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Manchester welcomes Little Amal for the culmination of The Walk

Amal

 

Manchester welcomes Little Amal for the culmination of The Walk

The epic 8000km journey of Little Amal, a nine-year-old refugee girl in the form of a 3.5 metre puppet that began in late July at the Turkish-Syrian border comes to a close in Manchester. Amal will visit Rochdale and Wigan before the city welcomes her in a free event at Castlefield Bowl produced by Manchester International Festival (MIF)

Manchester International Festival will stage the finale event of The Walk, on Wednesday 3 November, the culmination of the extraordinary journey from Gaziantep in Turkey to Manchester of a 3.5m tall puppet of a nine-year-old Syrian refugee Little Amal.

This extensive public art project is produced by Stephen Daldry, David Lan, Tracey Seaward and Naomi Webb for Good Chance, co-producers of the critically-acclaimed The Jungle, in association with Handspring Puppet Company, world-famous creators of the horse puppets in War Horse, and led by Good Chance’s Artistic Director Amir Nizar Zuabi.

Little Amal has travelled from the Syrian border across Turkey, Greece, Italy, France, Switzerland, Germany and Belgium in search of her mother. In 65 villages, towns and cities she has been welcomed by artists of every kind – dancers, singers, film makers, painters – as well as civil society and faith leaders at the highest level. Her journey represents those taken by the millions of people who have been violently displaced by war or persecution, especially children. At this time of multiple global crises Amal’s urgent message to the world is “Don’t forget about us”.

The finale moment of The Walk will be marked with a free large-scale outdoor event, titled When the Birds Land, at 7pm on 3 November in Manchester, a city that has long welcomed its diverse and dynamic population of refugee and migrant communities, and has the highest concentration of dispersed asylum seekers in the UK outside of London. The openhearted spirit of the city will be displayed with people of all ages and from all areas of Manchester, greeting Little Amal through live music and song, puppetry and dance. When the Birds Land has been created through collaboration with an advisory group created by MIF, made up of adults who identify as refugees and asylum seekers and their allies, as well as a creative team that includes renowned puppeteer Sarah Wright and led by film and theatre director Simon Stone (The Dig, Yerma).

A creative learning programme led by MIF running throughout October will engage around 4,000 pupils through distribution of education packs, plus music sessions with Music Action International and creative dance and drama workshops with Magdalen Bartlett will take place across 10 primary schools in Greater Manchester. Manchester Street Poem, an art collective of people with lived experience of homelessness, will create a book of stories for Little Amal, whilst Caring and Sharing, Rethink Rebuild Society, and Support for Wigan Arrivals Project, community organisations who support asylum seekers, will create a patchwork quilt for Little Amal with local artist Ibukun Baldwin. On the 31 October and 2 November, Little Amal will go to Wigan and Rochdale visiting communities there ahead of The Walk’s culmination.

John McGrath, Artistic Director and Chief Executive of Manchester International Festival said “We’re delighted to be a major partner on The Walk. At Manchester International Festival we have a proud history of creating participatory events that bring the city together. As we continue to navigate these uncertain times, the power of arts and projects like these to start important conversations, create connections and safely bring communities together is more important than ever. We hope that everyone who calls Greater Manchester their home, will help us welcome Little Amal when she arrives at the end of her long journey.”

Amir Nizar Zuabi, Artistic Director of The Walk stated “It is because the attention of the world is elsewhere right now that it is more important than ever to reignite the conversation about the refugee crisis and change the narrative around it. Yes, refugees need food and blankets, but they also need dignity and a voice. The purpose of The Walk is to highlight the potential of the refugee, not just their dire circumstances. Little Amal is 3.5 metres tall because we want her to inspire us to think big and to act bigger.”

Simon Stone, Director of The Walk: When the Birds Land added “It’s the end of Amal’s odyssey. She’s arrived in Manchester. A city with a rich history of immigration, a stunning array of diverse stories, a social fabric that weaves difference and togetherness into one despite its paradoxes. It’s the kind of city Amal can rest her weary feet. And know the conflict and struggle that lie behind her have a place to be heard and, hopefully, healed. Amongst her own, amongst strangers. The new adventure begins.”

Tickets for The Walk: When the Birds Land are free and can be booked at mif.co.uk from 14 October.

To get involved in the creative learning programme visit mif.co.uk

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Manchester International Festival 2021 / Bloody Elle – A Gig Musical

On reading the words ‘Manchester International Festival’, you know you’re in for quite the experience. I mean, it’s not everyday you get the opportunity to attend a biennial international arts festival, during a pandemic, with a specific focus on original new work.

There is more free, outdoor public art than ever before and the city is alive with accessible, vibrant and exciting art. So with some degree of excitement, I made my way to Manchester last week, and here are some things I experienced.

First up, an impressive 42m (138ft) sculpture replica of Big Ben has crash landed in Piccadily Gardens. ‘Big Ben Lying Down With Books’ – the UK’s biggest participatory art spectacle in years – has been created by Argentine artist Marta Minujin and is covered in 12,000 politically-themed books. I fully immersed myself in this impressive and quirky statement on Brexit, disillusionment and democracy. Brilliant – and – free.

Marta Minujin’s sculpture is called Big Ben Lying Down With Political Books

The Arndale shopping centre, meanwhile, has been turned into a makeshift art gallery for Cephas Williams’ Portraits of Black Britain, which features giant banners showing high-achieving black Britons. Powerful stuff.

Playing to a socially distanced, masked audience may not be every singer’s dream but Arlo Parks gig at the cavernous Manchester Central was a performance of stunning tenderness.

Arlo Parks at Manchester Central

For the last six songs, Royal Northern College of Music string players joined Parks on stage to enrich the songs and add layers of heartfelt nuance. Parks – a 20-year old London singer-songwriter-poet bagged the Brit award this year for best new artist. She expresses herself with a rare lightness of touch on her remarkable debut album, Collapsed in Sunbeams. Pure joy.

Elsewhere, Cloud Studies at the seriously trendy Whitworth Art Gallery just out of town features clouds being considered by Forensic Architecture as toxic. This gripping exhibition explores the various ways in which the air – far from being neutral or free – is witness to a lopsided world.

Another highlight of the exhibition is the first phase of an investigation on environmental racism in an area known as ‘Cancer Alley’. In a US region heavily populated with petrochemical facilities, majority-Black communities, the descendants were historically enslaved on those very lands, today contain the most toxic air in the country.

Forensic Architecture’s Cloud Studies at the Whitworth Art Gallery.

MIF has also commissioned choreographer Akram Khan to produce a stylish and moving 17 minute short film. Breathless Puppets is a 17-minute animation co-created by Khan and animator, writer and director Naaman Azhari.

This brilliant animation utilises retroscope technology; basically whereby a live action is sketched over to give a constantly moving, line-drawn aesthetic. Breathless Puppets tells the story of a young man called Nicholas who wants to be a dancer, despite his family urging him to go into medicine. 

Manchester’s beautifully restored Central Library played host to ‘I Love You Too,” This project featured Eleven Manchester-based writers that collaborated with participants, putting their words to page and composing love letters that reflected and reinterpreted the individuals. Furthermore, together with the publication, the stunning domed Reading Room played host an exhibition of Wa Lehulere’s new sculpture, created especially for the space.

Conceived with the intention of creating a global love library, “I Love You Too” marked the beginning of a new series – one that’s set to become an international encyclopaedia of devotion.

Bloody Elle – A Gig Musical

I was delighted to snag a ticket to the raggedly charming “Bloody Elle” at the Royal Exchange. It has reopened with Lauryn Redding’s emotional, wild and honest ‘gig musical’. This gauche kitchen-sink theatre is smart in its portrayal of a queer love story. Right on.

Bryony Shanahan’s supple solo production makes the most of the in-the round setting of the main space – it feels like a epic late-night show at Roundabout at Summerhall during Edinburgh Fringe Festival. The songs are spry and melodic with a forthrightness that is refreshing.

Bloody Elle is a ‘semi autobiographical’ show that is simultaneously confessional, sprawling and occasionally indulgent.

It moves in the course of the evening from noise to quietness, from non-stop crassness to moments of musical tenderness and expressive gesture. Admittedly, it is all a bit drawn out, and could do with losing 30 minutes, but it is often a perky evening and during these Difficult Times, well worth the effort.

A very pleasant surprise. 

Manchester International Festival runs until Sunday 18 July

Bloody Elle – A Gig Musical runs until 17 July

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Manchester International Festival 2021 programme announced

Manchester International Festival (MIF), returns from 1-18 July with a vibrant programme of original new work from across the spectrum of visual and performing arts and music by artists from over 20 countries.

The reasonably amazing lineup includes Angélique Kidjo, Akram Khan, Arlo Parks, Aaron and Bryce Dessner, Boris Charmatz, Cerys Matthews, Christine Sun Kim, Cillian Murphy, Deborah Warner, Forensic Architecture, Ibrahim Mahama, Kemang Wa Lehulere, Laure Prouvost, Marta Minujín, Lemn Sissay and Patti Smith

  • Events will take place safely in indoor and outdoor locations across Greater Manchester, including the first ever work on the construction site of The Factory, the landmark cultural space that will be MIF’s future home
  • A rich online offer will provide a window into the Festival wherever audiences are, including livestreams and work created especially for the digital realm
  • With almost all the work created in the past year, MIF21 provides a unique snapshot of these unprecedented times. Artists have reflected on ideas such as love and human connections, the way we play, division and togetherness, equality and social change, and the relationship between the urban and the rural
  • For the first time, the curation of the Festival’s talks and discussions programme has been handed over to local people, building on MIF’s work involving the community as artistic collaborators and participants in work shaped by them
  • Festival Square returns in new location Cathedral Gardens with a packed programme of food, drink and free live music, DJs and more
  • As one of the first major public events in the city, MIF21 will play a key role in the safe reopening of the city’s economy and provide employment for hundreds of freelancers and artists
  • Much of the programme will be free to attend, with more work than ever in public spaces around the city

People sitting outside in the sunshine at tables in MIF's pop-up Festival Square in Manchester

Headshot of John McGrath

John McGrath, the Artistic Director and Chief Executive of MIF.

Manchester International Festival Artistic Director & Chief Executive, John McGrath says: “MIF has always been a Festival like no other – with almost all the work being created especially for us in the months and years leading up to each Festival edition.  But who would have guessed two years ago what a changed world the artists making work for our 2021 Festival would be working in?”

“I am thrilled to be revealing the projects that we will be presenting from 1-18 July this year – a truly international programme of work made in the heat of the past year and a vibrant response to our times. Created with safety and wellbeing at the heart of everything, it is flexible to ever-changing circumstances, and boldly explores both real and digital space.

“We hope MIF21 will provide a time and place to reflect on our world now, to celebrate the differing ways we can be together, and to emphasise, despite all that has happened, the importance of our creative connections – locally and globally.”

Hop along to the MIF official website from from Thurs 20 May 2021 if you’re interested