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Paines Plough announces Later Programme and Daniel Kitson at Roundabout at Summerhall 2019

Artistic Directors of Paines Plough James Grieve and George Perrin have today revealed the full LATER programme for ROUNDABOUT @ SUMMERHALL at the Edinburgh Festival Fringe 2019.

The programme includes; gig-theatre in an abundance of pop-philosophy from Just Club – STANDING TOO CLOSE ON OUR OWN IN THE DARK, VIOLET, a new play from Bebe Sanders and award-winning company Poor Michelle about human connection and inter-generational friendships, Dirty Protest’s IF THAT MAKES ME A BITCH, OK showcasing six of Wales’ most exciting writers with six short plays in one late night extravaganza, THE WARDROBE ENSEMB-WHEEL OF FORTUNE,a one night only combination of all your favourite gameshows and an actual real-life three-dimensional wheel of fortune and fresh from their extended sell-out run of SEX SEX MEN MEN Pecs Drag King’s PECS: SOFT BOIS in their Edinburgh debut.

Today Grieve and Perrin have also announced Daniel Kitson’s new experimental work SHENANIGAN as part of Roundabout 2019.

Just Club
STANDING TOO CLOSE ON OUR OWN IN THE DARK

Standing Too Close on Our Own in the Dark is a gig-theatre event which is as vibrant and hopeful as it is melancholic – a romantic tragedy which sees its performer labour over a journal of original poetry and comedic monologue with encouragement from a live band. Part-gig, part-spoken word ramble, part-stand up set, Standing Too Close effervesces with the endearing awkwardness of early-20s social discomfort, delivering an abundance of pop-philosophy with live music, understated wit and a charming poet who waxes lyrical about the cosmos, bike locks and ex-girlfriends’ dads.

Time: 22.35
Age guidance: 12+
Running time: 50 mins
Dates: 19 August
@JustClubTheatre

Poor Michelle Productions
VIOLET by Bebe Sanders

“There’s no bullshit with Violet. She’ll say something blunt like, ‘life can be lonely’ and I’ll be like, ‘yeah it can’ and that’s it. Then we just crack on. It’s nice”

From new playwright Bebe Sanders and award-winning company Poor Michelle, Violet is a new play about human connection and inter-generational friendships. It quietly explores themes of mental health, dementia, and loneliness without forgetting the often funny and absurd moments of ordinary life.

Time: 22.35
Running time: 50 mins
Dates:  21 August
@poormichelle_

Dirty Protest
IF THAT MAKES ME A BITCH, OK.

Six of Wales’ most exciting writers. Six short plays. One late night extravaganza.

Come join the Dirty Protest gang for a night of plays in response to Madonna’s famous 1992 quote about being a strong and ambitious woman.

Join us to see what this means to us in 2019. Grab your beer, sit back and let us entertain you.

Time: 22.35
Age guidance: 14+
Running time: 50 mins
Dates: 22 August
@DirtyProtest

The Wardrobe Ensemble
THE WARDROBE ENSEMB-WHEEL OF FORTUNE

Join us, The Wardrobe Ensemble, for ONE NIGHT ONLY as we bring to you… The Wardrobe EnsembWheel of Fortune! A night combining all your favourite gameshows and an actual real-life three-dimensional wheel of fortune.

Part pub quiz, part performance, with live music, highly desirable prizes and an original theme tune. Would be nice to see you, to see you…

All proceeds donated to charity.

Time: 22.35
Running time: 50 mins
Dates: 23 August
@WardrobEnsemble

Pecs
PECS: SOFT BOIS

Soft, sensual and fresh from their extended sell-out run of SEX SEX MEN MEN at The Yard Theatre, the one and only Pecs bois are making their Edinburgh debut, bringing you some new feels straight from their aching hearts.

Get ready for some serious softness and sensitivity this summer.

“It’s a space to be silly. It’s empowering. It’s liberating. It’s f***ing sexy.” Evening Standard

Time: 22.35
Age guidance: 18+
Running time: 50 mins
Dates: 24 August
@pecsdrag

Daniel Kitson
DANIEL KITSON: SHENANIGAN

On most Tuesdays, I go to a café before football for lunch with my friends Tim and Isy. Last week, the café had a really appealing special on the board which involved roasted cauliflower, pickled cabbage and babaganoush. The lady behind the counter referred to it as “The Shenanigan”. Which I very much enjoyed.

This show will have absolutely nothing to do with that meal, that lady, that café, those friends, playing football or Tuesdays but I have to call it something otherwise they can’t put it in the system.

Something new, vaguely experimental, unfinished and frankly, quite unlikely to ever be finished, by Daniel Kitson.

Time: 22.35
Age guidance: 16+
Running time: 90 mins
Dates:  4 , 5 ,7, 8, 10, 11, 12, 14, 15, 17 ,18 August
Tickets only available via the Summerhall website

LISTINGS

Roundabout @ Summerhall
www.summerhall.co.uk
Box Office: 0131 560 1580

Press Performance for ON THE OTHER HAND, WE’RE HAPPY at 14.15 on 4 August and 11.2oon 5 August
Press Performance for DEXTER AND WINTER’S DETECTIVE AGENCY at 11.2oon 4 August
Press Performance for DAUGHTERHOOD at 14.15 on 5 August

 

Paines Plough announces full programme for Roundabout at Summerhall 2019

Paines Plough

Artistic Directors of Paines Plough James Grieve and George Perrin today revealed the full programme for ROUNDABOUT @ SUMMERHALL, kicking off at the Edinburgh Festival Fringe before a UK tour in Autumn 2019.

Paines Plough in co-production with Theatr Clwyd will stage three World Premieres from Daf James, Nathan Byron and Charley Miles. All three productions will be performed in rep by Charlotte Bate, Charlotte O’Leary and Toyin Omari-Kinchdirected by former Paines Plough Associate Director, and nabokov Artistic Director, Stef O’Driscoll.

Visiting company productions in ROUDABOUT will be: ISLANDER, from Helen Milne Productions, a new musical with a contemporary Scottish folk-inspired score about a mysterious stranger and island on the brink; Tim Cowbury’s absurd and quietly shattering response to stories of those seeking refuge in the UK, THE CLAIM; Dirty Protest’s HOW TO BE BRAVESiân Owen’s one-woman love story to Newport, the city that made her about keeping the magic we arrive into the world with, finding out what we’re made of and learning to be brave when your world’s falling apart; PARAKEET from Brigitte Aphrodite and Quiet Boy produced by Boundless Theatre and Boom Shakalaka Productions, a new musical about a young woman finding her voice with the help of a gang of exotic birds; Edinburgh Comedy Award Winner Richard Gadd’s chilling story about obsession, delusion, and the terrifying ramifications of a fleeting mistake in BABY REINDEER from Francesca Moody Productions in association with the Bush Theatre; Middle Child return with THE CANARY AND THE CROW, brand new gig theatre about the journey of a working class black kid who is accepted to a prestigious grammar school.

Francesca Moody Productions’ Fringe First winner SQUARE GO penned by Kieran Hurley and Gary McNair will also return to Roundabout, following acclaim in 2018.

James Grieve and George Perrin said: “We’re immensely proud to present our ROUNDABOUT @ SUMMERHALL line-up for 2019, jam-packed with outstanding new plays from around the UK.

Our Roundabout repertory features a company of shapeshifting actors in three extraordinary world premieres from three of the UK’s most exciting writers and we’re welcoming thrilling, trailblazing new writing companies, playwrights and artists to Roundabout. From the return of our Associate Company Middle Child with an all new gig theatre show to the chilling debut play from Richard Gadd, this is a programme that showcases the very best new talent in British theatre. We can’t wait to welcome audiences to Roundabout @ Summerhall for a sixth consecutive summer at the Fringe.”

Paines Plough and Theatr Clwyd present

ON THE OTHER HAND, WE’RE HAPPY by Daf James – World Premiere.
DEXTER AND WINTER’S DETECTIVE AGENCY by Nathan Bryon – World Premiere.
DAUGHTERHOOD by Charley Miles – World Premiere.

Roundabout 2019 Visiting Companies

ISLANDER by Amy Draper, Stewart Melton & Finn Anderson. Helen Milne Productions.
THE CLAIM by Tim Cowbury. Tim Cowbury, Mark Maughan in association with James Quaife Productions.
HOW TO BE BRAVE by Siân Owen. A Dirty Protest production.
PARAKEET by Brigitte Aphrodite with music by Quiet Boy. A Boundless Theatre & Boom Shakalaka production.
BABY REINDEER by Richard Gadd. A Francesca Moody production.
THE CANARY AND THE CROW by Daniel Ward. A Middle Child production.
SQUARE GO by Kieran Hurley and Gary McNair. 
A Francesca Moody production.

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A Paines Plough and Theatr Clwyd production
ON THE OTHER HAND, WE’RE HAPPY
By Daf James
Directed by 
Stef O’Driscoll

A single Dad meets his adopted daughter for the first time. Then he agrees to meet her birth mother. When their two worlds collide, will what they have in common outweigh their differences?

A one-off meeting. But three lives will be changed forever.

ON THE OTHER HAND, WE’RE HAPPY is a tender, funny, hopeful play about being a mum when your name is Dad.

Daf James is an award-winning writer, composer and performer working across theatre, radio television and film in English and Welsh. Having trained in the Lecoq pedagogy at the London International School of Performing Arts he went on to earn a doctorate in Theatre Studies from the University of Warwick.  His first full-length play LLWYTH[Tribe] became a Welsh-language cultural phenomenon, ‘a water-shed play that changed the landscape of Welsh language theatre forever.’

Time: 11.20 – 12.30 / 14.15 – 15.25
Age guidance: 14+
Running time: 70 mins
Dates: 01, 05, 08, 10, 12, 15, 19, 22 – 11.20am – 12.30pm
31, 02, 04, 07, 09, 10, 14, 16, 18, 21, 23 – 14.15pm – 15.25pm
Ticket prices: £9 – £17
Press performance: 14.15, 4 August, 11.20, 5 August

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A Paines Plough and Theatr Clwyd production
DEXTER AND WINTER’S DETECTIVE AGENCY
By Nathan Bryon
Directed by 
Stef O’Driscoll

When Dexter’s mum is sent to jail for getting mixed up in a jewellery robbery, it’s up to Dexter and Winter to get her out. On their journey to uncover the truth and free mum, their detective work leads them to some surprising discoveries.

A mad-cap adventure story for all the family from one of the writers behind CBeebies hits RASTAMOUSE, APPLE TREE HOUSE and SWASHBUCKLE.

Nathan is a writer and actor, who grew up eating as much Uxbridge Road Caribbean food as his bank balance would allow. He is best known to viewers for his role as regular character Jamie in SOME GIRLS and BENIDORM’s sunniest holiday maker, Joey Ellis. Nathan has written for critically acclaimed CBeebies’ animation RASTAMOUSE, BAFTA award winning SWASHBUCKLE and on all three series of BAFTA nominated APPLE TREE HOUSE (CBeebies) alongside BAFTA winning GIGGLEBIZ. Last Year Nathan’s one-man show MIXED BRAIN about his mixed heritage premiered in ROUNDABOUT at the Edinburgh Fringe Festival. Nathan has secured a 3 picture book deal with Penguin Random House. His first book LOOK UP! will hit shelves in the US and UK in June 2019.

Time: 11.20 – 12.10
Age guidance: 5+
Running time: 50 mins
Prices: £8- £28
Dates:  03, 04, 10, 11, 17, 18, 24, 25 – 11.20am – 12.10pm
Press performance: 4 August

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A Paines Plough and Theatr Clwyd production
DAUGHTERHOOD
By Charley Miles
Directed by 
Stef O’Driscoll

One sister stayed at home to care for Dad, the other set out to ‘make a difference’,

Reunited under their childhood roof, Pauline and Rachel unearth more than the 10 years between them.

It’s a huge gap. Almost insurmountable.

And each is determined to let the other know exactly who has done things right.

DAUGHTERHOOD is a beautiful, ferocious play about the bonds that tie us, and how we sometimes need to break them.

Charley is a playwright from rural North Yorkshire. She has written plays for the Royal Court, Leeds Playhouse, and Royal Welsh College of Music and Drama. She has been attached to Paines Plough as their Playwright Fellow in 2018 and Leeds Playhouse as their Channel 4 Playwright in Residence in 2017. Her debut play, BLACKTHORN, was a finalist for the Susan Smith Blackburn prize in New York in 2017. Her new play, THERE ARE NO BEGINNINGS, will premiere at Leeds Playhouse in Autumn 2019. She has original television dramas in development with Buccaneer Media, Mam Tor Productions and Entertainment One.

Time: 11.20 – 12.30 / 14.15 – 15.25
Age guidance: 14+
Running time: 70 mins
Dates: 31, 02, 07, 09, 14, 16, 21, 23 – 11.20am – 12.30pm
01, 03, 05, 08, 12, 15, 17, 19, 22, 25 – 14.15pm – 15.25pm
Ticket prices: £9 – £17
Press performance: 14.15, 5 August

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Helen Milne Productions present
ISLANDER: A NEW MUSICAL
Concept and direction by Amy Draper
Book by Stewart Melton
Music and lyrics by Finn Anderson

Eilidh stares out to sea and dreams of a new life beyond her lonely island. Myth and reality collide when the tide washes a mysterious stranger onto her beach, changing her life forever.

Epic storytelling, intimately staged with a contemporary Scottish folk-inspired score. The cast live-record and layer their voices to create an ethereal adventure for the ears and imagination.

Originally developed in association with Comar. ISLANDER: A NEW MUSICAL is part of the Made in Scotland 2019 showcase.

Time: 10.00 – 11.00
Age guidance: 8+
Running time: 60 mins
Dates: 31, 1, 2, 3, 4, 5, 7, 8, 9, 10, 11, 12, 14,15,16,17,18,19, 21, 22, 23, 24, 25 (not Tuesdays)
Ticket prices: £8 – £15
BSL signed performance on 12 Aug
Captioned performance: 21 Aug
Press performance: 10:00, 4/5 August

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Tim Cowbury, Mark Maughan in association with James Quaife Productions present
THE CLAIM
By Tim Cowbury
Directed by Mark Maughan

A comically absurd and quietly shattering journey to the heart of our tolerant and fair A comically absurd and quietly shattering journey to the heart of our tolerant and fair society.

Serge stands before us. He has a performance to give. But why is he here? What is he claiming has happened to him? And what has Willy Wonka got to do with it?

A bold, imaginative response to the stories of those seeking refuge in the UK, The Claim asks what happens when your life is at stake and all you have to save it are your words.

Part of the British Council Showcase 2019

Time:12: 50
Age guidance: 12+
Running time: 65 mins
Dates: July 31, August 01, 02, 03, 04, 05, 07, 08, 09, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25
Ticket prices: £9 – £15
Press performance: 12:50, 4/5 August

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A Dirty Protest production in association with Chapter
HOW TO BE BRAVE
By Siân Owen
Directed by Catherine Paskell

Produced by the award-winning Welsh company behind Fringe hit Sugar Baby, this one-woman play is about what we’re made of and learning to be brave when your world’s falling apart.

When Katie was little, she was brave: climbing trees and riding bikes too fast. Now Katie’s a mum, she must be brave in a new way.

Determined her daughter will keep the fierce magic she arrived into the world with, Katie sets off on a mission around Newport with the help of a stolen BMX, a policewoman with bad hair, and a pigeon in a bag.

Time: 15:45
Age guidance: 14+
Running time: 60 mins
Dates: 31 July, Aug 2, 3, 4, 5, 7, 8, 9, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25
Captioned performances: 7, 14, 21 August
Ticket prices: £9 – £15
Press performance: 15:45 4/5 August

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A Boundless Theatre & Boom Shakalaka Productions production
PARAKEET
Words by Brigitte Aphrodite and music by Quiet Boy
Directed by Laura Keefe

In Margate, an isolated teenager forms a band and find her voice with the help of a gang of exotic birds. A new musical about finding your flock and ruffling feathers, Parakeet is a feast for the ears, eyes and heart told through irresistible song, poetry and electronic sounds where empathy is the new punk.

Time: 17:05
Running time: 60 minutes
Dates: Wednesday 31 July – Sunday 25 August 2019
Captioned performance: 7, 14, 21 August~
Age guidance:  14+
Ticket prices: £9 – £15
Press performance:  17:05, 4/5 August

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Francesca Moody Productions in association with the Bush Theatre
BABY REINDEER
Written and performed by Richard Gadd
Directed by Jon Brittain

‘I looked at her, wanting her to laugh. Wanting her to share in the joke. But she didn’t. She just stared. I knew then, in that moment – that she had taken it literally…’

Edinburgh Comedy Award winner Richard Gadd has a chilling story to tell about obsession, delusion and the terrifying ramifications of a fleeting mistake. An unmissable debut play directed by Olivier Award winner Jon Brittain and produced by 2018’s double Fringe-First winning Francesca Moody Productions in association with The Bush Theatre.

Time:18:25
Running time: 65 Minutes
Dates: 31 July, 2, 3, 4, 5, 7, 8, 9, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25
Ticket prices: £9 – £14
Age Guidance: 14+
Press performance: 18.25, 4 and 5 August

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A Middle Child production
THE CANARY AND THE CROW

By Daniel Ward
Music by Prez 96 and James Frewer
Direction by Paul Smith

The award-winning Middle Child present brand new gig theatre about the journey of a working-class black kid who is accepted to a prestigious grammar school.

This lyrical, semi-autobiographical piece from writer and performer Daniel Ward uses grime, hip hop and theatre to tell the story of the struggle between a new environment that doesn’t accept you and an old one that has no opportunity.

Time: 19:50
Running time: 65 mins
Dates: Jul 31, Aug 2, 3, 4, 5, 7, 8, 9, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25
Ticket prices: £9-£15
Age Guidance: 14+
Press performance: 19:50, 4 / 5 August

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Francesca Moody Productions in association with SEARED
SQUARE GO
By Kieran Hurley and Gary McNair

The unmissable, Fringe First Award-winning show from Kieran Hurley and Gary McNair. Max spends his days daydreaming and hanging out with his weird wee pal Stevie. But when Max is called for his first Square Go – a fight by the school gates – it’s his own demons he must wrestle with first. A raucous play about playground violence, myths of masculinity and the challenge to step up or run. Starring Game of Thrones’ Daniel Portman and River City’s Gavin Jon Wright and featuring an original soundtrack by members of Frightened Rabbit.

Time: 21:15
Running time: 60 Minutes
Dates: 31 July, 2, 3, 4, 5, 7, 8, 9, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23, 24, 25
Ticket prices: £9 – £17
Age Guidance: 12+

ENDS

For further information about Paines Plough please contact
Maisie Lawrence at The Corner Shop PR: maisie@thecornershoppr.com / 0207 831 7657

 

LISTINGS

Paines Plough and Theatr Clwyd present
ROUNDABOUT @ SUMMERHALL

Roundabout @ Summerhall
www.summerhall.co.uk
Box Office: 0131 560 1580

Press Performance for ON THE OTHER HAND, WE’RE HAPPY at 14.15 on 4 August and 11.2oon 5 August
Press Performance for DEXTER AND WINTER’S DETECTIVE AGENCY at 11.2oon 4 August
ress Performance for DAUGHTERHOOD at 14.15 on 5 August

Access
Closed captioning available for all Paines Plough productions.

ROUNDABOUT UK TOUR

29 June – 20 July Mold with Theatr Clwyd
05-08 September Salford with The Lowry
12-15 September Ramsgate with Creative Civic Change
19-22 September Doncaster with CAST
26-29 September Bournemouth with The Lighthouse, Poole
03-06 October Lincoln with Lincoln Performing Arts Centre

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Behold: Paines Plough 

Paines Plough are one of theatre’s secret weapons. The touring new writing company has  and are continuing their extremely brilliant partnership with the Royal Welsh College of Music and Drama and the Gate Theatre in fostering talent by staging Hush by Alison Carr.

For the past three years, they have supported emerging writers has penned a short play for the graduating class of the college which is then staged in Cardiff and London for a short run. Previous playwrights who have taken part in the partnership with Paines Plough, RWCMD and Gate Theatre are Elinor Cook and Brad Birch who are both debuting full length new plays at Paines Plough Roundabout later this year.

I caught up with Hush writer Alison Carr and Paines Plough’s Artistic Director James Grieve to chat about new writing, the amazing new season, mainstream criticism and more.

Basically, it’s a really good chat.

Alison Carr

Alison Carr

Hi Alison, Paines Plough have a solid reputation for nurturing young theatre talent – how does it feel to be part of that?
It’s great. I first worked with Paines Plough about seven years ago when I took part in Come To Where I’m From at Live Theatre in Newcastle. I met James and George; I really liked the company and what they were doing. I wanted to be part of it. We’ve kept in touch and when I got the call to write their co-commission with RWCMD I was thrilled. And a bit daunted. A cast of eight, you say?! But they’ve been really supportive and encouraging throughout the process and I’m really proud of the play and excited for people to see it.

Last year you completed The Traverse Fifty – a 6-month attachment with Monkeywood Theatre. How helpful was that experience?
They’re actually two separate things. The Traverse Fifty was a year-long attachment with the Traverse that I was part of in 2013. It was incredible; I’d definitely say one of the most important experiences of my writing career so far. I was actually on the verge of packing-in writing when I entered to be part of it – it was a real make or break moment. The attachment with Manchester’s Monkeywood Theatre a couple of years ago was an opportunity to be supported over a 6-month draft process, culminating in a development day and a reading. It’s always good to have structure and support when you’re writing – I need deadlines and pressure – and then the chance to hear the play read by actors, work with a director, it’s all invaluable with a new work.

What is your play ‘Hush’ about?
There’s a question. There are three strands to the story – a young woman who comes back to the town she grew up in and left under a cloud, her former best friend who has stayed in the town and tried to live a good life, and a young man who waits in limbo for the return of his missing brother. So, broadly speaking, it’s about coming home, leaving vs staying, guilt, identity and loss. There are some jokes in there too, though.

CLICK HERE TO BUY YOUR TICKETS FOR HUSH  (Cardiff)
CLICK HERE TO BUY YOUR TICKETS FOR HUSH  (London)

Are there any writing tips that you live by?
It’s not exactly a pithy quote, but ‘just get on with it’ would be the main one. The amount of time I waste on worrying and procrastination, whereas when I just sit down and do something I feel so much better. Also, small achievable goals are key and time off is allowed.

JAMES GRIEVE

James Grieve

James Grieve

Congratulations on the wonderful Paines Plough season. What are you most excited about?
All of it. But particularly our Roundabout tour because I get to direct three outstanding new plays by Brad Birch, Elinor Cook and Sarah McDonald-Hughes with an ensemble of actors and go on tour in our beautiful pop-up theatre to lots of great places around the UK. We built Roundabout to give people amazing theatre experiences in places where there isn’t usually any theatre and it’s one of the things I’m most passionate about doing.

CHECKOUT MORE DETAILS – ROUNDABOUT 2017

Paines Plough doesn’t just develop exciting new writing but also cultivate directors and mentor them in producing bigger work. Why is that important to the company?
Great new plays need directors who understand and genuinely love playwrights and possess the particular skills and sensitivity needed to deliver a world premiere production of a new play. Developing directors with those skills and forging relationships between directors and playwrights is very important to us. John Tiffany first worked with Gregory Burke, Enda Walsh and Jack Thorne at PP and those lasting relationships went on to make BLACK WATCH, ONCE and HARRY POTTER. Our former Artistic Directors now run The Royal Court and Birmingham Rep. Our Associate Companies are run by the leading Artistic Directors of the future. New talent is following in the footsteps of Ian Rickson and Katie Mitchell as PP assistant directors. Developing great new writing directors is essential to PP now and vital to the entire theatre industry in the future.

You are continuing your partnership with the Royal Welsh College of Music and Drama and the Gate Theatre in nurturing young talent. What makes this partnership so special?
The NEW season is the visionary brainchild of RWCMD’s head of acting Dave Bond. With the college we co-commission and co-produce a new play written for and performed by the graduating actors as the final show of their training. It’s a fantastic challenge for playwrights to write big cast, ensemble plays with equally weighted roles. It’s a wonderful opportunity for a playwright and director to develop a relationship. It’s an incredible, unique opportunity for the student actors to bridge training and professional life by originating roles in a world premiere by an outstanding contemporary playwright, working with a professional director and performing in both Cardiff and London. It’s a completely brilliant project. And the plays sometimes go on to have a professional life – Ali McDowell’s POMONA and our own Luke Norris’ GROWTH began life as NEW productions.

With the Guardian cutting the extremely brilliant Lyn Gardner’s theatre blog – the big question is: will all mainstream critics end up on Theatre’s rocks, being eaten by crabs?
No, Lyn is far too vital to be marginalised. She will continue to be an essential read wherever she posts her reviews and analysis. I’m sad at the loss of the Guardian blog, but I’m equally excited by the emergence of new platforms and publications and the vitality of theatre writing and criticism online.

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Director of Scorch, Emma Jordan talks about the rehearsal process, gender, Ireland and more

Edinburgh may be a not so distant memory but SCORCH by Primecut Productions at Paines Plough’s Roundabout took Summerhall by storm. Scorch had rave reviews from critics and audiences alike and it is due to head out on tour soon. I had a chat with the Director of the show, Emma Jordan about the rehearsal process, gender and Ireland.
Emma Jordan

Emma Jordan

Hello there, how was your Edinburgh Fringe experience this year? 
We had a super time at the Fringe – it’s the first time the company have presented work there and really it was worth waiting for. Summerhall is such a vibrant hub – a fantastic mixture of audience and artists in a relaxed atmosphere – not so hectic as some of the rest of the venues – and the entire programme of work presented there was interesting and inspiring. Our hosts Paines Plough made us so welcome and we really felt that we were part of a bigger picture, in terms of the roundabouts curated programme.

What is the most rewarding part of the process, of bringing a show that you’ve directed to Edinburgh? 
Our company Primecut mostly presents our work in Ireland, so for me it was really gratifying to present to such an eclectic audience. It’s always good to present work to new audiences, especially in Edinburgh where it’s truly international and mixed in terms of gender and age.

How would you describe the narrative of SCORCH in ten words? 
The story of a gender curious teenager and first love.

The response to SCORCH was quite good, wasn’t it? 
We had an amazing response with heaps of five and four star reviews and three awards ; a Best actor award for Amy McAllister – a fringe first – and the Holden street award. Happy days 🙂

Amy McAllister was extraordinary in the play. How would you describe the rehearsal process? 
The rehearsal process was very focused. The script leaves lots of open questions regarding presentation and we had to make a lot of decisions quickly. When you are integrating choreography and text it’s a fine balance – it was intense but also really enjoyable. Amy is a very talented actor and we worked with some great artists Ciaran Bagnal, our set and lighting designer, Carl Kennedy our sound designer and Nicola Curry our choreographer. I think we all understood that the play has important things to say regarding perception of issues around gender – we all had to learn fast and we had great support here in Belfast from Anchor and Buoys two transgender support organisations. They were hugely beneficial in helping us wrap our heads around the issues that Kes faces.

How many kilometers did you walk around the city? 
Who’s counting ? It’s a gorgeous city and the sight of the mountains made every day a pleasure.

Did you have any recommendations for other shows to see?
I really enjoyed Dublin Old School and Greater Belfast – two provocative shows very different in theme and presentation but both with really playing with language in an inventive way. I also loved Johnny and The Baptists Show in the Roundabout – very funny but with an honesty and integrity I applaud.

Cheers!

CLICK HERE TO BOOK YOUT TICKETS TO WATCH SCORCH AT BELFAST INTERNATIONAL ARTS FESTIVAL ON 21/22 OCTOBER 2016

Solo tour-de-force Scorch puts gender identity centre stage at Edinburgh Festival Fringe

Scorch is presented by Primecut Productions at Paines Plough’s Roundabout at Summerhall and sees the Fringe debut for award-winning Northern Irish playwright Stacey Gregg. Directed by Emma Jordan (Paul Hamlyn Cultural Entrepreneurship Breakthrough Award) and performed by Amy McAllister (Call the MidwifePhilomena) the production showcases the work of three of the most exciting voices in Northern Irish theatre today. The play is a new original work from Belfast playwright Stacey Gregg and explores issues surrounding gender disclosure experienced by a contemporary teenager.

Scorch

Scorch

Scorch gained further international recognition after it won the Irish Times theatre award for Best New Play of 2015 and has recently won Best New Play at the Writer’s Guild of Ireland ZeBBie Awards.

Inspired by recent court cases and set in the round, Amy McAllister plays Kes, a troubled teenage girl struggling with her gender identity. Kes explores her sexuality and gender by posing as a boy who embarks on an intimate relationship with another girl, which leads to devastating effects both legally and personally. At times funny, poignant and explosive, Scorch is a story of first love through the eyes of a gender-curious teen and examines how the human story often gets lost amidst the headlines.
Presented by Prime Cut Productions; Scorch is directed by Emma Jordan, produced by Una NicEoin and written by Stacey Gregg. Featuring Design/LX by Ciaran Bagnall, Sound Design by Carl Kennedy and Costume Design by Enda Kenny. The production and associated outreach activity is made possible through funding provided by the Arts Council of Northern Ireland, Belfast City Council and Paul Hamlyn Foundation.
2016 marks the third year of Roundabout, Paines Plough’s award-winning portable in-the-round auditorium. It will take up residency once again at Summerhall during the Edinburgh Festival Fringe from 4 – 29 August.

The real life issue takes on heightened dramatic resonance, fractured and splintered by Gregg’s syncopated prose style”

★★★★ Irish Times

McAllister deftly deals with the emotions involved: incredulity, sadness, fear and the lingering confusion”

★★★★ GiggingNI

Listings Information:

Scorch

Venue: Paines Plough’s Roundabout at Summerhall

Dates & Times: 18.05 (55 mins)5 – 28 August (not Tuesdays 9, 16, 23)

Tickets: Previews 5,6,7, August: £9

10, 11, 15, 17, 18, 22, 24, 25, 29 August: £14 (full) £12 (conc)
8, 12, 13, 14, 19, 20, 21, 26, 27, 28 August: £16 (full) £14 (conc)
Box Office: 0131 226 000 / 0131 560 1581 tickets.edfringe.com or summerhall.co.uk

Prime Cut Productions Theatre CompanyBased in Belfast, Northern Ireland and formed in 1992, Prime Cut Productions is at the forefront of contemporary international theatre across the island of Ireland. With over 30 Irish and Northern Irish premieres to their name, Prime Cut have a reputation for producing award-winning, critically acclaimed professional theatre, that challenges, provokes, inspires, entertains and enthrals.

About Paines Plough. Plough is the UK’s national theatre of new plays. The company commissions and produces the best playwrights and tours their plays far and wide. Whether you’re in Liverpool or Lyme Regis, Scarborough or Southampton, a Paines Plough show is coming to a theatre near you soon.
Paines Plough was formed in 1974 over a pint of Paines bitter in the Plough pub. Since then they’ve produced more than 130 new productions by world renowned playwrights like Stephen Jeffreys, Abi Morgan, Sarah Kane, Mark Ravenhill, Dennis Kelly and Mike Bartlett.
2016 marks the third year of Roundabout, Paines Plough’s award-winning portable in-the-round auditorium. The Roundabout season will preview from 19 – 24 July at Hackney Showroom in London before taking up residency once again at Summerhall during the Edinburgh Festival Fringe from 4 – 29 August