Rachel Tucker: ‘Come From Away will soothe your soul and lift your heart.’
‘My favourite start to my working day and I’m only allowed one of them – is a triple shot americano,’ grins Rachel Tucker.
I follow her lead and order one for myself at the Pret on Shaftesbury Avenue – just off Cambridge Circus where we meet.
It’s a joy interviewing Tucker; a unique combination of quirkiness and elegance.
She found fame on the BBC tv talent series I’d Do Anything ten years ago and has since starred in The Last Ship alongside Sting, blown our minds as Elphaba in Wicked, in London and on Broadway, released solo albums and more.
Now Tucker is starring in Irene Sankoff and David Hein’s folksy musical Come From Away. She believes that the core of the story is ‘looking out for one another, doing what is right’ and ‘like a medicine for the soul.’ The show tells the tale of 7,000 stranded air passengers amid the chaos of 9/11 and the tiny town in Newfoundland that took them in.
In a 12-strong ensemble, Tucker plays Beverley Bass – the first female captain for American Airlines. Through slick staging and manoeuvring the show recreates a plane full of passengers using limited props; including a rubber cod, a mop and rearranged chairs. Come From Away’s greatest triumph is to set complex lyrics drawn from tragic circumstances to a show about the citizens of Gander during 9/11, where all domestic flights were grounded across the US following a terrorist attack.
The show opened in January in Dublin ahead of its West End transfer and is in great shape. ‘They knew what they were doing – they knew the process in Dublin was the start of the maturity point of the show,’ she says. ‘Dublin was so helpful to find the groove and learn the moves. It takes time to embed it in our body and our minds and souls. It’s taken me 3 months to learn how to sing ‘Me and The Sky’ like that! Our rehearsal process was very intense – we had to get the chair choreography into our brains – at first, we didn’t feel very artistic doing it. But there is a method to the madness – and they’d been through it a few times before in previous productions. The pressure was immense, though.’
There’s nothing in between @racheltucker1 and the sky! ?✈️
Let our @OlivierAwards nominated Beverley Bass share this remarkable true story with you. ?? pic.twitter.com/xim1rN2kFX
— ComeFromAwayUK (@ComeFromAwayUK) March 19, 2019
It makes sense, then, that Come from Away recently received nine nominations for the 2019 Olivier awards, and Tucker has been nominated in the best actress in a supporting role in a musical category. Up against her, in a ridiculously strong category, are Patti LuPone for Company; Ruthie Ann Miles for The King and I; and the six ‘queens’ for their turn as Henry VIII’s wives.
Where was she when she found out? ‘Do you know what?’ she says. ‘I was in my bed, at home alone and watching Conversations with a Killer: The Ted Bundy Tapes Netflix series on my laptop and my phone went berserk,’ Tucker smiles.
‘Honestly, Carl, just receiving this nomination, I feel like I’ve accomplished something that I’ve always dreamed about. This – for where I’m at in my life, in my career and alongside my ambitions – I could cry now thinking about it.’
We discuss the recent controversy surrounding Seyi Omooba, the performer who said that homosexuality was not ‘right’ in a Facebook post and is no longer part of the upcoming Curve and Birmingham Hippodrome’s production of The Color Purple.
‘Oh dear’, Tucker begins.
‘If you have strong opinions that might offend other people – keep them to yourself,’ she says. ‘Go home and tell your mum or your church. It’s up to you if you have those beliefs and you choose to do a job that represents the exact opposite. I’m really not sure how you reconcile that morally… Especially in this climate – it’s a tricky playing field and in the arts, which is a place that presents itself as inclusive and liberal. It’s really unfortunate that this has happened.’
At one point, we talk about west end ticket prices. ‘When I look out to the audience every night it is a sea of white Caucasian, middle class human beings. I wish I could change it,’ she begins. ‘It upsets me that it is always a sea of white faces and that it’s not shifted any further, especially for our show,’ Tucker affirms.
She doesn’t mind being asked about the challenges of childcare and being a working parent. This topic is nothing new yet the attitudes toward parenting are slowly changing. ‘Listen, I don’t love people getting on their high horse – the young woman who does my hair at the Phoenix Theatre is thinking about starting a family – or when to- and often asks me how I managed and manage it,’ she says. ‘It’s hard. But if my experience can help somebody then that’s amazing. Therefore, talking about childcare, for me, is essential. My husband in fact, does more of the childcare – so personally it isn’t restricted to being a woman thing.’
So, what could theatre do to support parents and carers? ‘Childcare is not cheap,’ she says. ‘But what if there was something like West End Day Care during the two show days and Equity paid half and we paid half? A scheme to help men and women to mind their kids so that we can do our shows. I’d love that to happen!’
Who inspires her? ‘Shoshana Bean,’ she replies. ‘She is incredible – I listen to her album on the way in and out of work every day. Her passion for the industry and for giving back is so incredible. Plus, she’s generous. Shoshana really is a one-woman band and I admire that. Someone who went from a regular Broadway performer to establishing herself as a household name. She is the biggest inspiration right this second to me,’ she smiles.
Tucker hopes that we all get behind Come From Away. She adores the show, adding that she believes that she has ‘the privilege of telling this story night after night – a true story – I know how much of an inspiration this story is to so many and what this means to our audiences –I hold that very close to my heart. I love it.’
She ends by reiterating that this new musical really is for everyone. ‘I promise that Come From Away will soothe your soul and lift your heart. It is a reminder that there is still goodness and kindness within us all.’
‘You will leave with a full heart and you will want to speak to your neighbour and you will want to be a better person,’ Tucker insists.
What a woman.
Come From Away is at Phoenix theatre, London, until March 2020.