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From staplers to potatoes – it’s monster producer Scott Rudin

To Kill a Mockingbird focuses on that gut instinct of right and wrong, it is a timeless classic.

By way of a recap, Broadway producer Scott Rudin is accused of assaulting employees in a devastating new Hollywood Reporter exposé.

One of the most harrowing accounts involved Rudin, 62, smashing an Apple computer monitor on an assistant’s hand. Yup.

Scott Rudin

Scott Rudin

Meanwhile, to the audible shock of those who work in theatre, Rudin is also accused of throwing a glass bowl at someone from his HR department. It missed and shattered against the wall. Thank goodness.

For context, Rudin’s theatre projects extend into Broadway reopening, with a revival of The Music Man starring Hugh Jackman.

Along with co-producers Sonia Friedman and Barry Diller, Rudin is due to bring To Kill a Mockingbird to the Gielgud Theatre in the West End in March 2022.

Admittedly, Rudin joins the long list of high profile industry figures who believe it is their right to abuse their power.

Some revelations to the story, though, have really bothered me.

Worse was to come: one of those who has spoken out is the brother of a former assistant to Rudin who tragically committed suicide. 

Just awful.

“Every day was exhausting and horrific,” a former assistant, who worked for Rudin from 2018–2019, recalled.

“Not even the way he abused me, but watching the way he abused the people around me who started to become my very close friends. You’re spending 14 hours a day with the same people, enduring the same abuse. It became this collective bond with these people.”

Bullying is a repeated pattern of abuse of power designed to dominate those perceived as inferior, as weaker. Side affects include depression, anxiety, panic attacks – it’s a major risk factor for mental health.

Also, a former assistant claims that Rudin “relished in the cruelty” and “hundreds and hundreds of people have suffered” from his behaviour.

Other details? He fired someone for having diabetes, threw potatoes at someone’s head and reportedly assaulted staff, sending colleagues to the hospital twice.

Needless to say, leading figures are betraying their status by not making a stronger stand against these shocking revelations.

Ultimately, this is not restricted or confined to Scott. This happens everywhere.

I have been through this kind of experience myself; as a child, I was assaulted, and it is one of the things that motivated me to speak out when things are not right. Unfortunately, my own career has never been short of abusers, monsters and egomaniacs.

As for the wider implications of this scandal for Broadway and beyond, it would be easy to get carried away. On the other hand, you certainly wouldn’t rule him out making some sort of return in due course.

In 2014, Page Six ran an article about Rudin: “The Man Known as Hollywood’s Biggest A-hole,”that alleged that Rudin had pushed assistants out of moving cars and fired assistants for bringing him the wrong muffin, mispronouncing names, and, at least in one instance, having to attend a funeral.

Unfortunately, Rudin is still today boosted by enablers who looked the other way or ignored these rumours, allowing accusations to remain an “open secret” for years.

In 2018, he was making history with Aaron Sorkin’s To Kill A Mocking Bird, which shattered an 118 year record by earning more than $1.5 million in one week.

For those wondering when things will die down, I spoke to a made-up theatre scientist who calculated that moment will come at the precise second that anti-Rudin coverage stops grossing more than Rudin productions in 2022.

To Kill a Mockingbird

To Kill a Mockingbird

Like Kevin Spacey before him, it will be hard to believe the frightful bollocks about those “not knowing” spouted by rich and powerful colleagues. 

The industry silence about this alleged physical abuse and personality faults of Rudin are unforgivable, yet easily explained. They depend on him for their income.