilene Starger is a Casting Director and Producer. West End theatre credits include The Libertine (as Casting Director/Executive Producer for TRB and TRH); Breakfast at Tiffany’s (as U.S. Casting Director for 2009 TRH production; also for 2016 UK tour.) Broadway credits include Waiting for Godot, No Man’s Land, Breakfast at Tiffany’s (Casting Director & Associate Producer), Marlene, The Elephant Man, Dance of Death, The Diary of Anne Frank, Dirty Blonde, Closer (Artios Award.) Film credits include Custody (also Associate Producer), The Rewrite, Pink Panther 1 & 2, Music and Lyrics, Two Weeks’ Notice, Night at the Museum (Artios Award),School of Rock (Artios Award), Sleepy Hollow, A Simple Plan, The Parent Trap, First Wives’ Club, Marvin’s Room, Robin Hood: Prince of Thieves, No Way Out. TV credits include: Witness to the Mob, The Great Gatsby, Earthly Possessions. Starger is a former VP of Casting for Walt Disney and Touchstone Pictures.

An adaptation of Leopold von Sacher-Masoch’s 1870 novel Venus in Furs that inspired the term masochism,Venus in Fur was first performed off-Broadway, New York in 2010 with Nina Arianda and Wes Bentley, before transferring to the Samuel J. Friedman Theatre on Broadway with Nina Arianda reprising the role of Vanda Jordan alongside Hugh Dancy as Thomas Novachek. Both productions were directed by Walter Bobbie and won Arianda multiple awards including the 2011/12 Tony Award for Best Performance by an Actress in a Leading Role in a Play. In 2012, Roman Polanski directed a film version of the play, in French, starring Emmanuelle Seigner and Mathieu Amalric.

Anna Ledwich to Direct Groundbreaking West End Production Inspired by True Online Experiences of Cyber Bullying

Cookies TRH
Cookies TRH

Cookies TRH

The Theatre Royal Haymarket Masterclass Trust in partnership with the Pureland Foundation and children’s charity Kidscape present the world premiere of Emily Jenkins’ pioneering new play Cookies for two performances only at the Theatre Royal Haymarket on 29th October 2017.

 “The internet is their battleground.
London their surround sound.
YouTube their statement maker
– their whatsit –
manifesto maker.” 

In a world of gaming, vlogging, instant messaging and streaming, the online and offline worlds of four teenagers collide when each are exposed to cyber bullying and a darker side to their digital lives.

Inspired by the online experiences of 120 students, Cookies by Fringe First Award winner Emily Jenkins, will take us on an astonishing digital journey that questions the effects and consequences of cyber bullying, and other sinister sides to the internet.

Anna Ledwich, 2015 Olivier Award nominee for Outstanding Achievement in an Affiliate theatre, directs this stimulating, timely and significant new piece of theatre.

Cookies has been commissioned and developed for The Cyberscene Project; an inspirational theatre initiative created by The Theatre Royal Haymarket Masterclass Trust in partnership with Kidscape and generously funded by Pureland Foundation. The project aims to use theatre to support the health and well-being of young people affected by cyber bullying and to raise awareness of not only the dangers of being online, but also the positives too.

In October 2016, the Cyberscene team went into four London-based further education colleges and began scripting the play through a series of theatre based workshops. In this supportive environment, over 100 young students worked alongside theatre professionals to share their intimate experiences of being online; to learn from each other and to be part of an empowering initiative which aims to address the impact of cyber bullying and the wider digital realm. The final production will feature 25 of the original 100 students as an ensemble alongside a cast of established actors who will be announced at a later date.

It is through hearing the voices of these young students that Emily Jenkins was able to conceive Cookies, a bold, new play which directly addresses some of the issues brought up in the workshops through live performance.

Speaking about the play, Emily Jenkins said;

“For those who have grown up with the internet it has become almost as fundamental to daily life – as elemental as oxygen. We are still discovering the rules and intricacies of existing within this world; yet it is young people themselves who are most aware of the difference it makes.

This play has come directly from what young people shared with me about their daily online lives; and their extraordinary and terrifying online experiences. Before we tell them what they should do or how they should behave we need to listen to what they have to say. This is not my story. It’s theirs.”

The performance taking place at the Theatre Royal Haymarket is the first landmark in the project’s legacy. Blayne George, Programme Director at Masterclass commented;

“This project doesn’t end on 29th October; on the contrary that’s where it begins. Along with this important new play we will be collating our research into a free resource pack for schools and education providers across the United Kingdom as a way of helping to raise awareness and combat the ever-growing issues of cyber bullying and digital security.”

In addition to directly supporting young people, The Cyberscene Project is also about helping adults understand the complexities of cyber bullying and engage appropriately with younger generations. Lauren Seager-Smith, CEO of children’s charity Kidscape, said;

“It’s vital that as adults seeking to support children with bullying issues we strive to understand their lives and the situations they face.  This enthralling performance will challenge us to engage on a much deeper level with young people, many of whom stand in the front line in the war against cyber bullying and online abuse. It tests our assumptions, urging us to explore their realities and work with them to find new solutions.”

Cyberscene is generously supported by The Pureland Foundation and the Theatre Royal Haymarket. Bruno Wang, Chairman of the Pureland Foundation said;

“We all know the internet can be informative and entertaining, but it’s also a place where young people can be led to harm and, as such we are proud to be partnering with Masterclass and Kidscape on such a poignant, relevant and necessary project.”

Cyberscene has been created under the artistic guidance of renowned British theatre director, Jonathan Church CBE.

Dr Ellen Helsper, Director of Graduate Studies and Associate Professor in the Media and Communications Department at the LSE, is overseeing an evaluation of the project which links with her wider research into the subject area.

Additional links and support

If you or someone you know is experiencing cyber bullying and you would like some additional support please visit Kidscape’s website for further guidance.

Listings

Cookies

29th October 2017

3pm & 6:30pm – TWO PERFORMANCES ONLY

Theatre Royal Haymarket, Haymarket, London, SW1Y 4HT

Tickets: http://www.trh.co.uk/whatson/cookies/

Box Office: 020 7930 8800

Twitter: @MasterclassTRH / @TRH_London

#CookiesPLAY

Prices

From £7.50

For full details either visit www.trh.co.uk or call 020 7930 8800

 

Last chance to see Damian Lewis and Sophie Okonedo in Ian Rickson’s five star hit production of Edward Albee’s The Goat, or Who Is Sylvia?

Sophie Okonedo and Damian Lewis in Edward Albee's The Goat, or Who is Sylvia

Sophie Okonedo and Damian Lewis in Edward Albee’s The Goat, or Who is Sylvia © Uli Weber

Audiences have just over three weeks left to see this provocative and controversial box office hit production led by Damian Lewis and Sophie Okonedo, directed by Ian Rickson. The final performance of the strictly limited 12 week run at the Theatre Royal Haymarket will be held on 24 June.

Martin (Damian Lewis), a husband and successful New York architect with everything to lose, must confess to his wife Stevie (Sophie Okonedo) and son that he is having an affair and face the dizzying, explosive consequences. They are joined by Jason Hughes as Martin’s oldest friend Ross and newcomer Archie Madekweas their son Billy.

This deeply thought-provoking and rarely performed TONY® award winning masterpiece opened to public and critical acclaim at the Theatre Royal Haymarket on 24 March.

The Olivier and Tony Award®-winning creative team includes Rae Smith (set and costume design), Neil Austin(lighting design) and Greg Clarke (sound design), with original music by PJ Harvey.

Listings:

Edward Albee’s
The Goat, or Who Is Sylvia?
Directed by Ian Rickson

Theatre Royal Haymarket, Haymarket, London SW1Y 4HT
www.TheGoatPlay.com
Box Office: 020 7930 8800

Twitter: @TheGoatPlay
Facebook: TheGoatPlay
Instagram: @TheGoatPlay

#TheGoatPlay

Final performance: 24 June 2017
MondaySaturday at 7.30pm
Thursday and Saturday at 3pm

There will be no performances from 29 May – 4 June 2017

Tickets from £15

Natalie Dormer and David Oakes in VENUS IN FUR at Theatre Royal Haymarket

TRH Productions will present Natalie Dormer and David Oakes in the West End premiere of David Ives’ hit Broadway play Venus in Fur this autumn for a strictly limited nine week engagement at the Theatre Royal Haymarket. This critically-acclaimed two-hander will run from 6 October to 9 December with opening night for press on 17 October.

Enigmatic actress Vanda Jordan appears unannounced for an audition with director Thomas Novachek. She’s determined to land the leading role in his new production – despite seeming wrong for the part. Over one evening in downtown Manhattan their charged meeting becomes a seductive dance to the end.

Directed by Patrick Marber, designed by Rob Howell with lighting by Hugh Vanstone and casting by Executive Producer Ilene Starger, Venus In Fur is an intoxicating dark comedy of desire, fantasy and the innate love of fur.

Natalie Dormer

Natalie Dormer is to play Vanda Jordan. Dormer is known globally for film and television roles including Margaery Tyrell in HBO series Game of Thrones, Anne Boleyn in The Tudors for ShowtimeCressida in The Hunger Games: Mockingjay Parts 1 and 2, Focus Features’ The Forest, Ron Howard’s Rush, and Ridley Scott’s The Counselor.  Upcoming, Dormer stars opposite Sean Penn and Mel Gibson in The Professor and the Mad Man, and the independent thriller In Darkness, which she also co-wrote. She is currently in production on FremantleMedia’s Picnic at Hanging Rock in Australia. Venus in Fur sees Dormer reunite with Patrick Marber, who wrote After Miss Julie (Young Vic) for which she received widespread critical acclaim in the title role. Her other stage credits include Sweet Nothings (also at the Young Vic) and .45 (Hampstead Theatre).

 

David Oakes

David Oakes is to play Thomas Novachek. Oakes is best known for portraying Juan Borgia in the Emmy Award-winning Showtime Original series The Borgias, for playing William Hamleigh in Emmy Award-winning mini-series The Pillars of the Earth, for BBC’s The White Queen in the role of George, Duke of Clarence and, most recently, on screen as Prince Ernest in ITV’s Victoria, for which he is currently filming the second series. Stage credits include Kit Marlowe in Shakespeare In Love (Nöel Coward Theatre) and Mr Darcy in Pride and Prejudice (Regent’s Park Open Air Theatre). Oakes will also appear in the film adaptation of Albert Sánchez Piñol’s thriller Cold Skin set for release later this year.

Patrick Marber is an award-winning playwright, screenwriter, actor and director. His productions of his own work includes Dealer’s Choice (NT & Vaudeville), After Miss Julie (BBC TV), Closer (NT, Lyric & Music Box NY) Howard Katz (NT), Three Days in the Country (NT) Don Juan in Soho (Wyndhams). His other directing credits include Travesties (Menier Chocolate Factory/ Apollo Theatre) The Caretaker (Comedy Theatre), Blue Remembered Hills  (National Theatre), ‘1953’ (Almeida) and The Old Neighborhood (Royal Court Theatre). Other plays include The Red Lion, The Musicians, The School Film (all for NT) and Hoop Lane (BBC Radio 3). His film credits include Closer (directed by Mike Nichols), Notes on a Scandal (directed by Richard Eyre), Old Street and Love You More. For television his co-writing credits include The Day Today and Knowing Me, Knowing You With Alan Partridge.  More recently Ivo van Hove directed Marber’s version of Ibsen’s Hedda Gabler for the National Theatre starring Ruth Wilson. His plays have won Evening Standard, Olivier, Time Out, New York and London Critics’ Circle and Writers’ Guild Awards. His TV work has received BAFTA, British Comedy and Royal Television Society Awards. His screenplays have been nominated for Golden Globe, BAFTA and Academy Awards. He received the British Independent Film Award for Notes on a Scandal.

David Ives was nominated for a Tony Award for Best Play for Venus In Fur, which has been produced all over the country and the world, and was turned into a film by Roman Polanski. He is also well known for his evenings of one-act comedies All In The Timing and Time Flies. Other plays include New Jerusalem: The Interrogation of Baruch de Spinoza; The Liar (adapted from Corneille); The School For Lies (adapted from Molière); The Metromaniacs (adapted from Alexis Piron); Is He Dead? (adapted from Mark Twain); Ancient History, and Polish Joke. A Chicago native, he lives in New York City.

Rob Howell has worked extensively in costume and set design in theatre and opera within the UK and abroad including at the Royal Court, Almeida, Donmar Warehouse, National Theatre, Royal Shakespeare Company, Welsh National Opera, Royal Opera House and Metropolitan Opera, New York as well as at numerous other West End and Broadway Theatres. Recent credits include The Ferryman (Royal Court) and Groundhog Day (UK and Broadway). He has received three Olivier Awards and multiple nominations for Tony and Olivier Awards for both Set and Costume Design, including the Olivier Award for Best Set Designer for Troilus and Cressida, Vassa and Richard III in 2000 and for Hedda Gabler in 2006. He received an Olivier Award in 2012 and a Drama Desk Award, Outer Critics Circle Award, Tony Award in 2013 and for his designs for Matilda the Musical in New York and London.

Hugh Vanstone has designed the lighting for over 200 productions and worked extensively with UK national companies and on Broadway. He has received many awards including three Oliviers, a Tony and a Molière. As associate artist at The Old Vic, he has recently lit Art, No’s Knife, Groundhog Day (UK and Broadway), The Caretaker, The Master Builder and  Future Conditional. Other work includes: Dreamgirls (Savoy), Welcome Home, Captain Fox and  Closer (Donmar); The Red Lion (National Theatre, Dorfman); Closer (Donmar and in New York); An Act Of God (New York & tour); Matilda (RSC and internationally); Strictly Ballroom (Australian tour);  Don Quixote (Royal Ballet); Tanz Der Vampire (throughout Europe & Russia); Shrek The Musical (New York, West End & UK tour); Ghost (London and internationally).

Ilene Starger is a Casting Director and Producer. West End theatre credits include The Libertine (as Casting Director/Executive Producer for TRB and TRH); Breakfast at Tiffany’s (as U.S. Casting Director for 2009 TRH production; also for 2016 UK tour.) Broadway credits include Waiting for Godot, No Man’s Land, Breakfast at Tiffany’s (Casting Director & Associate Producer), Marlene, The Elephant Man, Dance of Death, The Diary of Anne Frank, Dirty Blonde, Closer (Artios Award.) Film credits include Custody (also Associate Producer), The Rewrite, Pink Panther 1 & 2, Music and Lyrics, Two Weeks’ Notice, Night at the Museum (Artios Award), School of Rock (Artios Award), Sleepy Hollow, A Simple Plan, The Parent Trap, First Wives’ Club, Marvin’s Room, Robin Hood: Prince of Thieves, No Way Out. TV credits include: Witness to the Mob, The Great Gatsby, Earthly Possessions. Starger is a former VP of Casting for Walt Disney and Touchstone Pictures.

An adaptation of Leopold von Sacher-Masoch’s 1870 novel Venus in Furs that inspired the term masochism, Venus in Fur was first performed off-Broadway, New York in 2010 with Nina Arianda and Wes Bentley, before transferring to the Samuel J. Friedman Theatre on Broadway with Nina Arianda reprising the role of Vanda Jordan alongside Hugh Dancy as Thomas Novachek. Both productions were directed by Walter Bobbie and won Arianda multiple awards including the 2011/12 Tony Award for Best Performance by an Actress in a Leading Role in a Play. In 2012, Roman Polanski directed a film version of the play, in French, starring Emmanuelle Seigner and Mathieu Amalric.

LISTINGS

Website: www.VenusOnStage.com
Twitter: @VenusOnStageLDN
Facebook: facebook.com/VenusOnStageLDN

Theatre Royal Haymarket, Haymarket, London SW1Y 4HT

www.trh.co.uk
Box Office: 020 7930 8800

First performance on 6 October
Final performance on 9 December
Opening Night for Press on 17 October

Performances
MondaySaturday at 7.30pm
Thursday and Saturday at 3pm

Prices
From £15
For full details either visit www.trh.co.uk or call 020 7930 8800

TICKETS ARE ON SALE NOW

First look: Production images of Damian Lewis, Sophie Okonedo and the cast on stage in Edward Albee’s The Goat, or Who Is Sylvia?

Rehearsal images released of Damian Lewis, Sophie Okonedo and the cast of Edward Albee’s The Goat, or Who Is Sylvia? ahead of the production’s first preview