Interview

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UK Theatre Awards 2017: A blow by blow account

12.30pm I arrive at the Guildhall, London and head for the drinks reception in the Crypts. It’s quite posh. I have a glass of champagne and bump into theatre critic Mark Shenton. “Hello! I’m surprised you managed to fit this in between all your meetings,” he says, laughing. We have a quick gossip. 12.45pm I […]

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Playwright, Elinor Cook interview: “If the dudes are pitching great plays — then those of us who aren’t the white men need go in there and nail those commissions.”

Elinor Cook is not some no-frills interviewee. My time with the feisty young playwright involved her batting my base level questions politely, while occasionally pouring herself a glass of water. Not having arrived today with any sort of agenda, we simply had a chat. She tells me that yesterday she had an ‘impromptu Mexican dinner’ […]

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Review: Heisenberg: The Uncertainty Principle

Cometh the hour, cometh the show directed by Marianne Elliott, the inaugural show for Elliott & Harper Productions, the company she has set up with director Chris Harper. It’s fair to say that expectations were high… But as anyone will tell you in these difficult theatre times, coming up with the show can be the […]

Review

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Review: Heisenberg: The Uncertainty Principle

Cometh the hour, cometh the show directed by Marianne Elliott, the inaugural show for Elliott & Harper Productions, the company she has set up with director Chris Harper. It’s fair to say that expectations were high… But as anyone will tell you in these difficult theatre times, coming up with the show can be the […]

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Five Things You Should Know About Follies

1.    Let’s cut to the chase: Follies contains some of the greatest performances I’ve ever seen in a musical. It features Stephen Sondheim veterans Philip Quast, Imelda Staunton and Janie Dee. Most incredible of all, the way this sparkly ensemble revisit their former lives from 30 years ago to when they first met while working […]

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Alright, theatre needs a kick up the arse

Wind In The Willows

Most of the West End and supporting media is populated by the manliest men with manliest tastes, who only produce or consider the existence of theatre because they need to tick boxes and make what they perceive to be easy cash. No wonder so much theatre is so joyless. It got me thinking… You see […]

Blog

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UK Theatre Awards 2017: A blow by blow account

12.30pm I arrive at the Guildhall, London and head for the drinks reception in the Crypts. It’s quite posh. I have a glass of champagne and bump into theatre critic Mark Shenton. “Hello! I’m surprised you managed to fit this in between all your meetings,” he says, laughing. We have a quick gossip. 12.45pm I […]

, , , ,

Playwright, Elinor Cook interview: “If the dudes are pitching great plays — then those of us who aren’t the white men need go in there and nail those commissions.”

Elinor Cook is not some no-frills interviewee. My time with the feisty young playwright involved her batting my base level questions politely, while occasionally pouring herself a glass of water. Not having arrived today with any sort of agenda, we simply had a chat. She tells me that yesterday she had an ‘impromptu Mexican dinner’ […]

, , , , ,

Review: Heisenberg: The Uncertainty Principle

Cometh the hour, cometh the show directed by Marianne Elliott, the inaugural show for Elliott & Harper Productions, the company she has set up with director Chris Harper. It’s fair to say that expectations were high… But as anyone will tell you in these difficult theatre times, coming up with the show can be the […]