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Wiltshire Creative to premiere Barney Norris’s retelling of Lorca’s Blood Wedding At  Salisbury Playhouse

Blood Wedding

Wiltshire Creative will premiere Barney Norris’ explosive new adaptation of Lorca’s Blood Wedding, retold in present-day Wiltshire, at Salisbury Playhouse in February as part of its 2019-20 Autumn Winter season.

Blood Wedding, a Wiltshire Creative, Up In Arms and Oxford Playhouse production, is a tragedy by Federico Garcia Lorca about the cycle of life, the progression of time, choice, deception, fate and nature. Alice Hamilton of Up In Arms will direct.

Norris’s previous plays include Echo’s End (Salisbury Playhouse), Nightfall (The Bridge Theatre) and The Remains of the Day (Out of Joint).

Barney Norris said: “I can’t express how fortunate I feel to be making work for Salisbury once more. This is the ninth story I’ve told in this theatre; the support Wiltshire Creative has given me over that period has shaped the stories I tell, the artist I am. Since I was a kid growing up in Salisbury, I’ve had a dream: to make a play for the main house that could then tour round the country, carrying the city’s stories far and wide for all to hear. With this play, I’m finally achieving my dream, and I’m thrilled to be championing the lives of the people of Wiltshire at a moment when the world is talking about us for reasons we’d rather hadn’t happened. This play is an attempt to insist on the epic dignity of our lives, wherever we live them: this feels like a good moment for this county to be telling that story.”

Also part of the forthcoming season are Wiltshire Creative productions of Alan Ayckbourn’s sparkling comedy Relatively Speaking and of Hugh Whitemore’s Alan Turing drama Breaking the Code – both of which will be performed in the round in a transformed auditorium.

Relatively Speaking runs from 5 to 28 September 2019 at Salisbury Playhouse, followed by Breaking the Code from 4 to 26 October.

Wiltshire Creative Artistic Director Gareth Machin said: “We’re delighted to be working again with Barney Norris, following Echo’s End which ran here in 2017. We’re also really looking forward to transforming the Main House again, to present two captivating plays in the round for our audiences.”

Once again, Salisbury Playhouse will also present the best theatre from visiting companies including Nigel Slater’s memoir Toast direct from the West End, three nights of the legendary Eric and Ernie, two-time Olivier Award winner Tracie Bennett in the musical Mame and an adaptation ofSarah Waters’ 1940s-set novel The Night Watch from Original Theatre (BirdsongThe Habit of Art and The Importance of Being Earnest).

Wiltshire Creative’s Christmas offer includes celebrated pantomime with Robin Hood at Salisbury Playhouse, Guy Masterson in A Child’s Christmas in Wales and, for younger audiences, a new musical adaptation of Beatrix Potter’s A Tailor of Gloucester by Gareth Machin and Glyn Kerslake.

The Autumn Winter line-up in the Salberg at Salisbury Playhouse includes David Hare’s Skylight from Theatre Chipping Norton, The Soldier by Rachel Wagstaff (The Mirror Crack’d) from Mesh Theatre, magicians Morgan & West and Graeae with a reimagining of One Under, the story of a tube train driver who experienced a suicide first-hand.

Family theatre includes The Boy Who Cried Wolf from Angel Heart Theatre, Same, Same But Different commissioned by Birmingham Hippodrome and The Place and You’ve Got Dragons  from Taking Flight Theatre all on offer over the October half term.

Meanwhile at Salisbury Arts Centre Wiltshire Creative presents a programme that includes music from folk band Rant (nominated Folk Band of the Year), percussion duo O Duo and The Beat drummer Everett Morton with The Beat Goes Bang. Theatre at Salisbury Arts Centre includes readings from author Lemn Sissay and performances of Odyssey from Living Spit; dance comes from Anjali Dance Company and Rosie Kay; comedy features Sindhu Vee and there is a full film programme including Wednesday matinees.

Visual art includes ceramicist Kate Wilson reflecting on the conflict in Afghanistan, a winter exhibition from leading contemporary British craft practitioners and Cornwall-based artist Nicola Bealing with a solo exhibition which responds to the retelling of Lorca’s Blood Wedding at Salisbury Playhouse.

Tickets go on general sale on Friday 28 June. For more information and to book, call Ticket Sales on 01722 320333 or visit www.wiltshirecreative.co.uk.

Cast and creative team announced for the world premiere of Kazu Ishiguro’s The Remains of the Day

The Remains of the Day

Cast and creative team and tour details announced for world premiere of Kazuo Ishiguro’s The Remains of the Day, adapted for the stage by Barney Norris.

  • Cast to include Stephen Boxer and Niamh Cusack
  • 2017 Nobel Prize winner Kazuo Ishiguro’s The Remains of the Day is adapted for the stage by Barney Norris, directed by Christopher Haydon and designed by Lily Arnold, lighting design by Mark Howland and sound design by Elena Peña
  • Commissioned by Royal & Derngate and co-produced by Royal & Derngate and Out of Joint in association with Oxford Playhouse
  • After its world premiere in Northampton the production embarks on a 10 week Out of Joint tour including Oxford PlayhouseTheatre Royal Bury St EdmundsSalisbury PlayhouseTheatre Royal YorkYvonne Arnaud TheatreNuffield SouthamptonDerby Theatre and Bristol Old Vic

The cast and full creative team, along with details of the Spring 2019 tour, has been announced today for The Remains of the Day, a co-production between Royal & Derngate, Northampton and Out of Joint, in association with Oxford Playhouse. The cast will be led by Stephen Boxer (Regeneration, Royal & Derngate) and Niamh Cusack (The Winter’s Tale, Sam Wanamaker Playhouse).

2017 Nobel Prize winner Kazuo Ishiguro’s masterpiece has entranced generations as a novel and its story of memory, regret and undeclared love is now re-imagined for the stage for the first time by one of Britain’s most exciting young writers, Barney Norris (At First Sight, Oxford Playhouse; Visitors, Arcola Theatre – Critics’ Circle Award and Offwestend Award for Most Promising Playwright for Visitors, Arcola Theatre; Times best-selling novelist) in collaboration with Ishiguro himself.

Through the memories of a proud butler, we discover the shocking, morally compromised truth behind the manicured gardens and grand receptions of an English stately home. Years later, faced with a life half-lived, he sets out on a journey to find the friend from his past who might finally offer him redemption.

The Remains of the Day will be directed by Christopher Haydon (Twelve Angry Men, Birmingham Rep and West End; Fringe First and Offie-winning Grounded, Traverse Theatre Edinburgh, Studio Theatre Washington DC, national and international tour; On The Exhale, Traverse Theatre), who recently directed Royal & Derngate’s co-production of The Caretaker. The production will be designed by Lily Arnold (Rules for Living, Royal & Derngate; Yellow Face, National Theatre Shed). Lighting design is by Mark Howland (Soul, Royal & Derngate/Hackney Empire; Twelve Angry Men, Birmingham Rep and West End; several productions for English Touring Opera) and sound design is by Elena Peña (Misty, Bush Theatre; The Bear/The Proposal, Young Vic; The Caretaker, Royal & Derngate and Bristol Old Vic).

The cast will be led by Stephen Boxer as the butler Stevens. His credits include StoriesMacbeth and King Lear (National Theatre) and Regeneration (Royal & Denrgate and Touring Consortium Theatre Company). Kenton is played by Niamh Cusack whose stage credits include My Brilliant Friend at Rose Theatre Kingston and The Winter’s Tale at Sam Wanamaker Playhouse. The cast also includes Stephen CritchlowPip DonaghyEdward FranklinMiles RichardsonSadie Shimmin and Patrick Toomey.

The play will open at Royal & Derngate, Northampton in February, as part of the theatre’s Made in Northampton season, with a National Press night on Wednesday 27 February, and will tour nationally from March 2019. The tour venues will include Oxford Playhouse, Theatre Royal Bury St Edmunds, Salisbury Playhouse, Theatre Royal York, Yvonne Arnaud Theatre, Nuffield Southampton Derby Theatre, and Bristol Old Vic.

Kate Wasserberg, Artistic Director of Out of Joint, said: “Out of Joint are absolutely delighted to be working with Royal & Derngate and Oxford Playhouse to bring Ishiguro’s seminal story to stages around the country. We’re incredibly excited to be working with Barney and Chris to adapt this classic tale of love, loss and regret.”

James Dacre, Artistic Director of Royal & Derngate, added: “After several years of development, we can’t wait to bring the world premiere of the iconic story to the stage. We are thrilled to be working with playwright Barney Norris and delighted to be welcoming Christopher Haydon back to Royal & Derngate.”

The Made in Northampton season is sponsored locally by Michael Jones Jewellers.

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