A chat under a bridge with Howard Brenton and Sam Hodges
The Shadow Factory is set in the autumn of 1940 during the Battle of Britain and is about the devastation reigned on Southampton, the home of the Spitfire. The play is written by theatre giant Howard Brenton and directed by the ambitious director Samuel Hodges.
The NST City is part of Studio 144, a new £28m venue in Southampton’s city centre. The building will include a 450 seat main house and a 135 seat studio, as well as screening facilities, rehearsal and workshop spaces.
Howard Brenton and Samuel Hodges (obvs)
I went along to a have a chat with director of NST Samuel Hodges and playwright Howard Brenton on a ramp in Southampton under the Itchen Bridge for the launch of the play.
Here is what we discussed.
Me: Hello! Are you both happy with how today has gone?
Sam: I think it’s terrific – this is the perfect place for it. It’s beautiful and historic. It feels exiting; It’s suddenly got real.
Howard: It’s amazing to see this ramp we are standing on, they built sea planes in the 20’s and 30’s here and they rolled off this ramp.
Me: How would you describe your state of mind, Mr Hodges?
Sam: My state of mind is one of cautious excitement – I think it’s always that way with any new play at this point where you’re between a final draft and beginning of rehearsals and it’s all starting to shape up. On the other hand, we are desperate to get into this new building and start playing. I suppose there are quite a few unknowns: to go into a brand-new theatre and make a piece of brand new theatre is double unknown.
Howard: Well it’s great standing on this spot – I remember in the beginning I said yes to writing this play in a pub not far from here… Now we are standing on the actual site with the thing written and we are all ready to go.
Me: Is that how you get all your commissions, Sam? In the pub?
Sam: Yes. Absolutely.
Me: How would you describe The Shadow Factory in a nutshell?
Sam: It’s a story about the community, it’s a story about the city and it’s a story that they will not have heard. I think as a theatre experience what they will get is something very unusual. Something with lots of design ,with projection, with flying bits ,with big community chorus, with movement and with music. I would hope it feel like something almost immersive.
Howard: I hope they will be entertained. This is a story of local people, a story that is not widely known, as Sam says. Shadow Factory is about people who did something extraordinary. It’s not to be sentimental about it because this is a very, very tough time. A lot of people thought they were going to lose the war. Nevertheless, they achieved this; 6 weeks from the factory being bombed – planes were being made in bits in the back streets. So, if people could do that 70 years ago, if we have to face a crisis in this country, and God knows we may well. What can we do? It can surprise us what we could do. I’d like people to take that thought out of the theatre.
Me: Is there anything that either of you would like to add?
Sam: Um. No. That’s’ fine.
The Shadow Factory runs at the NST City, Southampton from 16 February to 2 March.
