Here’s Your Definitive Guide to Edinburgh Fringe 2022 (you’re welcome)
It’s nearly that time again: Edinburgh is set to host more than 3,000 shows when it starts next week.
The Fringe was cancelled completely in 2020 because of the pandemic but made a limited return last year with about 600 shows. But, top venues have warned that ticket sales are down by about a third relative to pre-pandemic levels, with the cost of living crisis, summer’s travel disruption and Covid cited as reasons.
I have no idea why the bone brained bosses made the horrendous decision not to have an app for this year’s event. And don’t get me started on the scandalous accommodation costs. Not a great look. Removing barriers to attending the Fringe for artists and audiences is a key priority for the Fringe Society.
(There’s always the Free Fringe, though, if you are feeling the pinch.)
First up: Lauryn Redding’s terrific Bloody Elle. First seen at The Royal Exchange, this gig musical is full of quirky original music performed live on stage. At Traverse, obvs.
Next, I’m curious to see Uma Nada-Rajah’s new dark comedy Exodus, at Traverse, too. It’s about politicians and posturing, and exposes systematic deception and indifference to human suffering.
I am looking forward to seeing Afghanistan is Not Funny by Fringe veteran Henry Naylor at Gilded Balloon, Teviot.
Elsewhere, Silent Faces ask why half the world’s population is excluded in a funny, pop-culture piece Godot is a Woman, at Pleasance Dome. If you need to laugh (don’t we all) don’t miss fleet-footed Nina Conti’s hilarious The Dating Show at Pleasance Courtyard.
Horizon – Performance Created in England is back with its second showcase, this year focussing on tour-ready performances: a curated programme of ten artists making vital, genre challenging work. Check it out.
Feminist and female-led Rash Dash are always up to something daring. This year, they present Look At Me Don’t Look At Me – a two-hander featuring a piano, a synth, two microphones, a shaky egg and 14 original songs.
Over at Assembly Checkpoint is Americana – A Murder Ballad – an intriguing premiere by leading Scottish playwright Morna Young.
At Gilded Balloon Justin Huertas’s wildly original musical Lizard Boy unpacks self-love and acceptance, and particularly finding love today as a gay person of colour.
Indeed, Summerhall is essential for any Fringe visit. While you’re there go and see Invisible Mending; a show about love, grief, and knitting. Also: grab a ticket for Maimuna Memon’s Manic Street Creature. Bill Buckhurst (Sister Act) directs. Carly Wijs (Us/Them) returns to Summerhall with Boy. Don’t miss it. While you are there, have a G&T and head over to Luke Hereford’s fun autobiographical queer cabaret, Grandmother’s Closet.
Among other highlights, Caligari at Underbelly Cowgate, I’m sure, will be a riot: Five actor-musicians reimagine the seminal silent film, with the doctor’s victims taking centre stage. While you are there, go and see Max Fosh’s bonkers but brilliant drama-comedy Zocial Butterfly. I really want to catch Cassie and the Lights; a spellbinding play with music about children and the care system, too.
Paines Plough’s Roundabout is usually good value for money. Get along to world premieres Sami Ibrahim’s A Sudden Violent Burst of Rain – a poetic fable of an immigration system that mirrors our own. In Dipo Baruwa-Etti’s play Half Empty Glasses, a young Black student who auditions for a prestigious music school, but becomes disenchanted by the lack of Black names on the curriculum.
Over at Greenside, storyteller Kim Kalish’s The Funny Thing About Death looks like a tonic. Brain and Hemingway piece about a songwriter with severe writer’s block – also looks fun.
If you missed the laddish Olivier Award nominated Choir of Man originally here in 2017, or last year in London, you can catch it once more.
Succession fans will want to take a walk over to Assembly George Square to catch a glimpse of legend Brian Cox. The actor and his wife have teamed up to produce new play She/Her. A hot ticket.
So, there you have it, that’s the end of my Edinburgh Festival Fringe 2022 guide.
It’s good to be back, isn’t it?
Anyway, I hope you have found some use in this guide to what the Fringe world has on offer.
If you have show tips, tweet me: @mrcarl_woodward – I’ll be updating this blog weekly.