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THREE TALES OF LIFE AND DEATH-US comedy stars in three one-act plays at Assembly

Three Tales of Life and Death

In the world premiere of Pulitzer/Tony Award nominee Craig Lucas’s (Prelude to a KissAn American in ParisAmelie) zany and touching new play, THREE TALES OF LIFE AND DEATH, three stories collide in a world of voyeuristic theatre critics, bartenders with too much spirit and mysterious strangers looking for love in the afternoon.

In Phase 1, Love and Life, critics provide live commentary as the a couple make extra-marital love for the first time and the son of an overly anxious woman reflects on his mother and her tendencies to worry….,

In Phase 2, Death, as a bar tender is closing up for the night, a mysterious stranger walks in…

In Phase 3, Afterlife, in two separate scenes, two spirits encounter each other in Limbo and grapple with their former lives and what comes next.

Making their Edinburgh Fringe debuts, US comedy legends Richard Kline (of the US sitcom Three’s Company) and Pamela Shaw (Swingers), perform these three one-act plays directed by Manhattan Theater Club’s Associate Director Hunter Bird.

LISTINGS INFORMATION

Venue:                        Assembly (Front Room), 54 George Street, Edinburgh, EH2 2LR

Dates and Times:      3 – 26 August at 15.50 (not 6, 9, 15, 22 August)

Running Time:          65 mins

Tickets:                      £6 on 3 & 4 Aug

                                    £11 (£10) on 5, 6, 10, 14, 16, 17, 21, 23, 24 Aug

                                    £12 (£11) on 7, 8, 11, 12, 13, 18, 19, 20, 25, 26 Aug

Box Office:                0131 220 4348

 

 

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Edinburgh Fringe, Tago Korean Drum, Interview: “Our music is very sexy, intense, and sophisticated!”

TAGO Korean Drum II live
TAGO Korean Drum II live

TAGO Korean Drum II live

TAGO return to The Fringe 2017 with a new show which follows their enormously popular and successful Fringe debut last year.

‘FYI’ TAGO means ‘lighting up the world by beating drums’ and this young ensemble achieves it with a spectacular mixture of Korean traditional instruments – from gigantic drums to small percussion instruments – spiced up with extravagant martial arts movement.  TAGO’s performances are a masterful display of thrilling percussion and precisely choreographed movement that has wide audience appeal.

TAGO Korean Drum II live shot 4 players

TAGO Korean Drum II live shot 4 players

TAGO – KOREAN DRUM II is one of a collection of Korean shows at the 70th Edinburgh Festival Fringe supported by Korean Arts Management Service (KAMS), an affiliate of the Ministry of Culture, Sports, and Tourism of Korea. The collection, which consists of MEDEA on media, Behind the Mirror, TAGO: Korean Drum, Mind Goblin and SNAP is part of Korea/UK 2017-18 presented by the Korean Cultural Centre UK, a year-long cultural exchange in partnership with leading British cultural institutions, set to bring the best of Korean art to the UK.

I thought it would be nice to talk to TAGO master drummer Kim Si-Won. I was right. It was quite nice.

Here is what happened.

Hi! Can you describe TAGO KOREAN DRUM?
TAGO master drummer Kim Si-Won:  Our music is very sexy, intense, and sophisticated!  Korean drums play an important part in traditional Korean music; it’s an art that has been passed from generation to generation for hundreds of years.  In TAGO we harness our traditional music with a more modern touch combining traditional Korean instruments – from gigantic drums to small percussion – with some exciting martial arts moves!  And we wanted to break the assumption that all drums are round so we’ve built a square drum and put strings and a wooden keyboard on it so it takes four of us to play it!

Performers are always busy rehearsing, preparing or performing; how do you relax?
That’s a good question Mr Carl!  We actually practise for 3-4 hours a day because you have to constantly develop strength and technique to play the drums…but we love to find new places to eat, drink and relax.  Edinburgh has some great bars and we’re looking forward to trying out some malt whiskies.

You recently took part in the London Korean Festival. How did audiences respond?
It was absolutely amazing!  We performed a 30 minute set against a colourful backdrop and the audience were dancing and cheering.  The Kensington Olympia venue is gigantic and the sound of our drums was perfect for the big acoustics.  They also had lots of Korean food stands so we felt right at home.  We signed lots of autographs too and did many selfies with audience members.

What do you consider your greatest achievement?
Performing abroad, definitely!

How would you like this show to be remembered?
As a big, exciting and sexy show!  Also we would like people to enjoy the sounds of the different drums and percussion instruments, some of which you can only see if you come to Korea.

What do you like most about the city of Edinburgh?
The people are so friendly and the beer is great!  When we performed for the first time in 2016, we didn’t realise there were so many shows on – some of our Korean friends are here with their own shows – magic, illusion, dance, music – and we’re hoping to go and support some of them.  Last year we had to buy umbrellas…

TAGO Ho-goon Hyun on the big drum photo by Young Kyong

With the costs of putting on a show – what would be your advice for other international companies that want to bring work to Edinburgh Festival Fringe?
Don’t pack too much!  We send our biggest drums in advance and we take the smaller items on the plane with our luggage.  We could easily bring more then end up not playing them all – so, rather than have a big choice of instruments, we perform a specially designed international show that we know we can deliver.  If you try to pack everything, you can easily run out of money.

What is the Korean Arts scene like?
Really vibrant and diverse. The art of drumming has been around for centuries and you have to be very dedicated to train for many years before you can perform professionally.  Drummers usually started training intensely from the age of 10.  The K-Pop scene is huge now – Korean pop music – and young audiences are moving away from traditional art forms which is why our show is a combination of old and new.  Also the phenomenon of magic and illusion shows is very new to Korea and very popular and the Korean National Ballet (since 1993) is also very cool with people who like ballet.

What do you think audiences enjoy most about your work?
I think people really dig the huge sound of the drums – the sound really fills any performance space and it’s exciting to experience.  I think they also like our combination of drumming and martial arts moves – it’s a really hard thing to learn but very satisfying when you hear the audience cheering!

Are there any shows you are looking forward to seeing?
We are hoping to check out some comedy shows – we didn’t have chance last year – so we’re going to try and see Kwame Asante who we hear is a doctor as well as a comedian and our friends in the Korean magic show Snap which is also very funny.

 What is the most rewarding part of being a performer?
Being up there onstage with my friends is the best – we all met at university and set up Tago nearly 15 years ago.

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Kafka and Son at The Pleasance Courtyard, Edinburgh from 2-27 August

Alon Nashman in Kafka & Son

Alon Nashman in Kafka & Son

Alon Nashman in Kafka & Son. Photo-Credit-Cylla von Tiedemann

At the age of 36 Franz Kafka was still living at home, a petty bureaucrat, a failed artist, a timid Jewish son.  Ruling and ruining his life was his overbearing father Hermann.  What to do?  Kafka wrote a 50 page letter to his father in which he reveals deep connections between his life and his fiction.  Adapted from this monumental letter, Kafka and Son is a blistering, often hilarious dissection of domestic authority and a revelatory visit with one of the architects of the modern psyche.

Alon Nashman is a performer, director, creator, and producer of theatre. Since graduating from the National Theatre School of Canada, Alon has worked with theatres across the country and around the world. Selected credits include: The SummonedMuch Ado About NothingForestsScorched (Dora Award: Outstanding Production), DemocracyRemnants (Dora Award: Outstanding Production) Alias Godot (Tarragon Theatre),HamletAll’s Well That Ends WellBotticelli in the Fire/Sunday in Sodom (Dora Award: Outstanding Production),Picasso at the Lapin Agile (Dora Nomination), THIS (Toronto Theatre Critic’s Award, Dora Nomination) (Canadian Stage), The Wild Duck (Soulpepper), Hedda Gabler (Volcano / Buddies in Bad Times), The Last Days of Judas Iscariot (Dora Award: Outstanding Production) (Birdland Theatre), Macbeth (Modern Times),This HotelWedding Day at the Cromagnons (Theatre Passe Muraille), Howl (Threshold / Buddies in Bad Times)…, Talley’s FollyA Midsummer Night’s Dream (Resurgence), If Jesus Met Nanabush (De-ba-jeh-mu-jig Theatre), The Barber of Seville (Persephone Theatre), Easy Lenny Lazmon and the Great Western Ascension(Dora Award: Outstanding Production) (Go Chicken Go), Reading HebronA Short History of NightRestitution, and Singapore (Factory Theatre), Hirsch, None is Too Many (Royal Manitoba Theatre Centre), Hotel Loopy(Theatre Columbus), The Hobbit (Young People’s Theatre).

Alon was a principal actor/director with the “Shakespeare and The Queen’s Men Project” at U. of Toronto, and Narrator/Storyteller in Tales of Two Citieswith Tafelmusik Baroque Orchestra.

Alon last performed at the Edinburgh Fringe in Hirsch in 2013.

‘Nashman’s masterpiece… the experience is almost completely overwhelming. It is a true and unforgettable privilege to be able to see this performer in South Africa.’

Johannesburg Review, South Africa

 ‘Whether or not you are familiar with Kafka’s writings this is one tremendous solo performance piece you don’t want to miss. Highly recommended.’ Prague Fringe Review, Czech Republic

LISTINGS INFORMATION

Venue:                        Pleasance Courtyard, Edinburgh

Dates and Times:      2 – 27 August at 11.40 (not 15 & 16 August)

Running Time:          65 mins

Tickets:                      2 – 4 August £6.00

                                    5 – 8, 11 – 13, 18 – 20, 25 – 27 August £11 (£10)

                                    9 – 10, 17, 23, 24 August £10 (£9)

                                    14, 21, 22 August £9 (£8)

Box Office:                0131 556 6550

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Big In Belgium’ returns to the Edinburgh Fringe

Lies by Ontroerend Goed

Lies by Ontroerend Goed

Lies by Ontroerend Goed. Photo credit Thomas Dhanens


Following four award-winning seasons at Summerhall, Big In Belgium return with another showcase of the best productions from the Flemish part of Belgium

Julie Cafmeyer – Bombastic Declaration of Love

Enkidu Khaled – Working Method

Suzanne Grotenhuis – On Ice

Ontroerend Goed – LIES (£¥€$)

Mireille and Mathieu – Arm

Tibaldus – Ivona, Princess of Burgundia

Following the huge success of the four previous seasons at Summerhall which have included the award-winningUs/ThemOne Hundred Homes and The Great Downhill Journey of Little Tommy, Big in Belgium, Richard Jordan Productions, Summerhall and Theatre Royal Plymouth return to present a fifth BIG IN BELGIUM season at the Edinburgh Festival Fringe and featuring some of the most significant theatre companies from the Flemish part of Belgium.  Each of the shows in this season has previously been very successful on the European mainland and are now presented for the first time to Edinburgh audiences, some translated and adapted, ready for breaking new grounds in English-speaking territories.

The works are subsequently progressed worldwide following their Edinburgh premieres by the above producing parties.

This year BIG IN BELGIUM is also presenting four of its productions within a brand new theatre space adapted for them within Summerhall in association with RBC/Upper-Church.

 Old boyfriend photos, emails, texts, audio recordings and poetry. Struggling with her love life, Julie Cafmeyerexperiences orgasms, despair, rejection and heaven. In an intimate setting, and with you the audience, she strives to create a genuine connection. A show that is both vulnerable yet utterly fearless, giving an insight into the heartaches that we all share. More than just another coming of age story, Bombastic Declaration of Loveredefines what theatre can be as we are taken along on a journey to find out what it is that we all define as love.

Can art really save the world? Belgian theatre-maker and performer Enkidu Khaled’s award-winning show Working Method is a unique form of creative interaction. His audience is complicit in analysing and simplifying the complex process of making theatre through artistic expression and reflection. Aworkshop and a performance all in one, Enkidu combines participatory actions with his own history, emphasizing the power of imagination and during the performance, analyses and simplifies the complex process of making theatre.

Three years ago, Suzanne Grotenhuis won a prize at the Belgian Theatre Festival with her first solo show. The money was meant to be spent on making a new show but realising she couldn’t afford this, bought a plastic ice skating rink and a pair of white figure skates with the money instead.

On Ice tells the story of why a young theater performer decides to buy an ice-skating rink. Why the ice skating rink somehow forms the solutions to a broken heart.

Its a story of loneliness, of bravery, and of complete absurdity.

Multiple Fringe-First winners Ontroerend Goed invite you to get under the skin of the well-to-do, the 1%, the super-rich, the ones who pull the strings, the faces we never get to see when they return to the Fringe with their latest production, LIES (£¥€$).

For one night, you can take their chairs. You call the shots. You’re in the centre of our economic system.  You shape the course. 

And who knows, you might make the world a better place, more fair, more responsible, 

because you’ll do things differently, for sure. 

Mireille & Mathieu unpack their paraphernalia at a flea-market. The objects and toys they pick up turn out to be bursting with stories. These little scenes, sometimes gentle and poetic, but more often cruel and comical, follow each other in quick succession. ARM is an introduction to Flemish humour: uncomplicated, excessive, nuts, and surreal – a performance bursting with delightful absurdities, original finds and hilarious scenes about love, violence and playing in its broadest meaning.

Timeau De Keyser, Hans Mortelmans and Simon De Winne – together known as Tibaldus are one of Belgian’s most exciting and innovative young theatre companies, producing work that is fierce, surprising and thrilling.

They have joined with five other actors and dancers to create a bold and radical contemporary reworking of Witold Gombrowicz’s (‘The Shakespeare of Poland’) ground-breaking masterpiece Ivona, Princess of Burgundia the story of a royal family and its household which loses its grip when Prince Filip suddenly becomes engaged to Ivona.

LISTINGS INFORMATION

Venue:                                                Summerhall, Summerhall Place, EH9 1PL

Julie Cafmeyer

Bombastic Declaration of Love      4 – 27 August at 10.30 (11.30)

(not 7, 14, 21, 28 August)

Enkidyu Khaled

Working Method                               4 – 13 August at 15.45 (17.00)

(not 7 August)

Suzanne Grotenhuis

On Ice                                                 4 – 27 August at 14.30 (15.45)

(not 7, 14, 21, 28 August)

Ontroerend Goed

LIES (£¥€$).                                       4 – 27 August at 18.30 (20:00) and 20.30 (22.00)

(not 7, 14, 21, 28 August)

Mireille and Mathieu

Arm                                                     4 – 27 August at 16.25 (17.15)

(not 7, 14, 21, 28 August)

Tibaldus

Ivona, Princess of Burgundia         15 – 27 August at 15.45 (17.20)

(not 17 August)

Box Office:                                        0845 874 3001

 

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London cast and Edinburgh transfer announced for Nassim at the Bush Theatre Studio

Nassim at the Bush Theatre 25 - 29 July 2017
Nassim at the Bush Theatre 25 - 29 July 2017

Nassim at the Bush Theatre 25 – 29 July 2017

The Bush Theatre has announced that their production of Nassim written by Nassim Soleimanpour (While Rabbit Red Rabbit) and directed by Bush Theatre Associate Director Omar Elerian (One Cold Dark Night, Islands) will transfer to the Traverse Theatre for a full run at the Edinburgh Festival Fringe this summer. Nassim’s new play Nassim will preview at the Bush Theatre Studio from 25 – 29 July before opening at the Traverse on 3 August, with a press night on 4 August.

Casting is also announced today for the London run of Nassim. For each performance across the run, a different cultural figure will join Nassim on stage to perform his new work. Performers will include: British-Egyptian actor and activist Khalid Abdalla (The Kite Runner, United 93), actor Vivienne Acheampong (City of Glass, Rainbow Class), playwright and screenwriter Alexi Kaye Campbell (Apologia, Woman in Gold), director Phelim McDermott (Akhnaten, A Christmas Carol), writer and performer Sabrina Mahfouz (With a Little Bit of Luck, Breaking the Code) and actor Hattie Morahan (Anatomy of a Suicide, A Doll’s House). Casting for the Edinburgh run to be announced.

Nassim Soleimanpour’s audacious theatrical experiment explores the power of language to unite us in unknown, uncertain times. Nassim is the Iranian playwright’s second play to receive its UK Premiere at the Bush Theatre. The first, BLANK, was produced as part of the Bush Theatre’s annual new writing festival, RADAR, in 2015. This will be the Bush Theatre’s first production to transfer to the Edinburgh Festival Fringe since Simon Stephens’ Sea Wall in 2009.

Dear performer. I want to show you something. Did you know, in Farsi my name is written like this:  ‘.ROUPNAMIELOS MISSAN si eman yM’

No rehearsals. No preparation. Just a sealed envelope and an actor reading a script for the first time.

Nassim follows Soleimanpour’s globally acclaimed White Rabbit Red Rabbit, which has been translated into 15 different languages and performed over 1000 times by some of the biggest names in theatre and film including Sinead Cusack, Ken Loach and Whoopi Goldberg. It had already been performed hundreds of times in more than a dozen languages by 2013 when Soleimanpour was first permitted to travel outside his native Tehran.

Nassim a Bush Theatre commission – is written by Nassim Soleimanpour, directed by Omar Elerian and designed by Rhys Jarman. Lighting design is by Rajiv Pattani with sound design by James Swadlo.

Khalid Abdalla (performer) is a British-Egyptian actor and activist. Notable film credits include The Kite Runner and United 93. Further film work includes Assassin’s Creed, Our Kind of Traitor, In the Last Days of the City, Tigers and Green Zone. He is a founding member of the Mosireen Collective of Egyptian filmmakers, focusing on documenting the events leading up to and following the 2011 revolution in Cairo. He himself has starred in and produced several documentaries, including The Square, which won the 2013 Sundance Film Festival Audience Award.

Vivienne Acheampong (performer) recently completed her run in City of Glass at the Lyric Hammersmith. She returns to the Bush Theatre following her one woman show Rainbow Class (RADAR 2015) which she later took to the Edinburgh Festival Fringe. Further stage credits include Monster Raving Loony (Soho Theatre), The Curious Incident of the Dog in the Night Time (West End), Elegies for Angels, Punks and Raging Queens (First Light Theatre/ West End) and Julius Caesar (St. Ann’s Warehouse).

Alexi Kaye Campbell (performer) was born and brought up in Athens, Greece, then trained as an actor in London and New York. He appeared in several television series before turning to writing. He returns to the Bush Theatre following his play Apologia, a revival of which is currently running in the West End. Other writing credits for the stage include Sunset at the Villa Thalia (National Theatre), Bracken Moor (Shared Experience/ Tricycle Theatre) and The Faith Machine and The Pride (both Royal Court). He recently wrote his first film, Woman in Gold, which was directed by Simon Curtis and featured Dame Helen Mirren and Ryan Reynolds.

Phelim McDermott (performer) is most widely-known as an award-winning theatre and opera director. He is a founding member of theatre company Improbable and collaborates regularly with ENO and Metropolitan Opera, New York. Notable directing credits include Akhnaten (ENO) which won the Olivier Award for Best New Opera Production, A Christmas Carol (West End), The Enchanted Island (Met Opera), The Addams Family (Broadway), Philip Glass’s Satyagraha and Così fan tutte (Improbable/ ENO/ Met Opera) and Shockheaded Peter (West Yorkshire Playhouse/ Lyric Hammersmith/ West End/ Little Schubert Theatre, Off Broadway/ World Tour) which won the Olivier Award for Best Entertainment. Further productions with Improbable include Lost Without Words and Theatre of Blood (National Theatre), Beauty and the Beast (Young Vic), The Hanging ManCinderella (Lyric Hammersmith), Lifegame and the multi-award-winning 70 Hill Lane. He has a longstanding interest in using improvisation in rehearsals and performance, and is a regular improvising guest with the Comedy Store Players.

Sabrina Mahfouz (performer) was raised in London and Cairo. She is a playwright, performer, poet and screenwriter. She returns to the Bush Theatre following productions of her plays Battleface and Dry Ice. Further writing for the stage includes With a Little Bit of Luck (Paines Plough), SLUG (Nabokov), The Love I Feel is Red (Tobacco Factory Theatre), Chef (Underbelly at the Edinburgh Festival Fringe/ Soho Theatre) and Clean (Traverse Theatre). She is also known for her poetry collection How You Might Know Me and the literary anthology The Things I Would Tell You: British Muslim Women Write. She created the television series Breaking the Code and further work with the BBC includes, Railway Nation: A Journey In Verse and We Are Here.

Hattie Morahan (performer) won the Best Actress Critics’ Circle and Evening Standard Theatre Awards for her portrayal of Nora in A Doll’s House (Young Vic).  She returns to the Bush Theatre following her performance of Nassim’s BLANK (RADAR 2015). Further stage credits include Anatomy of a Suicide and The City (Royal Court), The Changeling (Sam Wanamaker Playhouse), The Dark Earth and the Light Sky (Almeida Theatre), Plenty (Sheffield Crucible), The Real Thing (Old Vic), The Seagull, Three More Sleepless Nights, Time and the Conways, Some Trace of Her, Iphigenia at Aulis and Power (all National Theatre) and Family Reunion (Donmar Warehouse). On television she is best known for her roles in My Mother and Other Strangers, The Outcast, Ballot Monkeys, Arthur & George, Outnumbered, Eternal Law, Money, The Bletchley Circle, Marple, Sense and Sensibility and Bodies. She appeared as the Enchantress in the recent Disney film Beauty and the Beast. Other film credits include Alice Through The Looking Glass, Mr Holmes, Summer in February and The Golden Compass.

Nassim Soleimanpour (playwright and performer) is an independent multidisciplinary theatre maker best known for his multi award-winning play White Rabbit Red Rabbit. Nassim’s play BLANK premiered in the UK at the Bush Theatre’s RADAR festival in 2015, also playing in Amsterdam and Utrecht with further performances all over the world including in Argentina, Australia and India. Further plays include Blind Hamlet which premiered at LIFT Festival 2014 prior to a UK tour and productions in Bucharest and Copenhagen. Nassim now lives in Berlin and has been commissioned to write a new play for Teater Momentum (Denmark).

Omar Elerian (director) is Associate Director at the Bush Theatre where he directed One Cold Dark Night by Nancy Harris and Islands by Caroline Horton. He also co-directed the Olivier nominated You’re Not Like The Other Girls Chrissy at the Bush Theatre alongside Daniel Goldman. He was also Associate Director on The Royale by Marco Ramirez, Perseverance Drive by Robin Soans and Chalet Lines by Lee Mattinson. Other directing credits include acclaimed site-specific production The Mill – City of Dreams (Bradford, Yorkshire), Testa di Rame (Festival Inequilibrio, Italy) and Les P’tites Grandes Choses (Maison de Arts du Cirque et du Clown, France).

Rhys Jarman (Designer) previously designed the set for MONEY: The Game Show at the Bush Theatre. He was one of the winners of the 2007 Linbury Biennial Prize, for his design of Varjak Paw for the Opera Group.  Further stage design credits include James and the Giant Peach and The Wonderful Wizard of Oz (Northern Stage), The Time of Your Life (Gecko/ Battersea Arts Centre/ BBC), The Dreamer (Gecko/ Shanghai Dramatic Arts Centre), The Machine Stops (Pilot Theatre/ York Theatre Royal), Hurling Rubble at the Sun, Hurling Rubble at the Moon (Red Ladder Theatre Company/ Park Theatre), Institute and Missing (both Gecko/ World Tours), The Nutcracker (Nuffield Theatre), Holes (Edinburgh Festival Fringe/ Arcola Theatre) and Three Way (Edinburgh Festival Fringe). Forthcoming work includes Alice in Wonderland (Northern Stage), How I Hacked My Way to Space (Unlimited Theatre) and The Wedding (Gecko). He also designs work for outdoor events, opera and television.

Bush Theatre Studio
25 – 29 July
Traverse 2, Traverse Theatre
3 – 27 August

Press Night 4 August, 4pm

LISTINGS

25 – 29 July, Bush Theatre Studio
3 – 27 August, Traverse 2, Traverse Theatre
NASSIM
A Bush Theatre production
Written by Nassim Soleimanpour
Directed by Omar Elerian
Designed by Rhys Jarman
Press night: 4 August, 4pm, Traverse 2, Traverse Theatre
TICKET PRICES

Count Me In: £10 (Theatre)

Adult: From £20 (Theatre) and £10 (Studio)

Count Me In tickets are just £10 and are available for performances in the Theatre. These are unreserved tickets which will be allocated to a seat on the day of performance. Audience members might not be sitting next to the people they booked with but will be guaranteed a seat.

Concessions: Bush Locals, Senior Citizens, Disabled and Unemployed patrons, and Bush Connect (Students and U26) members will be eligible for concession prices.

Booking
Phone: 020 8743 5050
In person:   Bush Theatre, 7 Uxbridge Road, W12 8LJ
Online: bushtheatre.co.uk

Traverse Theatre
Adult:
£19.50 (£13/ £9 previews)
Concessions: £14.50/ £9.50

Booking
Phone: 0131 228 1404
In person: 10 Cambridge Street, Edinburgh EH1 2ED
Online: www.traverse.co.uk

ALSO AT THE BUSH THEATRE IN 2017

15 Jun – 22 Jul
HIR
A Bush Theatre production
Written by Taylor Mac
Directed by Nadia Fall
Designed by Ben Stones
Lighting Designed by Eliott Griggs
Sound Designed by Elena Peña
Press night: 20 June, 7pm
Captioned: 7 Jul, 7.30pm
Audio described: 15 Jul, 2.30pm
26 – 28 July at 7.45pm, Bush Theatre Attic
3-27 August (not 14 August) at 6pm, Underbelly Cowgate (Big Belly)
THE B*EASTS
A Monica Dolan and Something for the Weekend production
Written and performed by Monica Dolan
Directed by John Hoggarth
Designed by James Button
Produced by Suzanna Rosenthal for Something for the Weekend
Press are welcome to attend from 4 August, Underbelly Cowgate (Big Belly)

20 Sep – 21 Oct
RAMONA TELLS JIM
A Bush Theatre production
Written by Sophie Wu
Directed by Mel Hillyard
Press night: 22 Sep, 7pm
Captioned: 13 Oct, 7.45pm
Audio described: 7 Oct, 2.45pm

18 Oct – 25 Nov
OF KITH AND KIN
A Bush Theatre and Sheffield Theatres co-production
Written by Chris Thompson
Directed by Robert Hastie
Designed by James Perkins
Press night: 20 Oct, 7pm
Captioned: 3 Nov, 7.30pm
Audio described: 11 Nov, 2.30pm

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The Pleasance celebrates 33 Years on the Edinburgh Festival Fringe and commissions a brand new type of mobile theatre for Venue 33

Many of the entertainment industries brightest talents have cut their teeth in Edinburgh in August at the Pleasance. This year an innovative new mobile venue joins the bright ideas presented on the world’s stage this summer.

Tickets for 25 Pleasance shows now on sale including:

Alasdair Beckett-King, Best of Edinburgh Showcase Show, Brennan Reece, Colin Cloud, The Cambridge Footlights International Tour 2017, Chris Turner, Ed Night, Gein’s Family Giftshop, John Hastings, Josh Pugh, Katy Brand, Lauren Pattison, News Revue 2017, TAPE FACE, The Noise Next Door, Rachel Parris, Sara Schaefer, Showstopper! The Improvised Musical, Simon Amstell, The Gruaffalo’s Child, The Showstoppers’ Kids Show, The MidnightBeast, The Nature of Forgetting, The Tartan Ribbon Comedy Benefit, and TUTU: Dance In All Its Glory.

 This festival in celebration of 33 years at Venue 33 The Pleasance Theatre Trust has commissioned a brand new type of mobile venue. From an initial innovative concept created by Triple E the final pop-up 120 seat-capacity ‘Project 33’ is a design collaboration between Triple E and The Pleasance. The Venue will launch at the ABTT (Association of British Theatre Technicians) Theatre Show in June before going on to host eight shows a day at the Edinburgh Festival Fringe as the all new Pleasance Beside. Following the festival, the structure will move to the Pleasance in London where it will form a new rehearsal and performance space.

A first major UK application for Triple E ModTruss™, the award-winning Meccano-style construction system, Project 33 will provide a taller, more theatrical and more comfortable alternative for the courtyard-based Pleasance Beside.

In contrast to the prefab cabins which preceded it, limited to 8ft to fit through the archway access, Project 33 will arrive flat packed and pop-up to provide a 14ft internal height which will greatly enhance the lighting, production and performances in the space.

Tickets go on sale this week for the new venue, Pleasance Beside alongside 25 others across the Pleasance’s 23 spaces. Those lining up to make the most of the new facilities and possibilities in Pleasance Beside include Brennan Reece.

A host of other great acts are also now on sale including Alasdair Beckett-King, Best of Edinburgh Showcase Show, Brennan Reece, Colin Cloud, The Cambridge Footlights International Tour 2017, Chris Turner, Ed Night, Gein’s Family Giftshop, John Hastings, Josh Pugh, Katy Brand, Lauren Pattison, News Revue 2017, TAPE FACE, The Noise Next Door, Rachel Parris, Sara Schaefer, Showstopper! The Improvised Musical, Simon Amstell, The Gruaffalo’s Child, The Showstoppers’ Kids Show, The Midnight Beast, The Nature of Forgetting, The Tartan Ribbon Comedy Benefit, and TUTU: Dance In All Its Glory.

Anthony Alderson, Director of Pleasance Theatre Trust, said: “For 33 years venue 33, The Pleasance, has crammed the most fun we could find into the maximum number of spaces around the Pleasance Courtyard and more recently beyond. This year we’ve taken a plunge and invested in a brand new, state of the art modular theatre designed specifically for the Courtyard venue and which we think provides really exciting opportunities for the work of the Pleasance Theatre Trust both in Edinburgh in August and in other places throughout the year. This summer 8 shows each and every day will have a bigger and better space than we could previously offer them, and audiences will have a chance to experience not only the bright minds on stage but the bright minds that conjured up this modular theatre at Triple E. Come and check it out!’

David Edelstein, Managing Director at Triple E, comments: “The history of The Pleasance is all about making the most out of found spaces and exploiting available sites for performance with the tightest of budgets. The Pleasance has never commissioned a bespoke venue before, but Director Anthony Alderson was immediately enthusiastic when I explained our ModTruss™ theatre solution, Project 33, which we will build and hand over at the ABTT Theatre Show.”