Cast Announced for Adrian Mole in the West End

Rehearsals begin today for Sue Townsend’s The Secret Diary of Adrian Mole aged 13¾ – The Musical, which will open at the Ambassadors Theatre for a limited season from 15 June until 12 October 2019, with a Gala Night on Tuesday 2 July. The musical has book and lyrics by Jake Brunger, music and lyrics by Pippa Cleary and direction by Luke Sheppard.

The adult cast includes Rosemary Ashe (Felicia Gabriel in The Witches of Eastwick for which she was nominated for an Olivier Award, Carlotta in the original cast of The Phantom of the Opera, Madame Thenardier in Les Misérables, Sister Mary Lazarus in Sister Act UK tour, Kate Hoey MP in Committeeat Donmar Warehouse) as Grandma, Lara Denning (Mrs Wormwood and Miss Honey in Matilda, West End, Ruthless The Musical at Arts Theatre, Mrs Bucket in Charlie and the Chocolate Factory, Theatre Royal Drury Lane) as Miss Elf/Doreen Slater, John Hopkins (Sir Francis Basset in Poldark, BBC, Endeavour, ITV, regular character Sergeant Dan Scott in Midsomer Murders, ITV, The Boys in the Band at Park Theatre/ Vaudeville, Much Ado About Nothing at Rose Theatre Kingston) as Mr Lucas/Mr Scruton, Andrew Langtree (Ned Ryerson in Groundhog Day at The Old Vic which earned him an Olivier Award nomination,  Troilus & Cressida for the RSC, Imperium for the RSC, Gielgud Theatre, Justin Gallagher in Emmerdale from 2010 – 2012) as George, Amy Ellen Richardson (Ursula March in Sweet Charity at Donmar Warehouse, Kiss Me Kate at Sheffield Crucible, Beautiful: The Carol King Musical UK Tour, Merrily We Roll Along, Menier Chocolate Factory/Harold Pinter, Les Misérables, Queens Theatre) as Pauline, and Ian Talbot OBE(Artistic and Managing Director of Regent’s Park Open Air Theatre until 2008, Wilbur Turnblad in Hairspray at Shaftesbury Theatre, the Fool in King Lear, Hortensio in The Taming Of The Shrew and Trinculo in The Tempest, all for the RSC, Harry Trevor in Kiss Me Kate for BBC Proms, Geoffrey in Alphabetical Order at Bath Theatre Royal/ UK Tour) as Bert Baxtor. Also in the cast are Holly Ashton (1st cover Donna in Mamma Mia!, International tour, A Little Night Music, Frinton Summer Theatre) and Mathew Craig (Narrator in Blood Brothers, UK Tour, The Secret Diary of Adrian Mole, Aged 13 ¾, Menier Chocolate Factory, Rebel Leader in We Will Rock You, UK Tour and Dominion Theatre). The children’s cast is to be announced.

Set in 1980s Leicester, this adaptation of Sue Townsend‘s best-selling book is a timeless tale of teenage angst, family struggles and unrequited love, told through the eyes of tortured poet and misunderstood intellectual Adrian Mole. One of the most enduring comedy characters of all time, he is the hapless, hilarious, spotty teenager who captured the zeitgeist of 1980s Britain, and this critically acclaimed production brings Adrian’s story to life for a new generation of theatregoers.

“Honestly. My family just don’t understand me. Perhaps when I am famous and my diary is discovered people will understand the torment of being a 13¾ year-old intellectual” Adrian Mole.

The Secret Diary of Adrian Mole Aged 13¾ was Townsend’s first novel and was originally published in 1982 by Methuen, but is now published by Penguin Books. It has sold over 20 million copies worldwide, been translated into 30 languages, and spawned seven sequel Adrian Mole novels. The novels have previously been adapted for the stage, radio and television.

The Secret Diary of Adrian Mole aged 13¾ – The Musical has choreography by Rebecca Howell, set and costume design by Tom Rogers, lighting design by Howard Hudson, sound design by Gregory Clarke, musical direction by Mark Collins, musical supervision & orchestrations by Paul Herbert, children’s casting by Jo Hawes CDG and additional casting by Ellie Collyer-Bristow CDG.

This production is produced by Anthony Clare, Ramin Sabi, Knickerbockerglory, Mark Puddle/Vicky Graham and Curve.

Originally commissioned by Curve and Royal and Derngate, Northampton.


Facebook: adrianmolethemusical

Twitter: @adrianmoleuk

Instagram: AdrianMoleUK


Sue Townsend’s The Secret Diary of Adrian Mole aged 13¾ – The Musical

 15 June – 12 October 2019

Ambassadors Theatre

West Street



Ticket Prices: Previews from £15

Performance Times:

Monday – Saturday 7.30pm*

Matinees – Thursday & Saturday 2.30pm

Additional matinee Tuesday 23 July

*7pm start on Tuesday 2 July

Running time: 2 hours 20 minutes (including interval)

Box Office: 0843 904 0061*

*Calls cost 7p per minute plus your phone company’s usual access charge

Summer season at Live At Zédel announcement

Live at Zedel

Live At Zédel, Soho’s unique live entertainment concept at Crazy Coqs, announces their new 2019 summer season produced in partnership with Fane Productions.

Andy Hornby, Head of Events says: “Crazy Coqs continues to establish itself as London’s art deco gem for international cabaret and live music. The season outlined below reflects the quality of shows that are both returning to Crazy Coqs and artists that are making their debut, and it is rewarding that more and more see Crazy Coqs as a platform to showcase their material. Our audience too continues to grow and become more diverse – a reflection of the density and breadth of the programme. This season, we are particularly proud to support the National Autistic Society in partnership with West End Wilma and some world-class guests, as well as supporting Pride In London with a incredible selection of LGBTQ-themed shows.”

Featuring over 200 shows, highlights of the 2019 summer season include a new partnership with West End Wilma that features a monthly afternoon chat show with the West End’s biggest names. The season starts in June with guests including Beverley Knight, Emma HattonRachel Tucker and Luke Bayer. Audience members will have the opportunity to ask their own questions and all profits raised from the series will be donated to the National Autistic Society, to help stage more Relaxed Performances of theatre shows.  The Crazy Coqs Presents… series with new solo shows just announced from Broadway’s Telly Leung (Glee, Aladdin) and West End stars Sophie Isaacs and Claudia Kariuki. Olivier Award nominated writers of SixToby Marlow and Lucy Moss will come to the venue forAn Evening with Marlow & Moss (LOL), in which they’re joined by the Queens from the hit show, currently running at Arts Theatre. New solo shows include Tony and Grammy Award winner John Lloyd Young, TV magician Ben HartHeathers’ T’Shan Williams, The Overtones’ Lockie Chapman, and the highly-anticipated return of cabaret royalty, Kit & McConnel.

Joe Stilgoe continues his annual weeklong residency this May with guests including Jason ManfordMeow MeowHarry Hill, Hadley Fraser, Liane Carroll andThe Mash Report’s Rachel Parris. London’s leading cabaret experts Black Cat return with ‘Salon des Artistes’ most Saturdays at 9.15pm and The Crazy Coqs Presents… curated by Mark Petty tackles a new music theme every last Sunday of the month. Other residencies include Bounder & Cad, Flo & Joan, Harold Sanditen’s Open Mic Party, Marcel Lucont’s Cabaret Fantastique, Flanders & Swann, and Jay Rayner with his QuartetAlong with the continuation of the free of charge ‘Round Midnight events every Friday and Saturday, other musical acts coming this season include contemporary swing group Jack Pack, classical vocal crossover group Per Voi with special guest Lucy Kay, string quartet Bowjangles and classical artists Laura Wright and Piano Brothers.

 From across the pond, American female impersonator extraordinaire Randy Roberts is back by popular demand in June for a run of five shows of Randy Roberts Live! Tony nominee Charles Busch hosts an evening featuring the songs of Michael Legrand and Stephen Sondheim, and performer and daughter of Judy Garland, Lorna Luft returns to the venue for an extended run following a series of sold-out performances earlier this year. From further afield, Australian theatre star Michael Griffiths returns in August with his popular cabaret shows celebrating the music of Madonna, Kylie and Annie Lennox.

 From July, Crazy Coqs will host the return of The Big Smoke Festival which includes Mum’s The Word, a new honest and entertaining cabaret about the journey into motherhood by West End stars Lorna WantVivien Carter and Joanna Woodward. Other leading performers include Emma LindarsNick HayesGenevieve Nicole and Declan Egan each with their own solo cabarets.

Also in July, the venue celebrates Pride in London with shows from living fashion doll Clementine with Clementine’s Liberty Special: A Star-Spangled Rainbow, Crazy Coqs’ favourite La Voix, and Mark Farrelly’s acclaimed one-man play Quentin Crisp: Naked Hope.


Joanna Riding to host West End Gala of the 13th Annual Stephen Sondheim Society Student Performer of the Year and The 12th Annual Stiles + Drewe Prize

Joanna Riding

The Stephen Sondheim Society and Mercury Musical Developments today announced the West End gala of the 13th annual Stephen Sondheim Society Student Performer of the Year (SSSSPOTY) and the 12th anniversary of The Stiles + Drewe Prize. The 2019 competition is being staged at the Theatre Royal Haymarket on Sunday 9 June, hosted by two-time Olivier Award winner and star of the current revival of Follies at the National Theatre, Joanna RidingChris Hocking returns to direct the gala, with musical direction by Nigel Lilley, and a guest performance by 2018 SSSSPOTY winner Alex Cardall.

This annual competition, co-produced by The Stephen Sondheim Society and Mercury Musical Developments, sees twelve of the top student performers from musical theatre and drama schools across the UK each perform a song by Stephen Sondheim, and a new musical theatre song written by members of Mercury Musical Developments. The performers are competing for the top prize of £1,000, judged by writer and broadcaster Edward Seckerson, with Julia McKenzie (six-time Olivier Award nominee and two-time winner, and Tony Award nominee), and Peter Polycarpou (currently starring in Man of La Mancha).

The Stiles + Drewe Prize supports and develops new musical theatre writing, recognising an outstanding song from a new musical, and is supported by The Entertainment Business, who said: “We’re delighted to be co-sponsoring the Best New Song prize for the third year running and to continue to support new musical writing”. The winner of Best New Song receives £1,000 to put towards developing their work. Judging the Best New Song entries with Stiles and Drewe will be Nkeki Obi-Melekwe (currently starring as Tina in Tina The Musical).

Olivier Award-winning song-writing duo George Stiles and Anthony Drewe today said We’ve had the biggest crop ever of entries for our Best New Song Prize this year.  Thank you to all the writers who submitted a phenomenal 177 entries and congratulations to our 12 fabulous finalists. Together with MMD, we’re passionate about showcasing emerging Musical Theatre writing talent and we’re delighted to see material full of flair and panache.”

Craig Glenday, Chair of The Stephen Sondheim Society, also said “Stephen Sondheim has said that teaching is a sacred profession, so it’s a privilege to be able to honour this sentiment by supporting these talented students. SSSSPOTY gives these bright lights the chance to sing on a West End stage – and to work with an established Director and Musical Director – and it gives the audience the chance to say ‘We were there!’ when they first heard these stars of the future perform. Good luck to everyone involved!”


Theatre Royal Haymarket

18 Suffolk St, London SW1Y 4HT

Box Office: 0207 930 8800

 Twitter: @stilesanddrewe




Ticket prices: £17.40-£47.50

Running time: 2 hours


Maria Friedman and Anita Dobson join Trevor Nunn’s critically acclaimed production of Fiddler On The Roof

Maria Friedman
Maria Friedman

Maria Friedman

Director Trevor Nunn; Choreographers Jerome Robbins & Matt Cole; Set Designer Robert Jones Costume Designer Jonathan Lipman; Lighting Designer Tim Lutkin; Sound Designer Gregory Clarke Hair and Wig Designer Richard Mawbey; Orchestrations Jason Carr; Musical Supervisor Paul Bogaev

Anita Dobson

Anita Dobson

Maria Friedman and Anita Dobson join the company of Trevor Nunn’s critically acclaimed production of Fiddler on the Roof, which is currently running at the reconfigured Playhouse Theatre until 28 September. Friedman plays Golde, and Dobson plays Yente from 18 June, taking over from Judy Kuhn and Louise Gold respectively. They join Andy Nyman (Tevye), Nicola Brown (Chava), Harriet Bunton (Hodel), Dermot Canavan (Lazar Wolf), Stewart Clarke (Perchik), Joshua Gannon (Motel), Matthew Hawksley (Fyedka), and Molly Osborne (Tzeitel), as well as Miles BarrowSofia BennettPhilip BertioliLottie CasserleyElena Cervesi, Lia CohenTalia EtheringtonShoshana EzequielIsabella Foat, Fenton GrayJames Hameed,  Adam LinsteadAdam MargilewskiRobert MaskellBenny MaslovRobyn McIntyre, Gaynor MilesEllie MullaneTania NewtonCraig PinderValentina Theodoulou and Ed Wade.


‘Musically, geopolitically, emotionally, this Fiddler raises the roof.’

The Guardian

Direct from its sold-out run at the Menier Chocolate Factory, Tony and Olivier award-winning director Trevor Nunn’s ‘exuberant revival’ (Daily Telegraph) of the classic Broadway musical Fiddler on the Roof transfers to the West End for a strictly limited run. The Playhouse Theatre has been specially transformed into an intimate space for this ‘shiveringly intimate chamber musical about family’ (The Times).


‘An evening to be celebrated as a spikily poignant reminder of what it is to be human in politically dark times. Both whirlingly energetic and achingly moving, it marks itself out straight away as one of the most uplifting nights possible to be had in the West End right now.’
The Arts Desk

Old traditions and young love collide in this joyous and timely celebration of life. Tevye’s daughters’ unexpected choice of husbands opens his heart to new possibilities, as his close-knit community also feel winds of change blowing through their tiny village.

Featuring the iconic score including ‘Tradition’, ‘Matchmaker, Matchmaker’, ‘Sunrise, Sunset’ and ‘If I Were a Rich Man’, and featuring original choreography from Tony Award-winning Jerome Robbins alongside new choreography by Matt Cole, Fiddler on the Roof ‘bursts from the stage’ (Financial Times), bringing new life to one of the most beloved musicals of all time.

Olivier Award-winning Maria Freidman plays Golde. The recipient of three Olivier Awards for Maria Friedman By Special Arrangement at the Donmar Warehouse (1995), Best Actress in a Musical for her performance of Fosca in the West End production of Stephen Sondheim’s Passion (1996), and for Ragtime (2003). Her other theatre credits include Merrily We Roll Along, Blues in the Night, Chicago, The Witches of Eastwick, Anna in The King and I at the Royal Albert Hall with the Royal Philharmonic Orchestra, and Lady in the Dark. In 2004 she originated the role of Marian Halcombe in Andrew Lloyd Webber’s musical, The Woman in White, both in the West End and on Broadway. She is regularly associated with the work of Stephen Sondheim, having performed principle roles in Merrily We Roll Along, A Little Night Music, Sunday in the Park with George, and as Mrs Lovett in concert performances of Sweeney Todd (Barbican). She also appeared in New York, Washington and the BBC Proms at the Royal Albert Hall, in celebration of Stephen Sondheim’s 80th birthday. She has performed her critically acclaimed one woman shows – Maria Friedman – By Special Arrangement and Maria Friedman – By Extra Special Arrangement in venues around the UK and in New York including several seasons at Café Carlyle, and has most recently performed her new solo show From the Heart to sell-out audiences at Crazy Coqs. She has featured on many cast recordings and released several solo albums including Maria Friedman, Maria Friedman Live, Now and Then, and Maria Friedman Celebrates The Great British Songbook. On screen, her roles include Elaine Peacock in EastEnders, Trish Baynes in CasualtyRed Dwarf, the Narrator in Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat (DVD), and Mother Abbas on ITV’s Sound of Music Live. In 2013, she made her directorial debut at the Menier Chocolate Factory with Stephen Sondheim’s Merrily We Roll Along. The production opened to critical acclaim, winning the Critics’ Circle Award for Best Musical and Olivier Award for Best Musical Revival, transferring to the West End and Boston. Her other directing credits include High Society (The Old Vic) and the world première of the new musical Dusty (Theatre Royal Bath).

Anita Dobson plays Yente. Her extensive theatre credits include Annie (UK tour), 3Women (Trafalgar Studios), The Shadow Factory (Nuffield Southampton Theatres), The Merry Wives of Windsor (RSC), Budgie (Cambridge Theatre), The Three Sisters (Royal Court Theatre), Le Bourgeois Gentilhomme (National Theatre), Kvetch (Garrick Theatre), Lovely Shayna Maidel (Ambassador’s Theatre), Charley’s Aunt (Aldwych Theatre), The Vagina Monologues (Arts Theatre/UK tour), Frozen (National Theatre / Olivier Award nomination), Chicago (Adelphi Theatre), Thoroughly Modern Milly(Shaftesbury Theatre), Hello Dolly! (Theatre Royal Lincoln/ UK tour), Calendar Girls (Noël Coward Theatre), Bette and Joan (Arts Theatre) and Wicked(Apollo Theatre). For television her extensive work includes EastEnders (as series regular Angie Watts), Leave Him To HeavenNannySplit EndsThe World Of Eddie WearyRed DwarfSmokescreenI’ll Be Watching YouDangerfieldThe Famous FiveHighlanderGet Well SoonJunkSunburnThe StretchHearts and BonesUrban GothicThe Last Detective, Gigglebiz, Hotel BabylonMoving OnPompidouArmadaCall The Midwife and The Rebel; and for film, Seaview KnightsBeyond BedlamThe Tichborne ClaimantThe Revengers’ ComediesDarkness FallsCharlie, SolitaryThe Rise Of The KraysThe Fall Of The KraysLondon Road and The Fight.

Listings                                                                                                                         Fiddler on the Roof

Playhouse Theatre

Northumberland Ave, London WC2N 5DE

 Box Office: 0844 871 7631

Tickets from £20

 Twitter: @FiddlerWestEnd

Instagram: @FiddlerWestEnd

Facebook: /FiddlerWestEnd


Tuesday to Saturday (matinees on Tuesdays, Thursdays and Saturdays) until 31 August

From 2 September, Monday to Saturday, with matinees on Wednesday and Saturday

Please check the website for full details of performance schedule.

Groups Bookings: 020 7206 1174

Access Bookings: 0800 912 6971

Captioned performance: Wednesday 8 May

Audio Described: Wednesday 15 May


New season announced at the Finborough Theatre

Blue Print by Julia Pascal
Blue Print by Julia Pascal

Blue Print by Julia Pascal

The Finborough Theatre’s summer season features two world premieres from female playwrights – a new play written and directed by the first woman ever to direct at the National Theatre, and a debut play from a brand new American dramatist – alongside another classic Finborough rediscovery from one of the greatest theatrical figures of the 19th century, unseen in London for over 120 years. We also bring you the eleventh consecutive year of our annual celebration of new writing, Vibrant 2019 – A Festival of Finborough Playwrights, giving us a chance to share with you just a few of the exceptional writers we have developed, nurtured and championed over the last year.

The season opens with the world premiere of playwright and director Julia Pascal’s award-winning Blueprint Medea, a gripping new drama loosely inspired by Euripides’ Medea, which connects the classical to the contemporary to explore eternal questions of passion, war, cultural identity, women’s freedom, sex, family and love. Blueprint Medea plays 21 May-8 June 2019.

In its first London production in over 120 years, our season continues with After Dark; or, A Drama of London Life by Dion Boucicault, based on Les Oiseaux de Proie by Eugène Grangé and Adolphe d’Ennery. Written in 1868, the year that the Finborough Theatre’s building was constructed, After Dark; or, A Drama of London Life is a classic Victorian melodrama, but is also startlingly contemporary with a thrilling climax on the London Underground, and its sympathetic portrayal of London’s homeless community. It plays 12 June-6 July 2019.

Playing alongside After Dark; or, A Drama of London Life, our annual celebration of new writing Vibrant 2019 – A Festival of Finborough Playwrights returns for its the eleventh consecutive year, playing on Sunday and Monday evenings and Thursday matinees between 16 June-4 July 2019. This year’s Vibrant includes the winner of this year’s ETPEP Award in association with the Finborough Theatre which has awarded £8000 to a new playwright who works in another job in theatre, alongside stunning new plays from many Finborough Theatre favourites.

Rounding off our summer season is another world premiere, Lunatic 19’s – A Deportational Road Trip, by a new American playwright, Tegan McLeod, playing 9 July-3 August 2019. With coruscating humour and caustic observation, Lunatic 19’s captures the human stories at the heart of the current debate about migration and refugees.

Finborough Theatre Artistic Director Neil McPherson says: “Our new season features two world premieres alongside another of my rediscoveries from Victorian drama – with a play written in 1868, the very year that the Finborough Theatre building was constructed. And Vibrant 2019 – A Festival of Finborough Playwrights, our annual festival of new writing, returns for its eleventh consecutive year.

The Finborough Arms, our pub home, was taken over by an entirely new management and extensively refurbished at the end of last year, and now offers a wide menu of traditional pub favourites, all cooked on the premises. We both look forward to welcoming you.”

For full information, please visit – Neil McPherson, Artistic Director

May to August 2019 | Press Nights and Photocalls

Tuesday, 4 May – Saturday 8 June 2019

The world premiere


Written and Directed by Julia Pascal.
Press Nights: Thursday, 23 May 2019 and Friday, 24 May 2019 at 7.30pm.

Photocall: Tuesday, 21 May 2019 at 1.00pm-1.30pm.

Wednesday, 12 June – Saturday, 6 July 2019

The first London production in over 120 years

by Don Boucicault. Based on Les Oiseaux de Proie by by Eugène Grangé and Adolphe d’Ennery. Directed by Phil Wilmott

Press Nights: Wednesday, 19 June 2019 and Thursday, 20 June 2019 at 7.30pm

Photocall: Tuesday, 9 July 2019 at 1.00pm-1.30pm.

Tuesday, 9 July – Saturday, 3 August 2019

The world premiere


by Tegan McLeod. Directed by Jonathan Martin.

Press Nights: Thursday, 11 July 2019 and Friday, 12 July 2019 at 7.30pm

Photocall: Tuesday, 9 July 2019 at 1.00pm-1.30pm

Prices for Blueprint Medea

Prices for Week One – Tickets £18, £16 concessions, except Tuesday evenings £16 all seats, and Friday and Saturday evenings £18 all seats. Previews £14 all seats.

£10 tickets for Under 30s for performances from Tuesday to Sunday of the first week when booked online only.

£14 tickets for residents of the Royal Borough of Kensington and Chelsea on the first Saturday evening, when booked online only.

Prices for Weeks Two and Three – Tickets £20, £18 concessions, except Tuesday evenings £18 all seats, and Friday and Saturday evenings £20 all seats.

Prices for After Dark; or, A Drama of London Life and Lunatic 19’s – A Deportational Road Trip 

Prices for Weeks One and Two – Tickets £18, £16 concessions, except Tuesday evenings £16 all seats, and Friday and Saturday evenings £18 all seats. Previews for After Dark (11-18 June) £15 all seats. Previews for Lunatic 19’s (9 and 10 July £14 all seats.

£10 tickets for Under 30s for performances from Tuesday to Sunday of the first week when booked online only.

£14 tickets for residents of the Royal Borough of Kensington and Chelsea on the first Saturday evening, when booked online only.

Prices for Weeks Three and Four – Tickets £20, £18 concessions, except Tuesday evenings £18 all seats, and Friday and Saturday evenings £20 all seats.

Prices for Vibrant 2019 – A Festival of Finborough Playwrights

Sunday and Monday evenings at 7.30pm. Thursday matinees at 3.00pm.

All tickets £5.

Waitress confirms Katharine McPhee’s final performance as Jenna will be 15 June


Audiences have ten weeks to catch the critically-acclaimed Katharine McPhee in the West End production of Waitress. The Smashand Scorpion actress will play her final performance on Saturday 15 June with new casting for the role of Jenna to be announced soon. The Tony-nominated musical by Sara Bareilles began performances at the Adelphi Theatre on 8 February and is now booking to Saturday 19 October.

London’s brand-new smash hit musical comedy Waitress tells the story of Jenna, a waitress and expert pie-maker who dreams her way out of a loveless marriage. When a hot new doctor arrives in town, life gets complicated. With the support of her workmates Becky and Dawn, Jenna overcomes the challenges she faces and finds that laughter, love and friendship can provide the perfect recipe for happiness.

Brought to life by a ground breaking, female-led creative team, the hit show features an original score by 7-time Grammy® nomineeSara Bareilles (Love Song, Brave), a book by acclaimed screenwriter Jessie Nelson (I Am Sam) and direction by Tony Award® winner Diane Paulus (Pippin, Finding Neverland) and choreography by Lorin Latarro. The production is currently touring the US and has also announced it will have its Australian premiere in 2020 at the Sydney Lyric Theatre.

Since finding international fame as a captivating singer on American Idol – Season 5Katharine McPhee (Jenna) has become a successful recording artist, landing numerous songs and albums on Billboard’s pop, jazz, holiday and adult-contemporary charts in her native US. Her latest album of timeless American standards “I Fall In Love Too Easily” was released by BMG in 2017. As an acclaimed actress, she was the breakout star of the 2013 NBC-TV musical series Smash, Executive Produced by Steven Spielberg with music and lyrics by Marc Shaiman and Scott Wittman (Hairspray). She recently starred in the hit CBS dramatic series Scorpion.

Alongside Katharine McPhee as Jenna, Waitress stars Jack McBrayer as Ogie, Marisha Wallace as Becky, Laura Baldwinas Dawn, Peter Hannah as Earl, David Hunter as Dr. Pomatter and Shaun Prendergast as Old Joe.

The full company includes Kelly Agbowu, Laura Baldwin, Piers Bate, Nicole Raquel Dennis, Michael Hamway, Peter Hannah, David Hunter, Stephen Leask, Jack McBrayer, Chris McGuigan, Katharine McPhee, Olivia Moore, Nathaniel Morrison, Sarah O’Connor, Leanne Pinder, Shaun Prendergast, Charlotte Riby, Marisha Wallace andMark Willshire.

On its Broadway opening, Waitress was nominated for four Outer Critics’ Circle Awards, including Outstanding New Broadway Musical; two Drama League Award Nominations, including Outstanding Production of a Broadway or Off-Broadway Musical; six Drama Desk Nominations, including Outstanding Musical; and four Tony Award Nominations, including Best Musical.


The Adelphi Theatre
The Strand,
London WC2R 0NS

Monday – Saturday evenings at 7.30pm
Wednesday & Saturday matinees at 2.30pm

24 Hour Telephone Booking line: 020 7087 7753

Day seats are available to purchase in person from the theatre box office from 10am for £25. Mon-Weds performances from Monday 11 February. Subject to availability and at the box office’s discretion.

Manhattan Theatre Club Announces Three Plays for 2019-2020 Season

Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have announced three productions slated for Manhattan Theatre Club’s upcoming 2019-2020 season.

MTC will produce the American premiere of The Height of the Storm, written by Tony Award nominee Florian Zeller (The Father), translated by two-time Tony Award Winner Christopher Hampton (Les Liaisons Dangereuses) and directed by Tony and Drama Desk Award nominee Jonathan Kent (Long Day’s Journey into Night), starring two-time Olivier and Tony Award Winner Jonathan Pryce (Miss Saigon, “Game of Thrones”& three-time Olivier Award Winner Eileen Atkins (Doubt, The Retreat From Moscow) at the Samuel J. Friedman Theatre on Broadway; the New York Premiere of Poor Yella Rednecks by Qui Nguyen (Vietgone) and directed by May Adrales (Vietgone) at New York City Center – Stage I; and the World Premiere of The New Englanders by Jeff Augustin (Little Children Dream of God) and directed by Saheem Ali (Sugar in Our Wounds) at New York City Center – Stage II.


The Height of the Storm

American Premiere by Tony Award Nominee Florian Zeller

Translated by Oscar and Tony Award Winner Christopher Hampton

Directed by Tony and Drama Desk Award Nominee Jonathan Kent

Starring Two-Time Olivier and Tony Award Winner Jonathan Pryce &

Three-time Olivier Award Winner Eileen Atkins

 Previews Begin: Tuesday, September 10, 2019

Opening Night: Tuesday, September 24, 2019

Two of the greatest actors of their generation come together in one unforgettable story of a shared life, and all of its complexities.

Two-time Olivier and Tony winner Jonathan Pryce (“Game of Thrones”, Miss Saigon) joins three-time Olivier Award winner Eileen Atkins (“The Crown”, Doubt) to bring the acclaimed West End sensation by Florian Zeller, and translated by Christopher Hampton (MTC’s The Father), to Broadway.

For 50 years the lives of André and Madeleine have been filled with the everyday pleasures and unfathomable mysteries of an enduring marriage, until suddenly their life together begins to unravel, and this loving relationship is faced with the inevitability of change. Jonathan Kent (Long Day’s Journey into Night) directs this thrilling production The Times of London declares “a deeply moving new play that takes us to the edge of what it is to love.”

Additional casting will be announced in the coming weeks.

Direct from a lauded run in London, the critically acclaimed production will be produced by Manhattan Theatre Club with Simon Friend, Mark Goucher, Howard Panter and Scott Landis.

The creative team for The Height of the Storm will include Anthony Ward (scenic and costume design), Hugh Vanstone (lighting design), Paul Groothuis (sound design), and Gary Yershon (composer).



Poor Yella Rednecks

Co-World Premiere by Qui Nguyen

Directed by May Adrales

 Previews Begin: Tuesday, May 12, 2020

Opening Night: Tuesday, June 2, 2020

The author of the acclaimed Vietgone returns to MTC with the second play of his autobiographical trilogy about an immigrant family’s bumpy road to the American dream. Told from the mother’s perspective, Poor Yella Rednecks is the story of a young family’s attempt to put down roots in Arkansas, a place as different from Vietnam as it gets.  The production, filled with infectious music and unexpected humor, will reunite Qui Nguyen with director May Adrales for the next chapter in this highly entertaining and moving tale.

Poor Yella Rednecks is co-commissioned and co-produced by South Coast Repertory and Manhattan Theatre Club.

The creative team for Poor Yella Rednecks will include Arnulfo Maldonado (scenic design), Valérie Thérèse Bart (costume design),Lap Chi Chu (lighting design), Shane Rettig.

Phoebe Waller-Bridge’s FLEABAG Announces One-Week Extension


FLEABAG has announced a one-week extension due to popular demand! Preview performances will also begin one day earlier on Wednesday, February 27.

 Annapurna Theatre is pleased to present the New York debut of the DryWrite and Soho Theatre production of FLEABAG. FLEABAG is written and performed by Phoebe Waller-Bridge, making her New York stage debut, and directed by Phoebe Waller-Bridge’s long-time collaborator Vicky Jones. The play will begin previews on February 27, 2019 with an opening night set for March 7, 2019 at SoHo Playhouse (15 Vandam St.). This is a strictly limited six-week engagement through Sunday, April 14, 2019.

After its sold-out run in London, Phoebe Waller-Bridge’s award-winning comedic play, comes to New York for 5 weeks only. The play that inspired the hit television series, FLEABAG is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

“I can’t wait to bring the original FLEABAG to New York! It’s a dream come true,” said Waller-Bridge. “We couldn’t think of a more perfect home than the SoHo Playhouse, and we wouldn’t be here at all without the awesome team at Annapurna. This is going to be SO MUCH FUN.”

FLEABAG debuted at the Edinburgh Festival in 2013 to rave reviews and won a Fringe First Award. It went on to play the Soho Theatre in London (revived in 2014 + 2016), before touring the UK (2015 + 2018), South Korea (2014) and Australia (2018) and an Edinburgh Festival revival as part of the British Council Edinburgh Showcase (2017), produced by Waller-Bridge’s production company DryWrite and Soho Theatre. The production also won The Stage Best Solo Performer Award, the Off West End Award for Most Promising New Playwright & Best Female Performance and was nominated for an Olivier Award.

FLEABAG was adapted into a BBC Television series in partnership with Amazon Prime in 2016 and earned Phoebe a BAFTA Award for Best Female Comedy Performance. The series was also nominated for a Gotham Independent Film Award, Television Critics Association Award and Critics Choice TV Award, among other accolades. The BBC and Amazon renewed the series for a second season, which will premiere in 2019.

Waller-Bridge also created and wrote the BBC America TV series “Killing Eve” starring Sandra Oh, which was nominated for two Emmy Awards and is currently in production for its second season.

 FLEABAG is produced by Annapurna Theatre’s Kevin Emrick and Skye Optican, as well as DryWrite and Soho Theatre.

The creative team for FLEABAG features Holly Pigott (scenic design), Elliot Griggs (lighting design) and Isobel Waller-Bridge (sound design).


Tickets are available now via, by calling 212-691-1555 or at SoHo Playhouse Box Office (15 Vandam St., between Varick St. and 6th Ave).


PHOEBE WALLER-BRIDGE (Writer/Performer) is a multi-award-winning creative, garnering praise for her work as an actor, writer, creator and showrunner. A graduate of the Royal Academy of Dramatic Arts, Waller-Bridge’s one-woman show Fleabag, which she wrote and performed, earned her an Olivier Award Nomination and a Critics’ Circle Theatre Award for Most Promising Playwright, among other accolades. She also received a Special Commendation from the Susan Smith Blackburn Prize on behalf of the play. Fleabag was adapted into a critically acclaimed television series, and Waller-Bridge earned a BAFTA Television Award for Best Female Performance in a Comedy Program. Waller-Bridge also served as the writer and showrunner of the first season of the celebrated television series Killing Eve, which recently earned her an Emmy award nomination for Outstanding Writing of a Drama Series. Both Fleabag and Killing Eve were renewed for second seasons, which will premiere in 2019. Waller-Bridge will only serve as an Executive Producer on the second season of Killing Eve, due to her Fleabag commitments for season two. Notable television credits include Crashing, which was her screenwriting debut, and Broadchurch. On film, Waller-Bridge appeared as the first female droid in Solo: A Star Wars Story. In addition to Fleabag, Waller-Bridge’s additional theatre credits include: The One (Soho Theatre), Mydidae (Trafalgar Studios), Hay Fever (West End), Tribes (Royal Court), Rope (Almeida), 2nd May 1997 (Bush Theatre, for which she earned an Evening Standard Theater Award Nomination in the category of Best Newcomer), Like a Fishbone (Bush Theatre), Sixty-Six Books (Bush Theatre) and Roaring Trade (Soho Theatre). Waller-Bridge is also co-artistic director of DryWrite Theatre Company.

 VICKY JONES (Director) is co-Founder and co-Artistic Director of DryWrite (with Phoebe Waller-Bridge). With DryWrite, she has commissioned and directed plays from some of the UK’s leading new writing talent, including Joe Penhall, Chloe Moss, Simon Stephens, Terry Johnson, Jack Thorne, Lucy Kirkwood, Ella Hickson, James Graham, Penelope Skinner and Mike Bartlett amongst many others. Vicky trained on the Royal Court/Channel 4 Young Directors scheme, the Gate Theatre Trainee Directors scheme, the National Theatre Studio Directors course and by assisting Katie Mitchell, Terry Johnson, Erica Whyman, Joe Hill-Gibbons and Patrick Marber amongst others. As a writer, Vicky’s first play, THE ONE, won the 2013 Verity Bargate Award (from over 800 entrants). Vicky worked as script editor on the TV version of FLEABAG. Other TV writing credits include “Killing Eve” and the Royal Court/ BBC 4 series of monologues “Snatches.” Vicky is currently the National Theatre’s Playwright in Residence and has an original TV series in development with HBO.


Annapurna Theatre, launched in late 2017, is the live stage division of Annapurna. No matter the medium, whether television, interactive, film or theatre, Annapurna focuses on creating sophisticated, high quality projects that appeal to a diverse audience. Fleabag is the inaugural production of Annapurna Theatre. The division is also a co-producer of the National Theatre’s Broadway production of Network starring Bryan Cranston and West End productions of Nine Night, The Curious Incident of the Dog In the Night-Time and the upcoming productions of Home I’m, Darling and The Lehman Trilogy.


DryWrite is an award-winning and Olivier nominated new-writing theatre company that challenges writers to work with specific briefs and goals to actively engage audiences. Founded in 2007 DryWrite has since worked with over one hundred playwrights and produced multi-award winning plays ‘The One’ and ‘Touch’ by Vicky Jones and ‘Fleabag’ by Phoebe Waller-Bridge. They have produced original work for theatres including the Soho Theatre, Roundhouse, York Theatre Royal, Hampstead Theatre, Trafalgar Studios and Latitude Festival, and have toured throughout the UK and internationally. They are currently an associate company of Soho Theatre. DryWrite is led by Co-Artistic Directors Vicky Jones and Phoebe Waller-Bridge, Producer Francesca Moody and Company Manager Charlotte McBrearty.


Fane Productions presents ‘Sunday Encounters at the Haymarket’

Sunday Encounters at the Haymarket
Sunday Encounters at the Haymarket

Sunday Encounters at the Haymarket

Fane Productions presents an outstanding live season of world class events at one of London’s oldest and most beautiful theatres, the Theatre Royal Haymarket.

Season launches March 10th with Broadway legend Patti LuPone. Tickets on sale 12pm, Friday January 25th

“Fane Productions are producing a season of ‘Sunday Encounters’ at Theatre Royal Haymarket: a unique collection of one-off encounters with some of the UK’s most inspirational and discerning voices from theatre, dance, comedy, politics and literature. In general, dark night programming of West End theatres has been of a sporadic nature, so it is a fabulous opportunity, and something of a first, for a theatre of such calibre to lease Sundays to an external producer for a full season of curated work. Working with Nigel Everett and his team at TRH has been a privilege. Fane Productions’ growing reputation for live spoken word and music events, and the obvious attractions of Theatre Royal Haymarket are proving a potent mix and the first ‘Sunday Encounters’ season is packed with famous names and faces from across the entertainment landscape.” James Albrecht, Creative Producer, Fane Productions.

The programme includes many rare encounters: Dame Judi Dench interviewed by Gyles Brandreth in aid of Great Ormond Street Hospital, Patti LuPone in conversation with Edward Seckerson, Sir Derek Jacobi interviewed by Anne Reid, Carlos Acosta in conversation with Mike Parkinson Jr, Kerry Ellis sings and is in conversation Gaby Roslin, and Jason Robert Brown crosses the pond for a concert with special guests. Dame Patricia Routledge talks about her life in musical theatre, whilst Charles Dance talks about his life on stage and screen, Michael Morpurgo comes to Haymarket for his 75th anniversary tour and Misha Glenny, the McMafia author and journalist, delivers a somewhat terrifying masterclass on organised crime and how it impacts on us all. Simon Schama: Wordy The Tour asks if words still pack a punch in the reign of twitter? The annual Stephen Sondheim Society Student Performer of the Year comes to the Haymarket for the first time, and for Curious Arts Curate London Curious, the creators and curators of the Curious Arts Festival, take us on a series of a curious adventures with leading cultural and social historians, among them that godfather of London psychogeography Iain Sinclair. With more to be announced in the coming weeks, ‘Sunday Encounters at the Haymarket’ promises an exclusive, mind expanding, diaphragm exercising, musically compelling season of one-off events from March – June 2019. Why spend your Sundays anywhere else?

Nigel Everett, General Manager TRH says: “We are delighted to be collaborating with Fane Productions and opening our doors on Sunday’s to such an exciting and diverse programme.”

Patti LuPone says: “I’m excited to launch the Fane Productions ‘Sunday Encounters at the Haymarket’ season at the stunning Theatre Royal Haymarket. To appear at a theatre with such a rich theatrical history is a very happy way to end my time in London after several wonderful months in the West End with Company.”

Gyles Brandreth and Dame Judi said: “We are excited to be part of Fane’s ground-breaking season of special Sundays at London’s most beautiful theatre and particularly happy that all the proceeds from our show are going to GOSH, the Great Ormond Street Hospital appeal, because it’s such a worthwhile cause.”

Dame Judi added: “We had a lot of fun the last time we did this, so I’m looking forward to being with Gyles again, to being back at the beautiful Theatre Royal, Haymarket, and to supporting the Great Ormond Street Hospital.”

Gyles said: “As a schoolboy I saw all the greats on the stage of the Theatre Royal – Sir John Gielgud, Sir Ralph Richardson, Dame Edith Evans… Fifty years on, it’s thrilling to be treading those boards with the legendary leading lady of our time, Dame Judi Dench.  Bravo to Fane Productions for creating a season of amazing Sunday shows and bringing life (and top quality) to the West End on a Sunday.”

Full Programme:

March 10th, 7pm: Patti LuPone in conversation with Edward Seckerson

Broadway legend and two-time Tony Award winner Patti LuPone sits down with writer and broadcaster Edward Seckerson to talk about her rich and varied career.

March 17th, 3pm: ‘Gosh, it’s Judi Dench in conversation with Gyles Brandreth’

Judi joins Gyles as they take us on a roller-coaster ride through her career, recalling some of the stars she’s known and worked with and ending with her performing a Shakespeare sonnet.

March 17, 7pm: An Evening with Charles Dance

In a very rare public appearance, Charles Dance discusses his remarkable 50-year career in theatre, film and television.

March 24th, 7pm: Kerry Ellis: An Evening of Music and Memories

West End and Broadway star talks to Gaby Roslin about 20 years in show business and performs songs from throughout her career.

March 31st, 7pm: An Evening with Jason Robert Brown and Special Guests

An informal, intimate concert with the renowned Tony Award-winning composer, lyricist, conductor, and director, Jason Robert Brown. Special guest to be announced in due course.

April 7th, 7pm: Anne Reid Interviews Sir Derek Jacobi

Two of the most celebrated British icons of stage and screen, Sir Derek Jacobi and Anne Reid meet on stage in conversation for the first time.

May 5th 2pm: Dame Patricia Routledge: Facing the Music – A Life in Musical Theatre

In this fascinating encounter with the writer, presenter and broadcaster Edward Seckerson she recalls this very special part of her career with access to some rare and treasured recordings.

May 5th, 7pm Michael Morpurgo: 75th Anniversary Tour

Michael began writing stories in the early ‘70s, inspired by the children he taught in his primary school class in Kent. He has written over 130 books, including The Butterfly Lion, Kensuke’s Kingdom, Private Peaceful and War Horse.

 May 12th, 2.30pm: Misha Glenny: McMafia

Misha Glenny is an award-winning journalist and author; his international bestselling book, McMafia, was recently turned into the hit BBC TV series of the same name.

Described by The Guardian as ‘a world authority on global organised crime.’

May 12th, 7pm: Carlos Acosta in conversation with Mike Parkinson

For one night only, Carlos Acosta, the greatest male ballet dancer of our generation is in conversation with Mike Parkinson, youngest son of Sir Michael Parkinson. His story is as improbable and enthralling as his dancing, so expect captivating dialogue and Carlos might even be persuaded to dance.

 May 19th, All day from 12pm – 6.30pm: Curious Arts Curates London Curious

Join us for the day at the Theatre Royal Haymarket for ‘London Curious’ on Sunday 19th May where a series of a curious adventures with leading cultural and social historians, among them that godfather of London psychogeography Iain Sinclair, will take you into the heart of our great and teeming metropolis.

June 2nd, 7pm: Simon Schama: Wordy The Tour

Simon Schama asks if can words still pack a punch in the reign of Twitter?

Have the carriers of thought, the deliverers of argument, the elements of poetry, the sounds that make us human lost their force in the age of short attention span?

June 9th, 3pm: Stephen Sondheim Society Student Performer of the Year

Mercury Musical Developments and The Stephen Sondheim Society presents the 13th annual STEPHEN SONDHEIM SOCIETY STUDENT PERFORMER OF THE YEAR competition and STILES + DREWE PRIZE.

Tickets on sale from midday Friday January 25th here:

Or via the TRH box office number: 0207 930 8800.


HARRY POTTER AND THE CURSED CHILD Sets Record for Highest Grossing Play in Broadway History

Harry Potter and the Cursed Child

The Tony and Olivier Award-winning Best Play Harry Potter and the Cursed Child has set a new Broadway record for weekly ticket sales for a play, reporting a gross of $2,338,315 for the week ending November 25, 2018 at the fully renovated Lyric Theatre (214 West 43rd Street, New York, NY). This passes the high mark set by the two-part play for the week ending June 17, 2018 ($2,277,446).

On Thursday, November 29, 2018 at 11:00 AM ET, a further block of tickets will be made available for performances through September 29, 2019 at all price points starting from $40 per part.

On Thursday, November 29, those wishing to purchase tickets should visit the official website and join the ‘Virtual Waiting Room’ at any time between 10:30 AM and 11:00 AM ET. When tickets are released at 11:00 AM ET, everyone in the ‘Virtual Waiting Room’ will be randomly assigned a place in the queue for the opportunity to purchase tickets. The randomization of the queue allows the purchase of tickets to be as fair as possible and provides protection against bots. These tickets will not require an Access Code to purchase.

The most awarded new play in theatre history, Harry Potter and the Cursed Child has won 25 major US awards with six Tony Awards including Best Play. It also won 24 major theatre awards in the UK and is the most awarded play in the history of Britain’s Olivier Awards, winning a record-breaking nine awards including Best New Play.

Based on an original new story by J.K. RowlingJack Thorne and John TiffanyHarry Potter and the Cursed Child is a new play by Jack Thorne, directed by John Tiffany. The production is one play presented in two parts. Both parts are intended to be seen in order on the same day (matinee and evening) or on two consecutive evenings, or each part can be seen separately.

Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The critically acclaimed production received its world premiere in July 2016 at the Palace Theatre in London where it continues to play to sold out houses. It officially opened on Broadway at the Lyric Theatre on April 22, 2018. Harry Potter and the Cursed Child will premiere in Australia at Melbourne’s Princess Theatre in January 2019; on the US West Coast at San Francisco’s Curran in fall of 2019; and, in Germany at Hamburg’s Mehr!-Theater am Großmarkt in spring of 2020.

It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband, and the father of three school-age children.


While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.

Harry Potter and the Cursed Child features movement by Steven Hoggett, set by Christine Jones, costumes by Katrina Lindsay, music & arrangements by Imogen Heap, lighting by Neil Austin, sound by Gareth Fry, illusions & magic by Jamie Harrison, music supervision & arrangements by Martin Lowe. US Casting by Jim Carnahan, CSA. UK Casting by Julia Horan, CDG.

 Harry Potter and the Cursed Child is produced by Sonia Friedman ProductionsColin Callender and Harry Potter Theatrical Productions.