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Edinburgh Festivals Diary: Day 6

It’s 9.45am at Hotel Du Vin, Edinburgh and I am having a coffee with the Times Theatre critic: Ann Treneman. Ann was the Times political sketch writer for 12 years. We are talking about navigating the wonderful arena of theatre.

‘The theatre world is much crazier than the world of politics… Seriously,’ she tells me.

‘Amazing. We must go out for a drink before I fly home,’ I said.

‘Some of us have reviews to write, Carl,’ she replied with a smile.

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Ann Treneman

We talked about the various things, shows we’d seen etc, etc and so on.

‘Well, I always think of that terrific Michelle Obama quote: ‘When they go low, we go high,’ she smiles. 

I made my way over to the Traverse for Gary McNair’s one-man piece about the writer’s teen years when he chose Morrissey as a confidante. Letters to Morrissey is the theatre equivalent of a chunky chocolate bar. The audience was mostly male and mostly 25 to 44-years old. I can’t remember much else to be honest.

I head over to Pleasance for Cardboard Citizens’ remarkable version of the TV drama ‘Cathy’. Beautifully written by Ali Taylor, ‘Cathy’ is a new forum theatre show which looks at how life might be like today for the protagonist of Cathy Come Home. The show speaks stridently and is one with that comes with a pain at its heart.

Ed

Cirkopolis / Letters to Morrissey

I check my emails.

‘This looks like the kind of thing you’d like to crash,’ it read.

Attached was an invitation to the 2017 Federation of Scottish Theatre – Festivals Reception on Tuesday 22 August at 5.30pm at Dynamic Earth. It soon became clear that Scotland has got it right. The level of joined-up thinking and networking in the room was palpable: bringing the sector together and starting proper conversations. Brilliant.

After giving up on Google maps in this city I finally arrive at the EICC for Quebec company Cirque Éloize take on Fritz Lang’s Metropolis. Cirkopolis is never less than interesting. Dazzling acrobatics build up a remarkable parade of imagery, yet this lively show never quite touches the heart. ‘Entertaining’, is how I would describe this show. In an ideal world, the music wouldn’t be so loud, but nothing in life is ideal.

WHO DOESN’T LOVE ACCESSIBLE CIRCUS.

Anyway, the last show of my Edinburgh Fringe was Toxic Avenger at Pleasance Courtyard. I loved this show at Southwark Playhouse. I didn’t in Edinburgh. The cast are seriously talented and I think it’s the perfect venue and time slot, the show still boasts exquisite performances and is still really well sung. Hopefully some of the dumbed-down changes will be reversed, which includes but is not limited to squirting the audience with a water pistol.

This was my third time in Edinburgh and I don’t think I’ve ever seen the city so busy.

I’ve had a terrific time but now I must go. 

Thank you to the beautiful people of Edinburgh who treated me with such equanimity and friendliness. To all, great thanks.

I’ll be back…

CLICK HERE TO BOOK YOUR TICKETS FOR LETTERS TO MORRISSEY 

CLICK HERE TO BOOK YOUR TICKETS FOR CATHY

CLICK HERE TO BOOK YOUR TICKETS FOR CIRKOPOLIS

CLICK HERE TO BOOK YOUR TICKETS FOR  TOXIC AVENGER