Paines Plough announces Programme 2019

Paines Plough
  • Roundabout 2019 features three world premieres by Charley Miles, Nathan Bryon and Daf James in co-production with Theatr Clwyd
  • Sam Steiner’s new play You Stupid Darkness! Opens at Co-Producer Theatre Royal Plymouth on 12 February
  • London Laureate and Roundhouse Slam Champion Zia Ahmed’s debut play I Wanna Be Yours embarks on a national tour with Tamasha
  • Turbines, a world premiere from Sarah Mcdonald-Hughes in Cardiff and London
  • A new play from Ifeyinwa Fredrick in partnership with Soho Theatre
  • Bruntwood Prize-Winner Anna Jordan’s Pop Music returns for a live online broadcast
  • Come To Where I’m from celebrates its 10th year with new live dates and 160 plays available free on the app
  • Paines Plough’s new podcast series launches

Artistic Directors of Paines Plough James Grieve and George Perrin today announced the company’s Programme 2019, marking the final season from the pair who will step down later this year after nearly a decade at the helm.

The programme celebrates some of the most exciting, distinctive, observant and entertaining voices in British theatre with commissioned writers including:Charley Miles, Nathan BryonDaf James, Sam Steiner, Zia Ahmed, Sarah Mcdonald-Hughes, Ifeyinwa Fredrick and Anna Jordan. Their brand new plays will tour across the length and breadth of the UK to city centres, seaside towns and village halls.

ROUNDABOUT will once again host an Edinburgh Festival Fringe programme and bring mini-festivals to each stop on its nationwide tour. Paines Plough will broadcast Anna Jordan’s POP MUSIC live online and celebrate 10 years of COME TO WHERE I’M FROM with new live events and the CTWIF APP featuring more than 180 short audio plays available to download free from the App Store and GooglePlay. They will once again be holding open auditions as part of their pledge to actors. A new series of podcasts, INSIGHTS, offers a look at the playwright’s experience of life inside the rehearsal room.

James Grieve and George Perrin said: “This programme epitomises what Paines Plough has always been about for us: urgent new plays from original new voices featuring top new talent on wide-ranging tours the length and breadth of the UK. We’re hugely proud to be presenting the best of a new generation of British playwrights. We’re celebrating 10 years of COME TO WHERE I’M FROM and another three years of ROUNDABOUT funding. Graduates of our Playwright Fellowship and Trainee Director Bursary headline the programme. Loyal venue partners reaffirm their commitment to the importance of new plays. Our newly launched podcast series INSIGHTS aims to make us ever more open and accessible, joining existing initiatives like OPEN AUDITIONS, our Casting Pledge and our UNSOLICITED SCRIPT policy. It’s everything we think a national theatre of new plays should be.”


Paines Plough and Theatr Clwyd present


Following another critically acclaimed season in 2018, ROUNDABOUT, Paines Plough’s award-winning portable in-the-round auditorium, will return for a sixth consecutive year in 2019. The programme will include World Premieres from Charley Miles, Nathan Bryon and Daf James co-produced with Theatr Clwyd and performed in rep, directed by Stef O’Driscoll. The productions will open at Theatr Clwyd and tour to the Edinburgh Festival Fringe andsix partner venues across the UK.

ROUNDABOUT will also host a programme of visiting companies, comedy, music and local community events.

Full listings will be announced in due course.

Charley is a playwright from rural North Yorkshire. She is currently the Paines Plough Playwright Fellow. Her debut play, BLACKTHORN, was produced in 2016 and went on to become a finalist for the Susan Smith Blackburn award in New York in 2017. She was the Channel 4 Playwright in Residence at the West Yorkshire Playhouse in 2017, and has recently written plays for the Royal Welsh College of Music and Drama, the Royal Court, and Leeds Playhouse. Her original television drama, IN MEMORIAM, is in development with Buccaneer Media.

Nathan is a writer and actor who is best known to viewers for his role as regular character Jamie in SOME GIRLS and BENIDORM’s sunniest holiday maker, Joey Ellis. He has written for critically acclaimed CBeebies’ animation RASTAMOUSE, BAFTA award winning SWASHBUCKLE and on all three series of BAFTA nominated APPLE TREE HOUSE (CBeebies) alongside BAFTA winning GIGGLEBIZ. Last Year Nathan’s one-man show MIXED BRAIN a show about his mixed heritage premiered in Roundabout at the Edinburgh Fringe Festival.  He also has a 3 picture book deal with Penguin Random House. His first book LOOK UP! will hit shelves in the US and UK in June.

Nathan has recently co-written a Sky Arts short NEW BLOOD starring Samson Kayo and Jane Horrocks. One of Nathan’s passions is creating his own work about his black British experience. He created REALITY, a comedic social commentary ethnology series, which has had two solo premiers at the BFI in NFT1. REALITY has also screened and won various awards around the world at film festivals. Nathan is currently writing series 3.0. Nathan has various TV projects in development as well as a feature film.

Daf is an award-winning writer, composer and performer working across theatre, radio television and film in English and Welsh.  His first full-length play LLWYTH [Tribe] was described in Contemporary Welsh Plays as ‘a water-shed play that changed the landscape of Welsh language theatre forever.’ Past work includes: REPUTATIONS (BBC Studios); NURSERYLAND REVOLUTION (Let’s Play/National Theatre); MY MOTHER TAUGHT ME HOW TO SING (Radio 4); TIGER BAY (WMC/Capetown Opera); CITY OF THE UNEXPECTED (National Theatre Wales); ALL THAT I AM (Richard Burton Theatre Company/Gate); WONDERMAN (Gagglebabble/NTW); MOTHER COURAGE (NTW); YURI (August 012); CRACKANORY (Tiger Aspect/Dave); PSYCHOBITCHES (Tiger Aspect/Sky Arts, Rose d’Or Award Winner); HERITAGE (NT Connections); SUE: THE SECOND COMING (Soho Theatre and UK tour);  TERRACE (Radio 3); GWAITH/CARTREF (10 episodes, Fiction Factory); THE VILLAGE SOCIAL (NTW); DEFFRO’R GWANWYN (Theatr Genedlaethol) and MY NAME IS SUE (Total Theatre Award Winner). Current work includes: BRITHDIR (Triongl/S4C); GANOL GAEAF NOETHLWM (Cwmni Da/S4C), MARGARET & CLIVE (Fiction Factory); THE DIANA CHRONICLES (Royal Court, Sherman Theatre and Theatr Clwyd) and TYLWYTH (Theatr Genedlaethol/Sherman Cymru).  His TV pilot BEAST (Scott Free/Channel 4) was on the 2018 Brit List.

Stef is a theatre director and the Artistic Director of Nabokov Theatre who most recently directed ISLAND TOWN, STICKS AND STONES and HOW TO SPOT AN ALIEN for the Paines Plough Roundabout season, which were all well received at the Edinburgh Fringe 2018. She will direct the Roundabout season again this year and other current projects include LIT, at the Nottingham Playhouse, as well as BOX CLEVER by Monsay Whitney at the Bunker Theatre. She also directed WITH A LITTLE BIT OF LUCK for BBC Radio 1 Xtra, a celebration of UKG music and the club scene of the early noughties, with a compelling coming-of-age story woven through it and was previously the Associate Director at the Lyric Hammersmith and Paines Plough. Stef was the original director of WHEN WOMEN WEE, now the feature THE POWDER ROOM, and was selected for the Old Vic New Voices New York Exchange scheme. She was assistant director to Phyllida Lloyd on HENRY IV both the London runs & NY transfer. She trained at St Mary’s University where she obtained a BA in Drama.



A Paines Plough and Theatre Royal Plymouth production
by Sam Steiner
Directed by James Grieve
Design by Amy Jane Cook
Lighting Design by
 Peter Small
Sound Design by Dominic Kennedy

Movement by Annie-Lunette Deakin-Foster
Assistant Direction by Freddie Crossley

Paines Plough and Theatre Royal Plymouth present YOU STUPID DARKNESS!, a World Premiere from Sam Steiner (Lemons, Lemons, Lemons, Lemons, Lemons; Kanye the First), directed by Paines Plough Joint Artistic Director James Grieve. Set in a call centre for Brightline helpline, four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be ok. A hopeful play about the struggle for optimism and community amid the chaos of a collapsing worldThe cast includes David Carlyle, Andrew FinniganBecci Gemmell and Lydia Larson. The production marks the continuation of a long-standing relationship between Paines Plough and Theatre Royal Plymouth and follows the success of Love, Love, Love and The Angry Brigade.

YOU STUPID DARKNESS! runs at Theatre Royal Plymouth 7 – 23 February with an Opening Night on 12 February.

Sam is a playwright and screenwriter from Manchester. Sam’s debut play, the award-winning LEMONS LEMONS LEMONS LEMONS LEMONS, was produced by Walrus Theatre (a company he cofounded). It has had three sell-out runs at the Edinburgh Fringe and toured nationally. The play has since been produced all over the world in seven different languages. Sam’s second play, KANYE THE FIRST, was commissioned and produced by Hightide Theatre and premiered at the festival in September 2017. Other pieces of Sam’s work have been showcased at the Royal Exchange, Soho Theatre, Southwark Playhouse, Sala Beckett in Barcelona and the Cannes and London Film Festivals. He completed an attachment at Paines Plough as their Playwright Fellowship and holds an MA in Screenwriting from the National Film and Television School. Sam is currently under commission at Paines Plough and is developing television projects with Drama Republic and Euston North.

James is Joint Artistic Director of Paines Plough.


A Paines Plough and Tamasha production
by Zia Ahmed
Direction by 
Anna Himali Howard

Ella is from Yorkshire. Haseeb is from London. They order a pizza. House red for Ella. Hot chocolate for Haseeb.

“I think I’m falling in love with you.”

Meet in the middle. Meet the parents. Meet the friends. Meet the aunties. They say opposites attract, but can they stay together?

A tender, funny, lyrical play about finding love and holding onto it with everything you’ve got. I WANNA BE YOURS is the debut play from London Laureate and Roundhouse Poetry Slam Champion Zia Ahmed. In partnership with Tamasha, it will tour around the UK, directed by former Paines Plough trainee director Anna Himali Howard. Dates to be announced.

Zia is from North West London. He is a London Laureate, having been shortlisted to be the Young Poet Laureate for London 2015/16. He is a former Roundhouse Poetry Slam champion. Zia was Paines Plough’s Channel 4 Playwright in Residence 2016/2017.

Anna is a director and theatremaker. She was Paines Plough’s Trainee Director in 2016. She is also an Alumni Artist at the Gate Theatre and an alumnus of the Birmingham REP Foundry.

Her work as a Director includes A SMALL PLACE by Jamaica Kincaid (Gate Theatre), ALBATROSS by Isley Lynn for NEW (RWCMD/Paines Plough/Gate Theatre), LIFE IS NO LAUGHING MATTER by Demi Nandhra (Birmingham REP/mac Birmingham), 20B by Jane English (Birmingham REP/CPT).   As a theatremaker work includes MAHABHARAT/A by Anna Himali Howard and Zarina Muhammad (Camden People’s Theatre), THE BEANFIELD by Breach Theatre (New Diorama, National tour 2016).   Anna was Associate Director on FLEABAG by Phoebe Waller-Bridge (Drywrite/Soho Theatre international tour) and Assistant Director on OTHELLO, directed by Ellen McDougall (Shakespeare’s Globe) and IN THE NIGHT TIME (Before the Sun Rises) by Nina Segal, directed by Ben Kidd (Gate Theatre).

I WANNA BE YOURS was developed with support from the Channel 4 Playwrights’ Scheme.


A Paines Plough, Royal Welsh College of Music and Drama and The Gate Theatre production
By Sarah McDonald-Hughes
Direction by Emily Ling Williams

Once again for 2019 Paines Plough will partner with Royal Welsh College of Music and Drama and The Gate Theatre to showcase the world premiere of Sarah McDonald-Hughes’s TURBINES, directed by Paines Plough former Trainee Director Emily Ling Williams. Sarah returns to Paines Plough following her award-winning play for young people HOW TO BE A KID.

Sarah is an actor and writer from Manchester.  Her plays include:  SHERBET (Octagon Bolton), HOW TO BE A KID (Paines Plough); BLACKOUT (Dukes Lancaster) THE MANCHESTER PROJECT (Monkeywood Theatre/HOME/National Theatre), TRIAL, MULTI STORY (Octagon Bolton/Monkeywood), WONDROUS PLACE (Northern Spirit/Liverpool Unity/Sheffield Crucible/Northern Stage/Royal Exchange), FLESH (Monkeywood Theatre/Royal Exchange), BY FAR THE GREATEST TEAM, ONCE IN A HOUSE ON FIRE, MAINE ROAD (Monkeywood Theatre), THE TREE, NIGHT TRAIN (Action Transport Theatre), OUR PALS and THE NORTH (Royal Exchange Studio).  Radio includes: THE ARCHERS, BLIND SCHOOL, A ROOF OVER OUR HEADS, DAD, TAKE ME TO REDCAR, MAINE ROAD (BBC Radio 4).  Television includes numerous episodes of DOCTORS for BBC1.  Sarah works regularly as an actor in theatre, television and radio and is Co-Artistic director of the award winning Monkeywood Theatre.  She is currently part of THE ARCHERS regular writing team. Sarah won the 2018 Writer’s Guild Award for her play HOW TO BE A KID and the 2017 National Octagon Prize for her play SHERBET, co-written with Curtis Cole.

Emily was Trainee Director at Paines Plough in 2017 and is currently part of the Fresh Direction group at the Young Vic. Directing credits include LUNGS(Extract) (Young Vic). Assistant directing credits include THE MEETING (Chichester Festival Theatre) THE CHALK GARDEN (Chichester Festival Theatre), THE APOLOGY (R&D) (NT Studio), BLACK MOUNTAIN (Paines Plough)OUT OF LOVE (Paines Plough), HOW TO BE A KID (Paines Plough), THE ISLAND NATION (Arcola Theatre).


A new play by Ifeyinwa Fredrick
Co-commissioned by Paines Plough and Soho Theatre

Paines Plough are co-commissioning a new play by Ifeyinwa Fredrick, one of the 2019 Soho Six, a yearlong attachment programme for artists run by Soho Theatre. Full details to be announced.

Ifeyinwa is a writer and entrepreneur, using both writing and business as creative outlets. Writing alongside her full-time job as co-founder of Chuku’s – the world’s first Nigerian tapas restaurant – she has been featured in Forbes’ list of 100 Women Founders in Europe. She began writing in 2016, joining Soho Theatre Writers’ Lab. Supported by the programme, she wrote her debut play THE HOES which received a full production at Hampstead Theatre in 2018. The play was shortlisted for the 2017 Tony Craze Award and Character 7 Award and longlisted for the 2017 Verity Bargate Award. Her stories explore the intricacies of people and the dichotomy between how we really are and how society or we portray ourselves to be.


A Paines Plough and Birmingham Repertory Theatre production
by Anna Jordan

Direction James Grieve

Anna Jordan’s POP MUSIC returns for a one-off live stream after an acclaimed national tour in 2018. Turbo charged by non-stop pop hits from the past 30 years of chart toppers, POP MUSIC is a euphoric, nostalgic, poptastic theatre party for anyone who’s ever been a dick on the dancefloor. Details to be announced.

Anna won the 2013 Bruntwood Prize for Playwriting for Yen (Royal Court) after having been twice longlisted for her plays MARIANNE and CHICKEN SHOP.YEN has had productions at Manchester Royal Exchange, the Royal Court and MCC New York as well as several international productions. It was also shortlisted for the Susan Smith Blackburn Prize 2015-2016.   Her current projects include THE UNRETURNING (Frantic Assembly / Theatre Royal Plymouth) and a new adaptation of MOTHER COURAGE (Royal Exchange / Headlong). She is also under commission to the Royal Court Theatre.  Other theatre includes WE ANCHOR IN HOPE (Royal Court – Beyond the Court), A SERIOUS CASE OF THE FUCKITS (Central School of Speech and Drama) CHICKEN SHOP (Park Theatre) and FREAK (Theatre503 / Assembly Studios). She was recently part of the writers room on HBO’s new series SUCCESSION, created by Jesse Armstrong, and has written episode 4. Film includes THE IVORY YEAR (LAMDA).


A Paines Plough production

Since 2010, Paines Plough’s nationwide project Come To Where I’m From has seen over 160 playwrights from across the pen plays about the places they call home.

Each play is performed for one-night only and then becomes part of the free Come To Where I’m From smartphone app which houses all the mini-plays that have been performed since the project began to create a vivid patchwork quilt of accents, experiences and impressions of the UK.

In 2019 Paines Plough will showcase live sessions of COME TO WHERE I’M FROM with the first taking place in Salisbury on 20 February with Wiltshire’s writers Veronica Dewan, Harry Blake, Barney Norris and Hanna Treadaway.


A podcast by Paines Plough

Paines Plough’s new INSIGHTS podcasts chart the writer’s experience of life inside the rehearsal room.

The series will be released during the rehearsal period of Paines Plough productions, with the playwright and the director discussing the week’s progress and inviting in different guests from the cast and creative team. The first series, YOU STUPID PODCAST!, is led by James Grieve and Sam Steiner and is currently available to download from Podbean.

George Perrin and James Grieve announce that they are stepping down as Artistic Directors of Paines Plough

Paines Plough

Ahead of launching their 10th annual programme of new plays on tour, George Perrin and James Grieve have announced that they are stepping down as Artistic Directors of Paines Plough. Since 2010, the pair have produced 45 World Premieres by writers such as Mike Bartlett, Penelope Skinner, James Graham, Sabrina Mahfouz and Vinay Patel, touring them to hundreds of villages, towns and cities across the UK and around the world.

Their playwright development initiative THE BIG ROOM, has launched the careers of a new generation of playwrights including Tom Wells, Kate Tempest and Zia Ahmed.

The pair revitalised small-scale touring whilst at the organisation and launched celebrated initiatives like Open Auditions to ensure that Paines Plough meets actors from all backgrounds across the whole of the UK.

In 2014, Perrin and Grieve built their own pop-up theatre ROUNDABOUT for Paines Plough to reach those communities least engaged with the arts, a pop-up space which is now recognised as a fixture of touring theatre across the country.

George Perrin and James Grieve said: “We are honoured to have been the custodians of this essential organisation and are proud to now pass it on to a new generation of artists and producers. It’s been a joy to travel the country and traverse the globe bringing the best new British plays to the doorsteps of our audiences. We’ll leave as we arrived: die-hard fans of the best new writing touring company in the world.”

Kim Grant, Chair of the Paines Plough Board of Trustees, said: “George and James have led Paines Plough through nine years of outstanding achievement, unrelenting progress and unforgettable theatre experiences for audiences across the UK. Throughout their stewardship the company has remained true to its roots as the leading national touring theatre company for new plays and with ROUNDABOUT now firmly established as a unique and sophisticated flexible  pop-up theatre space, they leave us and their successors a wonderful legacy.”

Programme 2019 will be announced later this week. James and George will leave Paines Plough in the summer to pursue new projects.

The board of Paines Plough will begin their search for new artistic leadership in February.

Paines Plough’s Roundabout plays will transfer to Orange Tree Theatre in January 2018

Black Mountain
Black Mountain

Black Mountain

Co-Artistic Directors of Paines Plough James Grieve and George Perrin today announced that, in co-production with Orange Tree Theatre and Theatr Clwyd, Black Mountain by Brad Birch, Out Of Love by Elinor Cook and How To Be A Kid Sarah McDonald-Hughes will transfer to Orange Tree Theatre in January 2018.

The three plays will be preceded by Paines Plough’s global phenomenon Every Brilliant Thing which will play at Orange Tree Theatre from 9 – 28 October 2017.

Tickets are on general sale from 26 June at:

James Grieve and George Perrin said today: “We’re delighted to announce that four of Paines Plough’s productions will be staged at Orange Tree from this Autumn. The inclusive spirit of London’s only permanent theatre in-the-round is perfect for Every Brilliant Thing and we can’t wait to give London audiences a chance to see the show again.

It’s been a joy to work with Orange Tree Theatre as one of our co-producers for Roundabout this year, and we’re thrilled that Black Mountain, Out Of Love and How To Be A Kid will be playing in Richmond at the start of 2018.

We hugely admire the work that Paul, Sarah and their team have been doing over the past couple of years, and are excited to be working with one of the most dynamic theatres in London for innovative new writing.”

Black Mountain, Out Of Love and How To Be A Kid will preview at Theatr Clwyd (24 June – 22 July) before opening in ROUNDABOUT @ SUMMERHALL as part of the Edinburgh Festival Fringe (4 – 27 August). Following this ROUNDABOUT will embark upon a UK tour visiting Salford, Kendal, Margate, Lincoln, Darlington, Poole, Stoke and Luton in Autumn 2017. All three productions will star Hasan Dixon, Katie Elin-Salt and Sally Messham and are directed by James Grieve.

Following a 2017 European tour and dates in South Korea, Paines Plough’s globally acclaimed Every Brilliant Thing will transfer to Orange Tree Theatre in October 2017. Every Brilliant Thing was written by Duncan Macmillan (People Places and Things, 1984) with Jonny Donahoe and directed by Paines Plough joint Artistic Director George Perrin, and has now been seen by over 45,000 people across four continents.

A Paines Plough and Pentabus Theatre Company production
By Duncan Macmillan with Jonny Donahoe

9 – 28 October 2017

The worldwide smash hit is back for its first major London run.

You’re seven years old. Mum’s in hospital. Dad says she’s ‘done something stupid’. She finds it hard to be happy.

You make a list of everything that’s brilliant about the world.

Everything worth living for.

1. Ice cream
2. Water fights
3. Staying up past your bedtime and being allowed to watch TV
4. The colour yellow
5. Things with stripes
6. Rollercoasters
7. People falling over

A play about depression and the lengths we go to for those we love.

Based on true and untrue stories.

Jonny Donahoe is a comedian, writer and performer. When Every Brilliant Thing played Off-Broadway, he was nominated for the Drama Desk Award for Outstanding Solo Performance and the Lucille Lortel Award for Outstanding Solo Show. He returns to the Orange Tree after his sell-out performances with Jonny & the Baptists, who have toured extensively including the Edinburgh Fringe.


A Paines Plough, Theatr Clwyd and Orange Tree Theatre production
By Brad Birch

26 January – 3 March 2018

Rebecca and Paul are running away. Away from memories and mistakes.

They’re trying to save their relationship. They need time and space. An isolated house in the country is the perfect place to work things out.

But you can’t run forever. Especially when you’re being followed.

Black Mountain is a tense psychological thriller about betrayal and forgiveness by Fringe First winner and recipient of the prestigious Harold Pinter Commission, Brad Birch.


A Paines Plough, Theatr Clwyd and Orange Tree Theatre production

By Elinor Cook
27 January – 3 March 2018

Lorna and Grace do everything together. They share crisps, cigarettes and crushes. That’s what happens when you’re best friends forever.

But when Lorna gets a place at University, and Grace gets pregnant, they suddenly find themselves in starkly different worlds. Can anything bridge the gap between them?

A tale of friendship, love and rivalry over thirty years from award-winning playwright Elinor Cook.

Elinor Cook is the Winner of the George Devine Award for Most Promising Playwright (2013).


A Paines Plough, Theatr Clwyd and Orange Tree Theatre production
By Sarah McDonald-Hughes

25 January – 3 March 2018

Molly cooks. Molly does the dishes. Molly gets her little brother Joe ready for school. Molly is only 12, but she doesn’t feel much like a kid anymore.

Now Molly’s Mum is feeling better, maybe things will get back to normal. Can you help Molly learn how to be a kid again?

Join Molly, Joe and her Nan for a larger than life story of family, friends and fitting in by Sarah McDonald-Hughes, twice nominated for the Best New Play at the Manchester Theatre Awards.

Warning: Contains dancing, chocolate cake and an epic car chase.


9 – 28 October
Orange Tree Theatre
Box Office: 020 8940 3633

Mon – Sat eves 7.30pm (except 10 Oct 7.00pm)
Sat matinees 4.00pm


22 January – 3 March
Orange Tree Theatre
Box Office: 020 8940 3633

Black Mountain
Previews: Fri 26, Thu 30 Jan 7.30pm
Fri 2, Mon 5, Wed 7, Sat 10, Tue 13, Fri 16, Mon 19, Wed 21, Sat 24, Tue 27 Feb, Fri 2 March 7.30pm
Thu 1, Thu 15 Feb, Thu 1 March 2.30pm
Sat 3, Thu 8, Sat 17, Thu 22 Feb, Sat 3 March 4.30pm

Out of Love
Previews: Sat 27, Mon 29 Jan 7.30pm
Wed 31 Jan, Sat 3, Tue 6, Fri 9, Mon 12, Wed 14, Sat 17, Tue 20, Fri 23, Mon 26, Wed 28 Feb, Sat 3 March 7.30pm
Thu 8, Thu 22 Feb 2.30pm
Thu 1, Sat 10, Thu 15, Thu 1 March 4.30pm

How To Be A Kid
Preview: Thu 25 Feb 7.30pm
Thu 7.30pm & Sat 2.30pm

Post-show talks
Out of Love Tue 6 Feb 7.30pm
Black Mountain Tue 13 Feb 7.30pm

Captioned performances
Sat 24 Feb
How To Be A Kid 2.30pm
Out of Love 4.30pm
Black Mountain 7.30pm


4 – 27 August
Roundabout @ Summerhall
Box Office: 0131 560 1580

Press Performance for Out of Love: 6 August, 1.25pm
Press Performance for Black Mountain: 7 August, 1.25pm


24 June – 22 July
Theatr Clwyd
Box Office: 01352 701521

7 – 10 September
The Lowry
Box Office: 0843 208 6000

14 – 17 September
Brewery Arts Centre
Box Office: 01539 722833

21 – 24 September
Theatre Royal Margate
Box Office: 01843 292795

28 September – 1 October
Lincoln Performing Arts Centre
Box Office: 01522 837600

5 – 8 October
Darlington Theatre Town
Box Office details will be announced in due course.

12 – 15 October
Lighthouse, Poole
Box Office: 01202 280000

19 – 22 October
Appetite Stoke
Box Office: 01782 717962

26 – 29 October
Revoluton Arts


Theatr Clwyd announces 2017 Summer and Autumn seasons

Tamara Harvey
Tamara Harvey

Tamara Harvey

As she completes her first year as Artistic Director of Theatr Clwyd, Tamara Harvey today announced the 2017 Summer and Autumn seasons for the company. These include four world premières; BoHo, a co-production with Hijinx Theatre which features both learning disabled and non-disabled actors, and, after a successful collaboration on the production of Love Lies and Taxidermy, Theatr Clwyd reunites with Paines Plough to open the 2017 Roundabout Season with co-productions of Black Mountain, Out Of Love and How To Be A Kid in collaboration with the Orange Tree Theatre. The Theatr Clwyd and Sheffield Theatres co-production of a new adaptation of Anton Chekhov’s Uncle Vanya, by Welsh Playwright Peter Gill, will be directed by Harvey and will open at Clwyd from the 21 September ahead of transferring to Sheffield Theatres as part of Robert Hastie’s inaugural season.

This summer will see the second annual Family Arts Weekend take place as Theatr Clwyd gives access to all areas of the building with performances, workshops and adventures for children of all ages and their families. Following on from this, the Summer Schools for children aged 6-18 will run from 31 July – 18 August and from October 5 Kate Wasserberg returns to Clwyd to direct a new production of The Rise And Fall Of Little Voice by Jim Cartwright.

Highlights of the visiting programme include Theatr Clwyd hosting the National Theatre’s My Country; a work in progress by Artistic Director Rufus Norris and Poet Laureate Carol Ann Duffy. Welsh pianist Llyr Williams and international renowned clarinettist Emma Johnson and the Castalian String Quartet present a programme including Mozart and Brahms clarinet quintets. In June, Kneehigh’s acclaimed Tristan & Yseult will be at the theatre and tells a great celtic love story in an show which blends comedy and live music for an irresistible night of love.

Tamara Harvey said today “Celebrating homegrown talent is at the forefront of what we do at Theatr Clwyd and we are privileged, in this forthcoming season, to be working with world renowned and emerging Welsh and Wales-based artists, including playwrights Peter Gill and Brad Birch and director Kate Wasserberg. And I’m very proud to be welcoming back Hannah Noone to direct the world premiere of ‘BoHo’ in our co-production with Hijinx, featuring actors with and without learning disabilities. As I begin my second year in the role of Artistic Director, I’m looking forward to building on the inspiring relationships we’ve formed with some of the UK’s most creative individuals and companies. We’re particularly honoured to be co-producing Paines Plough’s 2017 Roundabout season and opening all three new plays on Theatr Clwyd’s beautiful hillside. Already this spring we’ve co-produced three premières – Scarlett, Junkyard and Sinners Club, the latter created by our first Writer in Residence, Lucy Rivers, whilst she was with us at Theatr Clwyd. As the Writers in Residence scheme begins its second year, my hope is that the relationships we build will further establish us as a home from home for emerging writers as they take centre stage at the heart of our work.”


Roundabout is the world’s first pop-up, plug-and-play theatre. It flat packs into a lorry and pops up all over the country in theatres, school halls, warehouses, sports centres, car parks and fields. Theatr Clwyd are proud to hold the press night for How To Be A Kid on Thursday 29 June and Out Of Love and Black Mountain press nights will be held in Edinburgh. Artistic Director of Paines Plough, James Grieve, will direct three world première productions that will appear in rep on Theatr Clwyd’s hilltop throughout July.



By Elinor Cook

 A Theatr Clwyd, Paines Plough and Orange Tree Theatre co-production

 Director: James Grieve

 Monday 10 – Saturday 22 July

 From the award-winning writer of Pilgrims, which was co-produced with Theatr Clwyd, HighTide and Vicky Graham Productions and directed by Tamara Harvey, Out Of Love is a tale of friendship, love and rivalry over thirty years.

 Lorna and Grace do everything together and share everything. But when Lorna gets a place at university and Grace gets pregnant they suddenly find themselves in starkly different worlds. Can anything bridge the gap between them?

 Elinor Cook won the 2013 George Devine Award for Most Promising Playwright for Pilgrims, directed by Tamara Harvey, and her play The Girl’s Guide to Saving the World was produced by HighTide as part of their festival in April 2014, directed by Amelia Sears. Her other plays include Ten Weeks (Royal Welsh College of Music & Drama at Gate Theatre), Microwave (short-listed for the Old Vic/Theatre 503 Award for new writing),The Boy Preference (National Theatre Connections), The Circle Game (Old Vic New Voices Time Warner Ignite 3 recipient and performed at Latitude Festival) and This is Where We Got to When You Came In (co-written with non zero one and Bush Theatre). She wrote an episode of The Secrets, which was directed by Dominic Savage on BBC One. 

James Grieve directs all three Roundabout productions and is Joint Artistic Director of Paines Plough. For Paines Plough his credits include Broken Biscuits, Jumpers For Goalposts, The Angry Brigade, An Intervention, Love, Love, Love, Hopelessly Devoted, Wasted, The Sound Of Heavy Rain, You Cannot Go Forward From Where You Are Right Now, Tiny Volcanoes and Fly Me To The Moon. Other directing credits include a new production of Les Miserables (Wermland Opera in Karlstad) Translations (Sheffield Theatres/ETT/Rose Theatre Kingston), A NOBODY (66 BOOKS) by Laura Dockrill, The Whisky Taster and Psychogeography (Bush Theatre), and The List (Arcola Theatre). Grieve has also directed comedians and poets including Isy Suttie, Simon Brodkin (Lee Nelson), Luke Wright, Martin Figura and Aisle16.



By Sarah McDonald-Hughes

 A Theatr Clwyd, Paines Plough and Orange Tree Theatre co-production

 Director: James Grieve

 Saturday 24 June – Saturday 22 July

Press Night: Thursday 29 June 7pm

From Manchester playwright Sarah McDonald-Hughes, How To Be a Kid is for children 7 or over and is alarger than life story of friends, family and fitting in and tackles some big subjects with extraordinary lightness of touch and a lot of joyous dancing.

 Molly cooks and does the dishes. She gets her little brother Joe ready for school. Molly is only 12, but she doesn’t feel much like a kid anymore. Now her mum is feeling better, maybe things will get back to normal. Can Molly learn to be a kid again?

Sarah McDonald Hughes is an award-winning playwright. Her work includes Multi Story (Octagon Bolton),Wondrous Place (Northern Spirit/Liverpool Unity/Sheffield Crucible/Northern Stage/Royal Exchange), Flesh(Manchester Royal Exchange), By Far The Greatest Team, Once In A House On Fire, Maine Road(Monkeywood Theatre), Salisbury Street (Liverpool Everyman), The Tower (Paines Plough/Royal Exchange Studio), The Tree, Night Train (Action Transport Theatre), and Our Pals and The North (Royal Exchange Studio).



By Brad Birch

A Theatr Clwyd, Paines Plough and Orange Tree Theatre co-production

Director: James Grieve

Saturday 8 – Friday 21 July

 Black Mountain from Welsh playwright Brad Birch is a tense psychological thriller about betrayal and forgiveness.

 Rebecca and Paul are running away. They’re trying to save their relationship. An isolated house in the country is the perfect place to work things out. But you can’t run forever. Especially when you’re being followed.

Brad Birch is an award-winning writer. His plays include This Must Be The Place (Poleroid Theatre/ VAULT Festival), The Brink (Orange Tree Theatre), The Protest (The Old Vic), Selfie: The Modern Day Dorian Gray(Ambassador’s Theatre), Tender Bolus (Manchester Royal Exchange/Schauspielhaus), Gardening For The Unfulfilled and Alienated (winner Fringe First Award 2013) (Undeb Theatre/Edinburgh Festival), Soap Opera, Where The Shot Rabbits Lay, Permafrost (Royal Court Theatre), Even Stillness Breathes Softly Against A Brick Wall (Soho Theatre Upstairs), Want For Nothing-For Waifs And Strays (Lyric Hammersmith), Light Arrested Between The Curtain And The Glass (Sherman Cymru) and Sunflowers, The Snow Queen (Theatr Prowys).

Roundabout is part of Paines Plough’s Programme 2017. Following Theatr Clwyd, Roundabout will tour to Salford, Kendal, Margate, Lincoln, Darlington, Poole, Stoke and Luton in Autumn 2017. Orange Tree Theatre dates, Edinburgh dates and casting for Roundabout 2017 will be announced in due course.



Devised by Hijinx Theatre Company

 A Theatr Clwyd and Hijinx Theatre co-production

 Director and Composer: Hannah Noone

 Thursday 22 – Saturday 24 June

Press Night: Thursday 22 June
Devised by the company with a score by Hannah Noone, the world première production of BoHo is a dystopian musical misadventure.

Hannah Noone has previously worked at Theatr Clwyd as Assistant Director on Tamara Harvey’s first two productions, Much Ado About Nothing and Pilgrims. She is a member of the JMK Sherman Cymru’s Directors Group, Resident Director for Opera’r Ddraig and Artistic Director of Welsh Youth Performance Academy. Directing credits include Die Fledermaus, The Beggar’s Opera, Carmen, Hansel & Gretel (Opera’r Ddraig), Cinderella (Bute Park Opera) and Venus & Adonis (Opera Mint).



By Anton Chekhov; Adapted by Peter Gill

Director: Tamara Harvey

Thursday 21 September – Saturday 14 October

Press Night: Tuesday 26 September 7.45pm

Chekhov’s comic tragedy about polite people going crazy in the middle of nowhere, drinking too much and not having enough sex. Can people ever take a leap and change their own lives?

 Tamara Harvey directs this poignant comedy in a heartbreaking new version by Peter Gill, which was commissioned by Theatr Clwyd. The production will be performed in the round.

 Anton Chekhov (1860-1904) was a Russian playwright and short story writer. His principal works for the stage include Ivanov, Platonov, The Seagull, Three Sisters and The Cherry Orchard.

 Peter Gill (b.1939) is a Welsh playwright, theatre director and actor. As a playwright, his works include, The Sleeper’s Den, Over Gardens Out, Small Change, Kick for Touch, Cardiff East, Certain Young Men, The York Realist, Original Sin, Another Door Closed, Versailles and As Good a Time as Any. His adaptations for the stage include A Provincial Life, The Merry-Go-Round, The Cherry Orchard, Touch and Go, As I Lay Dyingand The Seagull.

 Artistic Director of Theatr Clwyd, Tamara Harvey directs – which sees her return to Sheffield Theatres following her recent production of Pride and Prejudice. She has directed in the West End, throughout the UK and abroad, working on classic plays, new writing, musical theatre and in film. Her inaugural production for Theatr Clwyd was Much Ado About Nothing, followed by the première of Elinor Cook’s award-winning new play, Pilgrims and Skylight by David Hare. Her previous credits include the world premières of From Here To Eternity (Shaftesbury Theatre), Breeders (St James Theatre), The Kitchen Sink, The Contingency Plan,Sixty-Six Books and tHe dYsFUnCKshOnalZ! (Bush Theatre), In the Vale of Health (a cycle of four plays by Simon Gray), Elephants, Blue Heart Afternoon and Hello/Goodbye (Hampstead Theatre), and Plague Over England (Finborough Theatre & West End). Other theatre includes Kreutzer vs Kreutzer (Sam Wanamaker Playhouse/Royal Festival Hall), Bash (Trafalgar Studios), Whipping It Up (New Ambassadors), One Flew Over The Cuckoo’s Nest (Gielgud & Garrick Theatres), Educating Rita and Smash (Menier Chocolate Factory & Theatre Royal Bath), Romeo and Juliet (Theatre of Memory at Middle Temple Hall), Much Ado About Nothing (Shakespeare’s Globe), Dancing at Lughnasa (Birmingham Rep), Bedroom Farce (West Yorkshire Playhouse), The Importance of Being Earnest (Shakespeare Theatre of New Jersey), Closer(Theatre Royal Northampton), Tell Me On A Sunday (UK Tour) and the UK première of Tennessee Williams’Something Cloudy, Something Clear (Finborough Theatre). Harvey directed the Shakespeare scenes that form an integral part of Anonymous, the feature film by Roland Emmerich; has twice been on the panel of the George Devine Award for Most Promising Playwright, and is a Trustee of the Peggy Ramsay Foundation and of the National Student Drama Festival.  She was Associate Artistic Director of the Bush Theatre in 2010-11, overseeing the move to the Bush’s new home and directing the first three productions in the new theatre.



By Jim Cartwright

Director: Kate Wasserberg

 Thursday 5 – Saturday 28 October

Press Night: Tuesday 10 October

 In a northern town in the 1980s Little Voice hides in her room with her favourite records, away from the chaos of the world outside, with a secret that could change her life – a voice that could make millions. But will she sing? Little Voice is an award-winning comedy about mothers, daughters and finding a voice of your own.

 Jim Cartwright is an award-winning writer and his plays have been translated into over 35 languages. His plays include Bed (National Theatre), Two (Octagon Theatre/The Young Vic), Eight Miles High (Octagon Theatre) and Rise and Fall of Little Voice (National Theatre/The Aldwych Theatre). He made his directorial debut with Road at The Royal Exchange Theatre and as a director his credits include I licked a Slag’s Deodorant, Hard Fruit (Royal Court Theatre), Prize Night (Royal Exchange Theatre), A Christmas Fair(Milton Rooms), Mobile Phone Show (National Theatre), The Ancient Secret of Youth and The Five Tibetans, Two2 (The Octagon). His television work includes Road, Vroom, Wedded and June.

 Kate Wasserberg is the Artistic Director of The Other Room in Cardiff, where her directing credits for the company include Blasted, The Dying of Today, Play/Silence, Sand and Seanmhair. She returns to Theatr Clwyd where as an Associate Director her credits include Aristocrats, Salt, Root and Roe, Glengarry Glen Ross, Roots, Gaslight, Dancing at Lughnasa, The Glass Menagerie and A History of Falling Things and other credits for the company include All My Sons and Insignificance. Other credits include The Barnbow Canaries (West Yorkshire Playhouse), Ten Weeks (Paines Plough), The Knowledge (Dirty Protest at the Royal Court) and Last Christmas (Edinburgh Festival). As Associate Director of the Finborough Theatre, her credits include Mirror Teeth, The Man (National Tour), Sons of York, Little Madam, The Representative, I Wish to Die Singing and The New Morality.


Behold: Paines Plough 

Paines Plough are one of theatre’s secret weapons. The touring new writing company has  and are continuing their extremely brilliant partnership with the Royal Welsh College of Music and Drama and the Gate Theatre in fostering talent by staging Hush by Alison Carr.

For the past three years, they have supported emerging writers has penned a short play for the graduating class of the college which is then staged in Cardiff and London for a short run. Previous playwrights who have taken part in the partnership with Paines Plough, RWCMD and Gate Theatre are Elinor Cook and Brad Birch who are both debuting full length new plays at Paines Plough Roundabout later this year.

I caught up with Hush writer Alison Carr and Paines Plough’s Artistic Director James Grieve to chat about new writing, the amazing new season, mainstream criticism and more.

Basically, it’s a really good chat.

Alison Carr

Alison Carr

Hi Alison, Paines Plough have a solid reputation for nurturing young theatre talent – how does it feel to be part of that?
It’s great. I first worked with Paines Plough about seven years ago when I took part in Come To Where I’m From at Live Theatre in Newcastle. I met James and George; I really liked the company and what they were doing. I wanted to be part of it. We’ve kept in touch and when I got the call to write their co-commission with RWCMD I was thrilled. And a bit daunted. A cast of eight, you say?! But they’ve been really supportive and encouraging throughout the process and I’m really proud of the play and excited for people to see it.

Last year you completed The Traverse Fifty – a 6-month attachment with Monkeywood Theatre. How helpful was that experience?
They’re actually two separate things. The Traverse Fifty was a year-long attachment with the Traverse that I was part of in 2013. It was incredible; I’d definitely say one of the most important experiences of my writing career so far. I was actually on the verge of packing-in writing when I entered to be part of it – it was a real make or break moment. The attachment with Manchester’s Monkeywood Theatre a couple of years ago was an opportunity to be supported over a 6-month draft process, culminating in a development day and a reading. It’s always good to have structure and support when you’re writing – I need deadlines and pressure – and then the chance to hear the play read by actors, work with a director, it’s all invaluable with a new work.

What is your play ‘Hush’ about?
There’s a question. There are three strands to the story – a young woman who comes back to the town she grew up in and left under a cloud, her former best friend who has stayed in the town and tried to live a good life, and a young man who waits in limbo for the return of his missing brother. So, broadly speaking, it’s about coming home, leaving vs staying, guilt, identity and loss. There are some jokes in there too, though.


Are there any writing tips that you live by?
It’s not exactly a pithy quote, but ‘just get on with it’ would be the main one. The amount of time I waste on worrying and procrastination, whereas when I just sit down and do something I feel so much better. Also, small achievable goals are key and time off is allowed.


James Grieve

James Grieve

Congratulations on the wonderful Paines Plough season. What are you most excited about?
All of it. But particularly our Roundabout tour because I get to direct three outstanding new plays by Brad Birch, Elinor Cook and Sarah McDonald-Hughes with an ensemble of actors and go on tour in our beautiful pop-up theatre to lots of great places around the UK. We built Roundabout to give people amazing theatre experiences in places where there isn’t usually any theatre and it’s one of the things I’m most passionate about doing.


Paines Plough doesn’t just develop exciting new writing but also cultivate directors and mentor them in producing bigger work. Why is that important to the company?
Great new plays need directors who understand and genuinely love playwrights and possess the particular skills and sensitivity needed to deliver a world premiere production of a new play. Developing directors with those skills and forging relationships between directors and playwrights is very important to us. John Tiffany first worked with Gregory Burke, Enda Walsh and Jack Thorne at PP and those lasting relationships went on to make BLACK WATCH, ONCE and HARRY POTTER. Our former Artistic Directors now run The Royal Court and Birmingham Rep. Our Associate Companies are run by the leading Artistic Directors of the future. New talent is following in the footsteps of Ian Rickson and Katie Mitchell as PP assistant directors. Developing great new writing directors is essential to PP now and vital to the entire theatre industry in the future.

You are continuing your partnership with the Royal Welsh College of Music and Drama and the Gate Theatre in nurturing young talent. What makes this partnership so special?
The NEW season is the visionary brainchild of RWCMD’s head of acting Dave Bond. With the college we co-commission and co-produce a new play written for and performed by the graduating actors as the final show of their training. It’s a fantastic challenge for playwrights to write big cast, ensemble plays with equally weighted roles. It’s a wonderful opportunity for a playwright and director to develop a relationship. It’s an incredible, unique opportunity for the student actors to bridge training and professional life by originating roles in a world premiere by an outstanding contemporary playwright, working with a professional director and performing in both Cardiff and London. It’s a completely brilliant project. And the plays sometimes go on to have a professional life – Ali McDowell’s POMONA and our own Luke Norris’ GROWTH began life as NEW productions.

With the Guardian cutting the extremely brilliant Lyn Gardner’s theatre blog – the big question is: will all mainstream critics end up on Theatre’s rocks, being eaten by crabs?
No, Lyn is far too vital to be marginalised. She will continue to be an essential read wherever she posts her reviews and analysis. I’m sad at the loss of the Guardian blog, but I’m equally excited by the emergence of new platforms and publications and the vitality of theatre writing and criticism online.

Full cast announced for the world premiere of Tom Wells’ Broken Biscuits

Today, Paines Plough and Live Theatre have announced full casting for the world premiere of Tom Wells’ new coming-of-age comedy Broken BiscuitsFaye Christall will play Megan, Grace Hogg-Robinson will play Holly and Andrew Reed will play Ben. Paines Plough held nationwide open auditions and cast Faye and Andrew from their search and Grace will be making her professional stage debut.

Tom Wells, Faye Christall (Megan), Grace Hogg-Robinson (Holly), Andrew Reed (Ben) and James Grieve. Broken Biscuits

Tom Wells, Faye Christall (Megan), Grace Hogg-Robinson (Holly), Andrew Reed (Ben) and James Grieve. Broken Biscuits. © Matt Humphrey 2016

Directed by Co-Artistic Director of Paines Plough James GrieveBroken Biscuits will play at Live Theatre in Newcastle upon Tyne from 5 until 22 October with an official press night on 11 OctoberBroken Biscuits will then tour the UK visiting The Drum, Theatre Royal Plymouth, Hull Truck Theatre, Stephen Joseph Theatre, Scarborough, Crucible Studio, Sheffield, The Tobacco Factory, Bristol and The Door, Birmingham Rep.

“The point is: we’re losers. Nobodies. Carry on like this, we’re losers forever. And we don’t have to be. Fresh start, two months to completely one hundred per cent reinvent ourselves. And I know exactly how we can do that.”

Megan, Holly and Ben are definitely not the cool kids. But Megan has a plan. One long summer holiday to change their lives. One sure path to coolness. One amazing transformation, through the power of song.

Holed up in Megan’s garden shed, three friends try to change their fortunes in a beautiful, heart-warming, laugh-out-loud, coming-of-age story for our times. Rock on.

Playwright Tom Wells said: Broken Biscuits is a play about three teenagers starting a band – I wanted to write about the summer you finish your GCSEs, being sixteen, full of big hopes and big worries, figuring things out a bit and trying new stuff. And I wanted to have a go at writing some lyrics, in the DIY spirit of a teenage band, fill the play with music and see what happened. I’m thrilled that Broken Biscuits is being brought to the stage by Live Theatre and Paines Plough and we’ve been really lucky to cast three soulful young actors with funny bones as Megan, Holly and Ben.”

Co-Artistic Directors of Paines Plough, James Grieve and George Perrin, said: Tom first joined Paines Plough as part of our Future Perfect group for emerging playwrights in 2009. We have always adored his writing and following the huge success of Jumpers for Goalposts we are honoured to be co-producing Broken Biscuits with Live Theatre Newcastle. It’s a gorgeous, hilarious, heart-squeezing play that shows why Tom is one of our best loved modern writers. Featuring original songs from Matthew Robins and a supremely talented cast of future stars, we can’t wait to share it with audiences in Newcastle and on tour across the UK.” 

Literary Manager at Live Theatre, Gez Casey, said: “We are delighted to be working once again with partners Paines Plough on the world premiere of a new Tom Wells play. Broken Biscuits is a joyous celebration of teenage friendship, a journey of individual and collective discovery through music. The play is shot through with whip-smart dialogue, vibrant and engaging characters and an infectious generosity of spirit.”

Faye Christall plays Megan. Faye is making her debut with Paines Plough and trained at the American Academy of Dramatic Arts in New York. Her theatre credits include Gone Viral (St James Theatre) and One Flew Over the Cuckoo’s Nest (Edinburgh Fringe). Faye’s film credits include Cute Little Buggers 3D and Awake and is also part of the Cirque du Soleil Company.

Grace Hogg-Robinson plays Holly. Broken Biscuits marks Grace’s stage debut, her previous credits on television include the regular role of Beth Kennedy in The Coroner: Series 1 & 2 (BBC1 & BBC Worldwide) as well as appearances in Casualty (BBC1), Camping (Sky Atlantic), Diary of a Snob (Nickelodeon), Doctors (BBC1) and Suspects (Channel 5). Grace’s film credits include Edge of Tomorrow (Warner Bros.), Birdhouse (NFTS), Candy Floss (HAUS Pictures) & The Nest (Beyond Fiction).

Andrew Reed plays Ben. Andrew was born in South Tyneside,  he trained with Project A at the Theatre Royal Newcastle and was a member of the Customs House Youth Theatre. Andrew’s previous stage credits include The Fifteen StreetsDrama Baby and Scrapbook, Customs House South Shields, The MachinesTakeaway and 13 (all Theatre Royal Studio Newcastle and on tour).

Tom Wells is a writer from Kilnsea, East Yorkshire. His plays include Folk (UK Tour, 2016), Cinderella (Lyric Hammersmith, 2015/16), Symphony (Edinburgh Festival, UK Tour, Soho Theatre 2013/14), Jumpers for Goalposts (Bush Theatre and UK Tour, 2013/14), Jack and the Beanstalk (Lyric Hammersmith, 2013/14), Cosmic (East Yorkshire Tour, 2013),  Jonsey (Lyric Hammersmith, Greenwich Playhouse, Watford Palace Theatre, National Theatre Inside Out, BBC Radio 4, 2012), The Kitchen Sink (Bush Theatre, 2011, winner of the Most Promising Playwright – Critics Circle, 2011 and the 2012 George Devine Award), Fossils (Bush Theatre, 2011), Spacewang (Hull Truck Theatre, 2011), Me, As A Penguin (West Yorkshire Playhouse, 2009 and Arcola Theatre / UK Tour, 2010), Yeti (Bush Theatre, 2010), About A Goth (Paines Plough / Oran Mor, 2009) and Notes For First Time Astronauts (Paines Plough LATER at Soho Theatre, 2009). Ben & Lump, which Tom wrote as part of the Coming Up season was broadcast on Channel 4 in spring of 2012. In 2009 Tom was a member of Paines Plough / Channel 4’s Future Perfect scheme and in 2012 he was Associate Playwright at Hull Truck. Tom is currently under commission to The Drum Plymouth, Northern Broadsides, The Royal Court and the National Theatre. He is developing a new idea for Leftbank Pictures.

Broken Biscuits is part of Paines Plough’s Programme 2016 which has also included Sabrina Mahfouz’s With A Little Bit of LuckCome To Where I’m From: London, the return of Roundabout to Summerhall and subsequent UK tour and Duncan Macmillan’s Every Brilliant Thing which will embark upon a UK tour in September.

Paines Plough announces line-up for Come to where I’m from: London

Artistic Directors of Paines Plough James Grieve and George Perrin today revealed the line-up for Come To Where I’m From: London which will take place across six London venues from 27 June until 6 July. Partnering with new writing theatre company Tamasha, Paines Plough will present twenty six writers from across London performing short plays about the place they call home. Tickets are on sale now at

Since 2010, Come To Where I’m From has seen more than 100 writers from across the UK writing plays about the places that shaped them. At theatres from Bristol to Belfast, Cardiff to Coventry and Nottingham to Newcastle, these plays have been performed by the playwrights themselves, coming home to tell their tale.

Now Come To Where I’m From invites London playwrights to tell their stories for the first time. In partnership with Tamasha, Paines Plough present a series of London Come To Where I’m From events across the city which will see some well-known names alongside some of the most exciting new voices from the Tamasha Developing Artists programme.

The playwrights featuring in Come To Where I’m From: London include Mediah Ahmed, Zia Ahmed, Mahad Ali, Afsana Begum, Adam Brace, In-Sook Chappell, Satinder Chohan, Lizzy Dijeh, Kathryn Golding, Miran Hazdic, Stephen Jeffreys, Arinze Kene, Morgan Lloyd Malcolm, Isley Lynn, Vinay Patel, Elena Procopiu, Divya Sachdeva, Lucy Sheen, Amman Singh Brar, Sandra Townsend, Ché Walker, Cheryl Walker, Monsay Whitney, Karla Williams, Alexandra Wood and Sally Woodcock.

Alongside the London events, the project extends its digital life as an audio experience as the Come To Where I’m From app. This new digital portal is a living library containing more than 90 short plays from writers across the UK who have taken part in the project since it began, with new plays to be added as they are written in the future.

Playwrights whose plays are included on the Come To Where I’m From app include Mike Bartlett, Gupreet Kaur Bhatti, Alice Birch, Leo Butler, Alison Carr, Molly Davies, Phil Davies, James Graham, Alan Harris, Matt Hartley, Joel Horwood, Emteaz Hussein, Paven Virk, Laura Lomas, Duncan Macmillan, Mufaro Makubika, Bethan Marlow, Glyn Maxwell, Rory Mullarkey, Tim Price, Beth Steel, Chris Thorpe and many more.

James Grieve and George Perrin co-Artistic Directors of Paines Plough said today: Come To Where I’m From is the very first project we dreamed up when we joined Paines Plough in 2010. Since then we have celebrated the company’s twin passion for new writing and touring by commissioning more than 100 playwrights to write plays about their home towns from Edinburgh to Ipswich to the Isle of Wight. Now we’re delighted to partner with Tamasha to bring Come To Where I’m From to London for the first time and celebrate a city that inspires so many great writers in a six-date series of live events across the capital. In tandem, we’re thrilled to launch the Come To Where I’m From app which will allow listeners to sonically travel across the UK listening to more than 90 playwrights read their own plays. We’re so excited people everywhere will get to hear these extraordinary, enchanting, evocative plays from everyone from Olivier Award winners to first-timers with many more to come in 2016 and beyond.” 

Fin Kennedy, Artistic Director of Tamasha: “Tamasha are thrilled to be partnering with Paines Plough. As one of the most diverse cities in the world, London is teeming with stories that reveal both local experiences and cross-cultural narratives that connect us to a wider world. Our Tamasha Developing Artists writers have a wealth of these to offer and where better to present them than as part of the ever-growing rich map of writing that is Come To Where I’m From.”

Come To Where I’m From is supported by Garrick Charitable Trust and Royal Victoria Hall Foundation.

Come To Where I’m From: London is part of Programme 2016 from Paines Plough which also includes Sabrina Mahfouz’s play-come-gig With A Little Bit Of Luck, three world premieres at ROUNDABOUT, the return of the internationally acclaimed Every Brilliant Thing by Duncan Macmillan and Tom Wells’ new coming of age comedy Broken Biscuits.