Posts

HOME commissions Bryony Kimmings, Javaad Alippoor and others to create brand new work in isolation – for an audience in isolation

Bryony Kimmings

Manchester arts venue HOME are spearheading a plan to take brand-new live experiences from the homes of artists into the homes of their audiences, defying the coronavirus outbreak.

Homemakers is a series of newly-commissioned work which asks theatre and live art makers to create new works at home, for an audience who are also at home, challenging the definition of “live theatre”.

Artists commissioned so far include Bryony Kimmings, Javaad Alipoor, Ad Infinitum and Plaster Cast Theatre.

The final works could be live-streamed performance, video, audio, text, games, personal encounters – or something completely different, and will be made available on HOME’s website on a ‘pay-what-you-decide’ basis. It will be made accessible to the widest possible audience through captioning, audio description, and providing relaxed versions where appropriate.

HOME Associate Director Jude Christian said: “This project is a response to the immediate crisis facing artists, audiences and arts organisations. We want to provide artists with a platform to keep making the kind of brilliant, groundbreaking work that venues like HOME exist to programme, and to keep bringing our audiences the best of theatre and live art while our doors are closed.

“Like everyone else, HOME is currently facing an unprecedented and unpredictable situation, and our resources are severely limited. However, Homemakers is designed to evolve, and we’ll be collaborating with our colleagues across the industry to expand the project.”

Bryony Kimmings said: “I’m excited to see how I make work digitally, I’ve always focused on human bodies living, breathing and feeling all together in a room. What happens when you take that away. Is it possible to still create that connection remotely?! Who knows! We’ll have a bash.”

George Mann, Co-Artistic Director of Ad Infinitum, said: “Cancelling a performance is always devastating. Closing theatres seems unimaginable. But, having theatre as a concept cancelled for the foreseeable, is just absolutely insane and forces you to ask existential questions that make your brain want to pop. It really hits home just how fragile our existence is. We’re trying to get to grips with an ever-changing situation, it’s altered our future in ways we still don’t understand, but we’re doing everything we can to protect the people we collaborate with. So, getting an email from the team at HOME inviting us to be creative, and to help make a challenging, uncertain time an opportunity to work with people we love, to collaborate, to stay human, it was really moving – and just what we all needed. We can’t wait to share what we come up with!”

The commissions are paid for by part of HOME’s Response Fund, set up in the wake of the announcement that theatres across the country would close due to the coronavirus, and designed to protect HOME’s financial stability and allow them to support artists and colleagues from across the industry.

The incredible reaction to the Response Fund has allowed Homemakers to be announced less than a week after HOME confirmed it would have to temporarily close its doors to the public.

Jude Christian added: “We are working with a ‘pay-what-you-decide’ model because we want to acknowledge the value of our artists’ work and give audiences a chance to support them by paying what they might expect to pay in a live venue. However, we don’t want to create any barriers to access and therefore this model provides everyone with the opportunity to engage with all of our work for free.”

The aim is for the first work to be available in early April, and more information will be shared as plans develop.

, ,

Here’s Your Definitive Guide to Edinburgh Fringe 2019 (you’re welcome)

Edinburgh Fringe 2019 guide by Mr Carl Woodward
Bryony Kimmings

Bryony Kimmings

I loved Bryony Kimming’s I’m A Phoenix, Bitch at Battersea Arts Centre – don’t miss it at The Pleasance. You really are in safe hands with ThisEgg; a gorgeous four-women show called dressed returnsRhum and Clay’s clever The War of the Worlds will be sure to make its mark, too. 

Elsewhere, YESYESNONO return with The Accident Did Not Take Place, featuring a new guest performer every night. Could be good. Dark Lady Co are staging Drowning at Pleasance Courtyard as well – it sets out to confront all we deem evil, horrible, and hideous. Curious eh.

Over at Summerhall, double act Ridiculusmus bring a smart show: Die! Die! Die! Old People Die! This is funny and fragile farce about mortality and mourning. The highly brilliant Cardboard Citizens return with Bystanders, shining a light on the life and death of homeless people. National Theatre Wales will chart the story of a woman travelling from Ireland to Wales to have an abortion in Cotton FingersKieran Hurley and Gary McNair’s Square Go return as well and that will be worth seeing. 

Paines Plough are kind of amazing aren’t they. They always put on outstanding new plays from around the UK; this year it is no different: there are three world premieres in The Roundabout @ Summerhall in co-production with Theatr Clwyd by Daf JamesNathan Bryon and Charles Miles

Among other highlights, Steph Martin stars in I’m Non Typical,Typical by Cambridge’s Bedazzle Inclusive Theatre; this new play aims to change people’s perceptions of disability. Worth a look. 

(BalletBoyz) Dancers in cube

(BalletBoyz) Dancers in cube

Edinburgh Fringe demigod Henry Naylor brings The Nights – the fifth stand-alone play in Naylor’s Arabian Nightmares series, that tackles the uncomfortable relationship between the East and West, post 9/11/ (his wife is Sarah Kendall, you know). I’m rather excited about all-male company BalletyBoyz making their dreamy fringe debut, with THEM/US one piece choreographed by the company and the other by Christopher Wheeldon at Bristo Square, Underbelly. Unmissable talent.  

Traverse Theatre features a host of world premieres including Crocodile Fever by Meghan Tyler – a blackly comic drama set in Northern Ireland. Javaad Alipoor will direct his piece created with the excellent Kirsty HouselyRich Kids: A History of Shopping Malls in Tehran – inspired by stories of the expanding global wealth division. 

I’m also curious to see what the Edinburgh International Festival has on offer. Stephen Fry will present a trilogy of plays adapted from his book Mythos, about the Greek pantheon of gods and their various inceptions. Disability-led Birds of Paradise present Robert Softley Gale’s Purposeless Movements, exploring the perception of masculinity and disability. 

Sometimes you can find a hidden gem at theSpaceUK. I must emphasise the choice word ‘sometimes’ here. (I once sat in a basement with a pipe leaking on my head for 50 minutes, while a woman shaved her legs to the songs of Thin Lizzy – it was not good. It was, in fact, shit). 

Noir Hamlet

Noir Hamlet

Anyway, if you like comedy I reckon Noir Hamlet, which has already picked up the Boston Globe Critic’s Pick earlier this year – is worth a look; it updates Hamlet to a wise-cracking 1940s detective up to his neck in a comedic case with more twists that a gallows tie. 

While you are there, Level Up might be worth a look. It explores a near-future utopia where real love is impossible to measure.

National Theatre of Scotland are staging two world premieres at the festival – Jackie Kay’s Red Dust Road, about growing up as a mixed-race adopted Scot, as well as Tim Crouch’s Total Immediate Collective Imminent Terrestrial Salvation, in a co-production with the Royal Court.

Ian McKellen

Ian McKellen

Stop the clocks: Ian McKellen stops off as part of his 80 date UK tour: this is sold out, which is a shame. I should mention that Robert Icke brings his political reimagining of Oedipus to the international festival, I don’t think I have the energy for this, though.
So, there you have it, that’s the end of my definitive Edinburgh Fringe 2019 guide.

I hope you have found some use in this guide to what the fringe world has on offer. 

If you have tips, tweet me: @mrcarlwoodward*thumbs up emoji*.

, ,

Interview with Bryony Kimmings: “Be yourself. Right now I’m in joggers. And I don’t give two fucks.”

Bryony Kimmings
Bryony Kimmings

Bryony Kimmings

Bryony Kimmings is a performance artist and maker of experimental theatre. Her recent collaboration with Complicite, ‘A Pacifist’s Guide to the War on Cancer’ saw dancing tumours in the Dorfman Theatre: An all-singing show that followed the stories of a group of cancer patients.
Her piece ‘Fake it ’til you make it’ was also excellent actually.
Here is chat with La Kimmings about some things. You’re welcome.

Bryony Kimmings, what sort of woman are you? 
The kind who doesn’t gender herself. And the kind that gets angry at this slightly misogynistic question. What sort of human am I? Head strong, loud, shy, caring, cunty, arty, safe, stupid and did I mention loud?!

Wow. Congratulations on A Pacifists Guide, what has been the best thing about directing that show?
Ahhhh I think working with the amazing creative team and learning from them all. The choreographer, set designer, costume, the music bods, dramaturgs. I honestly feel like it was a public baptism of fire but I finished it knowing SO MUCH. It’s kind of fast tracked me into feeling ready to do it again… Better

Does your self-image impact how you interact with other people?
Hmmm I’m not sure what the means. Do you mean does me being vaguely in the public eye affect my relationship. Nah. God no. But it means more people want to be your friend. Which often I like. I’m a social butterfly unless I’m on my period, then I’m a quivering and anxious wreck.

Can you describe your state of mind when you were making A Pacifists Guide?
Erm. Fuck it was a long process. First year: excited. Writing period: frustrated by my own incompetence. March-June 2016: completely consumed with my baby being very very ill. Directing period: manic and doubtful. Press night: proud

I get the impression that you read a lot about other artists and that your own interviews can be a lot more self-aware as a result… Is this incorrect
Nope. I don’t engage much with artists in terms of reading, in fact I rarely read. I engage with artists as piers. But to be honest I’ve been doing interviews for a decade and I know who I am and that includes not having a filter.

What do you wish someone had told you when you were starting out?
Don’t sweat the funding, the websites, the branding…. All that matters is that you get good at making art and quick.

How long have you got off for Christmas?
Two weeks. Myself and my ex partner Tim are splitting time with baby Frank so I have a week to get totally wrecked and a week to literally snuggle for England.

What ten emojis would you use to describe 2016?
?????????

What would your personalised number plate of choice be?
MC BRYAN E

What is your favourite theatre and why?
I fucking love the Purcell Room. It’s grand and great acoustically and so nice to perform to and watch in. I also have a special place in my heart for soho!

Do you have a message for the  readers who have never seen a Bryony Kimmings show?
Stop being a dick and get onboard the art train of truth, desire and pleasure.

Finally, do you think the word ‘hipster’ is just used by people who don’t understand youth culture or are they genuinely a bunch of pricks with questionable facial hair?
Hipster as a term is old. It basically means young and cool. Let people alone… But for me  I like individuality and creativity so the current hipster uniform is the opposite of that. Be yourself. Right now I’m in joggers. And I don’t give two fucks.