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Olivier Awards 2018: A blow-by-blow account

It may not have seemed like it, but 2017 was actually a record year for London’s theatre industry with 246 productions, 15,000,000 million tickets sold, 99 new plays, 13 new musicals and 45 dance and opera productions.

Thanks to a combination of blazing new musicals (An American in Paris, Girl From The North Country & Hamilton) and outstanding new plays (Ink, Killology & The Revlon Girl) it’s a great time for British theatre.

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The Olivier Awards were broadcast live from The Royal Albert Hall on Magic FM, which was quite funny because the unsuspecting public heard the host Catherine Tate, swear multiple times. It didn’t go well. The ‘highlights’ were broadcast into a condensed 90-minute slot on ITV1 at 10.20pm. Tate was the host who promised us a safe pair of hands but delivered us nothing really.

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Catherine Tate

Most of Tate’s presenting carried a frisson of shambles – it was also incredibly clumsy, with an ill-judged quip about the Time’s Up movement and a joke about sexual harassment. She forgot to wear her Time’s Up badge too. Hm.

Unsurprisingly, the ratings averaged just under 600,000 TV viewers (down 40% on the 1 million people who tuned in in 2017 when the ceremony was scheduled in the prime-time slot between 8-9pm.) This does need sorting out; broadcast the ceremony live and hire a decent host.  Cheers!

Anyway, hip hop musical Hamilton opened the show and swept the board, winning seven of the thirteen awards it was nominated for, including best actor in a musical, best new musical and outstanding achievement in music. The Ferryman duly won best new play, best director for Sam Mendes and best actress for Laura Donnelly. The National Theatre clinched five trophies including best musical revival for Follies and best revival for Angels in America.

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The cast of Hamilton

Bryan Cranston won best actor for his role in Network (Andrew Garfield was robbed). Denise Gough won best actress for her sublime performance in Angels in America. James Graham won the award for best new comedy for Labour of Love, which was good news.

More amazingly still is the fact that the Bob Dylan musical Girl From The North Country (which felt like mastery on stage) won two awards. Sheila Atim (best supporting actress in a musical) and Shirley Henderson (best actress in a musical).

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Girl From The North County’s Sheila Atim

There were two rather lovely, but similar, tap performances from the cast of Young Frankenstein and 42nd Street in the first half. Lots of glitz and glitter too.

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The cast of Young Frankenstein

The fiasco, however, was the In Memoriam segment, where Michael Sheen introduced the segment, thanking those included “and many others who aren’t… for your contribution to our stages.” Unfortunately, they left out Sir Peter Hall. Which was pretty stupid but what can you do. Hall was the creator of the Royal Shakespeare Company and built up the National Theatre and died in September last year.

I lost the thread of what was going on and before I knew it American musical theatre legend Chita Rivera popped up, marking the 60th anniversary of the London opening of West Side Story. She seemed happy to be there so that was good.

“We are hugely sorry for the oversight of leaving Sir Peter Hall out of our In Memoriam,” said the Society of London Theatre (SOLT) in a statement this morning. Good grief.

David Lan was awarded a special award in recognition of his work leading the Young Vic for the past 18 years, before retiring earlier this year. He gave a rousing and genuinely political speech. It felt like the show should probably have just ended there. It didn’t though.

There was then a special performance celebrating 50 years of Andrew Lloyd Webber and Tim Rice’s Joseph and the Amazing Technicolor Dreamcoat, featuring Jason Donovan, Linzi Hateley and Lee Mead. The anti-climax of a performance had just enough star quality to hide the song’s distinct lack of brilliance.

You (the audience) have been amazing. I have been adequate for my price range,” said Tate closing the ceremony. Indeed.

Actually, theatre is often at its best when it takes you by surprise and other than Tracie Bennett (her victory lap performance of I’m Still Here is worth watching on ITV Player) not winning anything for her performance in Follies, this year had a pungent whiff of inevitable to it all. Shame really.

FULL LIST FOR THE OLIVIER AWARDS 2018 WITH MASTERCARD

AMERICAN AIRLINES BEST NEW PLAY

The Ferryman at Jerwood Theatre Downstairs at the Royal Court Theatre and Gielgud Theatre

BEST NEW COMEDY

Labour Of Love at Noël Coward Theatre

BEST NEW DANCE PRODUCTION

Flight Pattern by Crystal Pite for The Royal Ballet at Royal Opera House

OUTSTANDING ACHIEVEMENT IN DANCE

Francesca Velicu for her performance in English National Ballet’s production of Pina Bausch’s Le Sacre Du Printemps at Sadler’s Wells

BEST ENTERTAINMENT AND FAMILY

Dick Whittington at London Palladium

BEST COSTUME DESIGN

Vicki Mortimer for Follies at National Theatre – Olivier

DELTA LIVE AWARD FOR BEST SOUND DESIGN

Nevin Steinberg for Hamilton at Victoria Palace Theatre

BEST ACTOR IN A SUPPORTING ROLE

Bertie Carvel for Ink at Almeida Theatre and Duke of York’s Theatre

BEST ACTRESS IN A SUPPORTING ROLE

Denise Gough for Angels In America at National Theatre – Lyttelton

OUTSTANDING ACHIEVEMENT IN AFFILIATE THEATRE

Killology at Jerwood Theatre Upstairs at the Royal Court Theatre, a co-production with Sherman Theatre Cardiff

BLUE-I THEATRE TECHNOLOGY AWARD FOR BEST SET DESIGN

Bob Crowley and 59 Productions for An American In Paris at Dominion Theatre

WHITE LIGHT AWARD FOR BEST LIGHTING DESIGN

Howell Binkley for Hamilton at Victoria Palace Theatre

BEST ACTOR

Bryan Cranston for Network at National Theatre – Lyttelton

BEST ACTRESS

Laura Donnelly for The Ferryman at Jerwood Theatre Downstairs at the Royal Court Theatre and Gielgud Theatre

BEST DIRECTOR

Sam Mendes for The Ferryman at Jerwood Theatre Downstairs at the Royal Court Theatre and Gielgud Theatre

BEST NEW OPERA PRODUCTION

Semiramide at Royal Opera House

OUTSTANDING ACHIEVEMENT IN OPERA

Joyce DiDonato and Daniela Barcellona for their performances in Semiramide at Royal Opera House

BEST REVIVAL

Angels In America at National Theatre – Lyttelton

OUTSTANDING ACHIEVEMENT IN MUSIC

Hamilton – Composer-Lyricist: Lin-Manuel Miranda; Orchestrator: Alex Lacamoire at Victoria Palace Theatre

BEST THEATRE CHOREOGRAPHER

Andy Blankenbuehler for Hamilton at Victoria Palace Theatre

MAGIC RADIO BEST MUSICAL REVIVAL

Follies at National Theatre – Olivier

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL

Michael Jibson for Hamilton at Victoria Palace Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL

Sheila Atim for Girl From The North Country at The Old Vic and the Noël Coward Theatre

BEST ACTRESS IN A MUSICAL

Shirley Henderson for Girl From The North Country at The Old Vic and the Noël Coward Theatre

BEST ACTOR IN A MUSICAL

Giles Terera for Hamilton at Victoria Palace Theatre

MASTERCARD BEST NEW MUSICAL

Hamilton at Victoria Palace Theatre

SPECIAL AWARD

David Lan

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